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I am an A Level tutor who teaches Film Studies A Level & G.C.S.E., Sociology A Level, E.P.Q., English Language G.C.S.E. *PLEASE REVIEW* I complete schemes of work for each of my courses and aim to upload as many resources as I can in the near future. If you like my work and would like to request a resource, please let me know and I will produce what you need. I produce video resources here: https://www.youtube.com/channel/UC31WbZO2OQW3Ul108I0QUmw

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I am an A Level tutor who teaches Film Studies A Level & G.C.S.E., Sociology A Level, E.P.Q., English Language G.C.S.E. *PLEASE REVIEW* I complete schemes of work for each of my courses and aim to upload as many resources as I can in the near future. If you like my work and would like to request a resource, please let me know and I will produce what you need. I produce video resources here: https://www.youtube.com/channel/UC31WbZO2OQW3Ul108I0QUmw
PULP FICTION - Experimental CINEMATOGRAPHY [full lesson and assessment]
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PULP FICTION - Experimental CINEMATOGRAPHY [full lesson and assessment]

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**This pack contains one 23-slide PowerPoint that teaches how to answer this question using Pulp Fiction as the chosen film. One 12-page booklet - note taking, fill in the gaps, analysis, detailed slides and essay planning document. ** Explore how far cinematography contributes to the experimental nature of your chosen film or films. [20] every analysis task comes with multiple slides breaking down the scenes and provide guidane for essay writing Lesson covers: Starter - Re-cap of conventional/mainstream American cinema approach to camera Short Martin Scorsese/ history of the Hollywood style - documentary extract and tasks Explanation of the ‘formal’ approach to cinematography - with examples Discussion of Tarantino’s most common ‘experimental’ uses of camera - with examples from the film How to write an introduction to the question - writing task Part 1 - 'using the camera to restrict information and create active spectators. The ‘Trunk shot’ Part 2 - Subversion of conventional approach / experimenting with scene construction Analysis of scene from Fast and Furious 7 - Comparative analysis of the ‘Marcellus meets Butch’ scene from the film Part 3 - French New Wave: camera in service of the characters, not narrative Analysis - scene from Breathless Analysis - comparison to final scene from the film Detailed visual breakdown of the final sequence Plenary/assessment: Read exemplar essay Review and re-write activity optional research task Essay planning activity [with booklet] Mark scheme
Pulp Fiction Experimental Cinema bundle. Camera, Narrative & Auteur
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Pulp Fiction Experimental Cinema bundle. Camera, Narrative & Auteur

3 Resources
This contains the lessons, each designed for the Eduqas A Level Film Studies specification. Lesson 1 - Quentin Tarantino Experimental Auteur https://www.tes.com/teaching-resource/resource-12745600 Lesson 2 - Experimental Narrative https://www.tes.com/teaching-resource/resource-12743717 Lesson 3 - Experimental Cinematography https://www.tes.com/teaching-resource/resource-12746945 Save 21% by buying this