In this co-operative review activity, students who have studied Hamlet are asked to match the text on the edges of sixteen triangles to reconstitute the following quotes: - This above all: to thine own self be true. - There is nothing either good or bad, but thinking makes it so. - Though this be madness, yet there is method in’t. - To die, to sleep; To sleep: perchance to dream . . . - There are more things in Heaven and Earth, Horatio, than are dreamt of in your philosophy. - Brevity is the soul of wit. - I must be cruel only to be kind; thus bad begins, and worse remains behind - Get thee to a nunnery. - The lady doth protest too much, methinks. - O that this too too solid flesh would melt … - Good night, sweet prince. And flights of angels sing thee to thy rest! - When sorrows come, they come not single spies but in battalions. - Madness in great ones must not unwatched go. - One may smile and smile and be a villain - Happy in that we are not overhappy; on Fortune's cap we are not the very button. - Neither a borrower nor a lender be: for loan oft loses both itself and friend.

In this co-operative review activity, students who have studied the Scottish play are asked to match the text on the edges of 16 triangles to reconstitute the following quotes: -But screw your courage to the sticking place . . . -Nothing in his life became him like the leaving it. -Let not light see my black and deep desires. -False face must hide what the false heart doth know. -There’s daggers in men’s smiles. -The attempt and not the deed confounds us. -Present fears are less than horrible imaginings. -Double, double toil and trouble; fire burn, and cauldron bubble. -Give sorrow words. -Life’s but a walking shadow, a poor player that struts and frets his hour upon the stage, and then is heard no more. -Look like th' innocent flower, but be the serpent under ’t. -Out, damned spot! -What’s done cannot be undone. -The instruments of darkness tell us truths . . . -By the pricking of my thumbs, something wicked this way comes. -Fair is foul, and foul is fair. All nauseatingly fawning feedback gratefully accepted.

In this co-operative review activity, students who have studied TWELFTH NIGHT match the texts on the edges of sixteen triangles to reconstitute the following quotes: Oh Time, thou must untangle this, not I. It is too hard a knot for me t'untie! She did commend my yellow stockings of late, she did praise my leg, being cross-gartered. O, had I but followed the arts! Many a good hanging prevents a bad marriage. If music be the food of love, play on. Dost thou think, because thou art virtuous, there shall be no more cakes and ale? Some are born great, some achieve greatness, and some have greatness thrust upon ‘em. This fellow is wise enough to play the fool and to do that well craves a kind of wit. Love sought is good, but giv'n unsought is better. If this were played upon a stage now, I could condemn it as an improbable fiction. This youth that you see here I snatch'd one half out of the jaws of death. Or I am mad, or else this is a dream. I'll be revenged on the whole pack of you. Better a witty fool than a foolish wit. Foolery, sir, does walk about the orb like the sun, it shines everywhere. One face, one voice, one habit, and two persons, a natural perspective that is and is not!

In this co-operative review activity, students who have studied ROMEO AND JULIET are asked to match the text on the edges of sixteen triangles to reconstitute the following quotes: Wherefore art thou Romeo? Deny thy father and refuse thy name. A plague o’ both your houses. A rose by any other name would smell as sweet. Parting is such sweet sorrow. Young baggage, disobedient wretch! I tell thee what: get thee to church o' Thursday, or never after look me in the face. For, by your leaves, you shall not stay alone till Holy Church incorporate two in one. A pair of star-cross'd lovers take their life… Ask for me tomorrow and you shall find me a grave man. Wisely and slow; they stumble that run fast. Your lady mother is coming to your chamber: the day is broke; be wary… O true apothecary, thy drugs are quick. Thus with a kiss I die. Tempt not a desperate man My only love sprung from my only hate! Do you bite your thumb at us, sir? O happy dagger, this is thy sheath. There rust and let me die. For never was a story of more woe than this of Juliet and her Romeo.

In this co-operative review activity, students who have studied THE TEMPEST match the texts on the edges of sixteen triangles to reconstitute the following quotes: Good wombs have borne bad sons. (Act 1, Scene 2) Hell is empty and all the devils are here. (Act 1, Scene 2) You taught me language, and my profit on't is, I know how to curse. (Act 1, Scene 2) But this swift business I must uneasy make, lest too light winning make the prize light. (Act 1, Scene 2) The wills above be done but I would fain die a dry death. (Act 1, Scene 1) I’ll rack thee with old cramps, fill all thy bones with aches. (Act 1, Scene 2) My library was dukedom large enough. (Act 1, Scene 2) There's nothing ill can dwell in such a temple. (Act 1, Scene 2) Misery acquaints a man with strange bed-fellows. (Act 2, Scene 2) It was mine art, when I arrived and heard thee, that made gape the pine and let thee out. (Act 1, Scene 2) We are such stuff as dreams are made on, and our little life is rounded with a sleep. (Act 4, Scene 1) How beauteous mankind is! O brave new world, that has such people in’t! (Act 5, Scene 1) The strongest oaths are straw to the fire i' the blood. (Act 4, Scene 1) He that dies pays all debts. ( Act 3, Scene 2) Now I will believe that there are unicorns. ( Act 3, Scene 3) What have we here? A man or a fish?  (Act 2, Scene 2)

In this co-operative review activity, students who have studied A MIDSUMMER NIGHT’S DREAM match the texts on the edges of sixteen triangles to reconstitute the following quotes: Sleep, that sometimes shuts up sorrow’s eye, seal me awhile from mine own company. Lord, what fools these mortals be! If we shadows have offended, think but this, and all is mended, that you have but slumbered here while these visions did appear. The course of true love never did run smooth. Things base and vile, holding no quantity, Love can transpose to form and dignity. Never harm, nor spell nor charm, come our lovely lady nigh. The best in this kind are but shadows, and the worst are no worse, if imagination amend them. Thus have I, Wall, my part dischargèd so. And, being done, thus Wall away doth go. Come, blade, my breast imbrue. And, farewell, friends. Thus Thisbe ends. Adieu. Hang off, thou cat, thou burr! Vile thing, let loose. In the temple, by and by, with us, these couples shall eternally be knit. The lunatic, the lover, and the poet are of imagination all compact. Never anything can be amiss when simpleness and duty tender it. We cannot fight for love, as men may do; we should be wooed and were not made to woo. When in that moment, so it came to pass, Titania waked and straightway loved an ass. Sleep, that sometimes shuts up sorrow’s eye, seal me awhile from mine own company. Am not I Hermia? Are not you Lysander? I am as fair now as I was erewhile.

This variation on the old SNAKES AND LADDERS board game will ease your students (and you!) back into work mode. It requires students to read, listen, and pronounce carefully in French. And to be creative! Voici le bon vieux jeu de société, SERPENTS ET ÉCHELLES, réinventé pour adoucir la rentrée (qui arrive toujours trop vite pour les enfants . . . et les profs). Le jeu demande aux étudiants de lire et écouter attentivement, de bien prononcer les textes et de faire preuve de créativité!