I am providing this free as an update! November 2024 It is in the complete work unit - but I want to make sure anyone who bought the unit gets this free too!

This is the first lesson in introducing CASABLANCA. The purpose is to introduce the philosophy behind a study of Classical Hollywood, specific to the a Classic film! It avoids getting ‘lost’ in a history lesson, but introduces some key terms, such as The Vichy, and challenges students to see the film in the film’s era and context of the emigree experience, and make links to the current emigree issues. It introduces some key film language which students will have to use in essay and exam writing - and has the link to the opening titles - which is viewed at the start and end of the lesson The PPT|S encourage discussion, students led note taking, and summarising. My expectation is students will have 2 sides A4 of their own notes ,and I would hand out the stills of the globe and maps.

This is a free introduction to SPIES the Fritz Lang for Eduqs Film study - it is a support work book for the silent film section A Level exam

This is a first run 30 PPT introduction to the film/documentary and 3 further PPTS - connecting F is For Fake Orson Welles to Exit, one asking Who is Banksy and one asking who is Guetta All have some essay questions to encourage students to think more deelpy about the complexity of fake versus fictions, authenticity, art and art fraud, and the role of graffiti It assumes it will be teacher led and the main PPT is approximately 1/2 before and 1/2 post viewing I introduce ideas about authenticity, cinema verite, voice over narration, and there is a slide in which the I list the sequences - this would be best printed for students! There are writing ideas and discussion points I have assumed students have a knowledge of the language of film and therefore the deep dives are limited to what is more unique to the documentary This should cover somewhere between 3-5 lessons excluding viewing

This is targetting OCR media A Level music video [ MV} The links are current at March 2024 - but you will need to update the MV set text SUN GOES DOWN from youtube yourself - the offical version is the one referred to As a point of comparision The old town road is suggested: to understand a bit more about the artist The resouce introduces shot/camera/costume exploration, and detailed lyric exploration while reflecting on the artists role in hip hop and as part of the LGBTI community and conflicts with hegemony. It does contain a bad language warning - and a reminder that this MV does refer to thoughts of suicide. OCR chose it - not me !!! This PPT spreads over 4-5 lessons - with writing tasks ege 4 - 5 hours -

This is a work book for Film studies - as the film has a high restricted rating, it is assumed this film is done in a Year 13 class after a year of film study - so this DOES NOT go over film language as it is assumed students have already been taught basics. The workbook is structured to explore auteur: Tarantino as the Director and, as Music sound track auteur which has become his trademark. It looks at trademark shots such as the trunk shot - the elliptical narrative, the role of discombobulated dialogue, the casting The work book could be use as part of a remote learning scheme, but would be better suited to explicit guided viewing. The role of how differently audiences react, hyper reality, binary theory is covered in questions students should respond to.

This is a student workbook which allows them to view and make notes and explore in depth the ‘britishness’ of the film The work would/should occupy about 8-10 lessons I print it single sided and encourage them to build on the reverse pages there on own ideas and story boards so it become a solid revision tool for them

A few exam series in, I have added a short PPT based on how my students wrote about Formation and scored overall near 100% on MV questions - they were pushing for links that were out of the ‘box’ and drilling down on ‘media’ the artist and the poltics of Music |Videos per se- Hope it helps Contains 4 PPTS 1] This is a 90 slide PPT introducing formation: This is a teacher led PPT and covers: Beyonce’s connection to the Black Panthers New Orleans Bounce culture Relevance of Hurricane Katrina and the aftermath Connections to Slavery Awards The Superbowl release Oblique references to policing and #BLM Costume/Mise en scene/ framing Of the 90 slides about 12 are selections from the Music Video which focus on key moments suitable for evidence for writing task evidence - there are so many frames to choose from - what is included in this 90 PPT is A selection This PPT is in a sense a generic unit - you may for example want to use the 2] DO NOW PPT which is a separate PPT at various stages interspersed in the main PPT I have assumed there is a general knowledge about cinematic terms and that is NOT included 3] PPT close analysis of 6 frames - this demonstrates to students how to use media language in dissecting frames each frame should have further analysis done by students - based on ‘I model, you know do’ 4] PPT 4 is short extension PPT on mediated histroical stereotypes of Black women

This is a 22 page workbook to accompany the film viewing of HURTLOCKER with the spcialist viewing information from the board included. Students found this very helpful for revision and consolidating the big ideas but this work does assume students have a grounding in the language of film It hass response sections but students should build from these writing prompt sections, the basic response to anticipated film questions

This is for students studying THE BIG ISSUE [TBI] It includes references to the Sgt Pepper cover used in the 2021 November exam series. PPTs cover TBI going digital and the impact of covid Issue practise with Marcus Rushford Digital impact and key word practise: bricolage homage Theorist used Clay Shirkey

This is a one off lesson - about 60 to 90 minutes - and has links for students to do further reading which is why it could take 90 minutes. It has some excerpts from the controversial Ed West article in the Telegraph from 2011 which no longer seems to be online Primarily this is guided lesson, wherein the student task is to summarised what they have learned and do some independant learning Either class room or online There once was a teachit resource for the two newsaper articles [ back in 2017] but you would need to source that yourself!

This contains two PPTS revised as at February 2023 - one is a general revision to compare and contrast the set texts from Mars and Beyonce and the second PPT is a an in depth refresher on Mars uptown funk Neither need teacher support - but if teacher led would take 2-3 lessons to work through There are some exam style questions - with guidance on ’ get to the point’ style answers, stongly focussed on there are no points in waffle! There are slides with core vocab refreshers.

UPDATED 20 AUGUST 2020 This is work book intended for A Level students ( film study) using the current curriculum for Eduqas (WJEC) board with the first exams 2019. ( I think it is impossible to teach spectatorship witihout acknowledging casting choices in light of#blacklives matter and the wake of #metoo) Update includes an extra page towards the end on more sound information The resource focuses on Spectatorship, but assumes that some spectatorship has already been taught. As this film has attaracted over 50!! PHD thesis - I have got this down to what I think is a manageable 25 pages ( just under 6,500 words) with some student interaction, but all the interaction comes back to what will be the key question focus for the 2019 - 2021 exams with this film - spectatorship. The key scenes I have targeted are the coin toss, and the motel scene post Moss death, with sections on camera, lighting, costumes, and of course the Coen’s and Deakin. There are many themes one could chose - I have included Nihilism, religion , ageing, law and order, as they seem the most obvious and will I hope write up well in the exams. I have not done much focus on the acting because I have assumed that any teacher would easily identify that its realism, and method with the main three! I have left this as a word document - so you can alter adapt and personalise as you wish - or not if you choose - but I do ask that you do not distrubute this online.

This is a 70+ slide PPT intoduction to Rocks; it breaks the viewing dowin into 3 slots reflecting it is a short film. The PPTs introduce various ideas about the film including it is has polyglot casting, largely female cast and productions crew, and in paticular this is British film. There are quite a few stills from the film for students to break down with an emphasis on mis en scene, and frame composition. This is one of a two part approach to Rocks for GCSE - however please note that both this INTRODUCTION assume the teacher knows how to teach film! There are short writing tasks, a check list template for students on short or even long writing tasks - some share pair work, and some background information

This is constructed for examination purposed for the UK exam boards for A Level UPDATED April 7 2024 workbook - in word doc New addition Nov 2024: theory of trauma and idealogy [ Addition : making a link to the politics of pretty I have added a PPT which reflects students reading around the subject and idealogy - it has a quite difficult essay task but my students enjoyed it as some had read ’ women dont owe you pretty’ ] The workbook has been updated as I continue teaching this, with real world student input. I have dipped more into ideology- gender, misogyny, continued looking at the aesthetics of cuteness, and how spectator is constructed . There is a newer section on the ‘femme fatale’ PPT1 It is a focused on how meaning is made, spectatorship and ideology and the context [67 slides0 PPT 2 is focused on the ideology of being cute and #toxicmasculinty PPT 3 looks at some of the failures in the film - it’s a discussion prompt with several examples including the look alike to Bridget Bardot homage PPT1 suggests viewing broken down to 3 sessions - and has short and long writing task and some discussion breaks. It also has a selection of film shots for students to explore as well in depth of how meaning is made through soundtrack, costume, context and milennial ideas of feminism - however teachers can adapt to how they teach film /length of lessons With 67 slides - there is enough for about 10-12 one hour lessons [It does not teach basics of film, because no one teaching this, is likely be using it as their first text and cinematography basics would have been taught already! ] PPT1 has some useful links - which at January 2024 are active - and a short teaching rationale for teachers Please note I always charge very little for resources which takes hours to put together and therefore, respectfully ask you do not put my work online as your product :)

This is a whole introduction unit for All About Eve - targeting Eduqas and WJEC : It does assume two things: one the teacher has some experience in teaching film and the language of film for GCE. and that the student has already had some basic film language taught Of the new films, this really is one of the easiest that is going to write up well. As Old Hollywood, it’s a bit of a gift, using stardom, studio power, it’s Academy Award status, the cinematography and performance, costume and of course, dialogue

This resource is the first stage teaching of MOONLIGHT. I have focused on the assumption that students are grounded in the language of film. Ideology is over 2 PPTS - an includes a clip from BAD BOYS 4 [ 2024] as it is set in Miami and shows a contrast of hyper masculinity! PPTS 1- 3 are in teaching and viewing order There PPTS on Chiron/Black and Juan, Cinamotography, theory, the film playlist ( sound is linked on ideology] and a genreic film screening template which I print on A3 - two copies per student, a PPT in theory linked to MOONLIGHT This will be added to maybe, after September 2024, and if you see something added , please message me if you can not access for free after your first purchase!

FILM STUDY This is a set of 10 PPTS as the introduction from first to second viewing of the film. I have assumed that the teacher leading this knows how to teach film and has reviewed the film! The PPTS use stills, and questions to prompt students to securely locate the Britishness in this film using cinematic evidence It is not however, an introduction to cinematic terms so I have assumed basics have been taught eg lighting props costume It has only a few youtube links which are all working at the time of upload This does dig into the context of era so has some challenging ideas about the Thatcher era, racism and as such students should continue to be trigger warned - a heading from the Times used is genuine, sadly.

This is workbook for Winters Bone suitable for Eduqas A Level new curriculum 2018+ addition to resource revision also for AS exams 2023 addition to resourcce revision PPT Feb 2021 This approximately 32+ pages - it is best used by being printed in colour. It has quite a bit of technical teaching for film - eg 3pt lighting, camera shot, costume. It is assumed that this film might be at the beginning of teaching A Level film and therfore introduces more techinical language. However, the prupose is to teach spectatorship and the work book is geared towards the Eduqas ( WJEC) a level A condition of purchase of thi resource is that it will not be shared on-line. It is supplied in word foramt so that you can personalise it.

This is a workbook created for the Eduqas board current course ( first exam June 2019) This has been updated again September 2021 - with an extra 30 slide PPT reviewing context, the Hays Code, the tension between Old hollywood and Wilder’s vision, images of colour stills versus the back and white Updated 2020 and added quick fire PPTs - great for revision! It covers the broad range of ideas with the film: context, history, aesthetics, auteur, cinematography, male gaze, gender bender. It has a suggested main essay question, short work tasks, and various stills from the film It is not per se a viewing log, but should be used before during and after viewing.