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Photography and Art Shop

Detailed guides and lessons for Photography and Art teachers. Created by a seasoned Photographer and artist who has a passion for education

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Detailed guides and lessons for Photography and Art teachers. Created by a seasoned Photographer and artist who has a passion for education
Photohunt and Forced perspective booklet and Powerpoint
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Photohunt and Forced perspective booklet and Powerpoint

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Photohunt designed for keystage 3 pupils. Project designed for online or at home learning which asks pupils to take photos of objects that look like letters and examines forced perspective. Has a range of supporting theory and guides for editing images once taken. Supporting powerpoint for delivery in class. Runs for around 6-8 lessons.
Tom Lewis editing guide
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Tom Lewis editing guide

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A full guide on how to edit in the style of Tom Lewis’s Neon Beasts project. Made for use with Photoshop but can also be used with online software like Photopea. Great for GCSE and A level pupils who want an editing technique that looks really slick and isn’t that challenging. Can be completed with use of a drawing board.
Tiny Planet Photography editing guide
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Tiny Planet Photography editing guide

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Editing guide for a Tiny planet workshop. Really good resource for a great looking outcomes with minimal effort. Great for GCSE photography. Can be linked to photographers like Alexandre Duret-Lutz. Includes an in-depth editing guide made for Adobe Photoshop CS5 or later
Photography: Lisa Creagh Editing Guide
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Photography: Lisa Creagh Editing Guide

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A full guide on how to edit in the style of Lisa Creagh. Made for use with Photoshop but can also be used with online software like Photopea. Great for GCSE and A level pupils who want a quick outcome that is of a high standard. Uses scanography to obtain image but can also be completed with standard images or stock
Fong Qi Wei Editing guide
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Fong Qi Wei Editing guide

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A full guide on how to edit in the style of Fong Qi Wei. Made for use with Photoshop but can also be used with online software like Photopea. Great for GCSE and A level pupils who want a quick outcome that is of a high standard. Simple singular image technique that teaches how to create beams of light in an image.
Photostory Booklet and Powerpoint
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Photostory Booklet and Powerpoint

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Photography resource that focuses on students telling a story using imagery. Can be completed on phones and software like powerpoint to present images. Perfect for those who are new to teaching photography and want a great unit that can be completed on any budget. Comes with both booklet and supporting powerpoint.
Dispersion editing guide. PHOTOGRAPHY GCSE UK
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Dispersion editing guide. PHOTOGRAPHY GCSE UK

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Great editing guide on how to do the popular dispersion effect. Makes your subject look like they’re being broken apart. In-depth guide is made to work with Adobe Photoshop CS5 or later. Great for GCSE students or as a workshop so quick and easy outcomes.
Photography: Levitation full unit of work.
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Photography: Levitation full unit of work.

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Full unit of work that focuses on levitation and the work of btoh Franck Bohbot and Li Wei. Teaches everything that is needed to hit each assessment objective both at GCSE and A level. This includes: Artist research and image analysis Shooting plan and lighting analysis Contact sheet creation and best images section Editing pages production Editing guide explaining how to produce work Best edit (final outcome) presentation and annotation guide I use this as the fifth artist inspired unit that is completed after students have learned integral shooting and editing skills in the previous four units. Includes a full unit that covers everything from Artist research to shooting and editing. It also shows students what is required to hit each assessment objective and gives them an understanding of how to present their work in a detailed and reflective way.
Photography: Full unit inspired by Ulric Collette (face merge)
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Photography: Full unit inspired by Ulric Collette (face merge)

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Full unit of work that focuses on Ulric Collette’s Genetic portraits series. Teaches everything that is need to hit each assessment objective both at GCSE and A level. This includes: Artist research and image analysis Shooting plan and lighting analysis Contact sheet creation and best images section Editing pages production Editing guide explaining how to produce work Best edit (final outcome) presentation and annotation guide I use this as the first artist inspired unit that I complete at the start of any photographic course because it is fun and teaches essential skills with lighting, shooting and editing. It also shows students what is required to hit each assessment objective and gives them an understanding of how to present their work in a detailed and reflective way. Can be adapted for any photographer you intend to use for inspiration
Composition Photography Scheme of work
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Composition Photography Scheme of work

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10 week Photography scheme of work that includes in-depth booklet for students to write in, homework, basic editing guide and supporting powerpoint. Perfect for any group at KS3 or KS4. Full scheme with everything needed to teach the fundamentals of composition and how it effect imagery. Made by a professional photographer with over 20 years experience
Photography: Contact sheet creation and editing page guidance for photographer Ulric Collette
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Photography: Contact sheet creation and editing page guidance for photographer Ulric Collette

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Guide on how to create a contact sheet then produce an editing page for face merge workshop. Also includes an editing guide that details how to create a face merge on photoshop. Perfect for all levels of photographic study but designed for year 10 and AS. Part of the Ulric Collette face merge unit I have designed. Teaches students how to show and present their images with annotation. Also includes a guide on how to create a detailed editing page whilst editing. Workshop focuses on basic photoshop skills that are utilised regularly when editing. Layer blending and manipulation is so integral to photoshop that I try to ensure my students have a good understanding of these at the start of any photographic course.