A unit of work I did not design, but these are the lessons I created to teach it. The lessons focus on The Tempest and Othello. These lessons were designed to be taught to a bottom set Year 9 class with more interest in staring out of the window than exploring the linguistic delights of the Bard. However, once I started to Story Woosh the plays, the analytical lessons became much more productive.

So, this unseen poetry section is quite scary isn't it? This was my way of attacking it with my KS4 students. I used song lyrics to start with, but also looked at some trickier poetic forms . The songs and poems you'll need to independently download are embedded in the lessons .

I used these lessons with year 9 classes. They still adhere to the old AQA specification (they talk of bands). But, each lesson is a complete poem and will save you some work.

A series of lessons that I taught to top set KS4 students. Please note, the gaps between the first and fourth lessons are intentional as I had the students act out the play and answer the comprehension questions in the AQA Study Guide book.

These resources assume prior knowledge on the part of the students - they will have covered the greater majority of the texts before hand. The lessons go back and fill in the gaps. I try a few different things here in terms of approach. The "Mike and Sophia" extract guide is a guided annotation lesson; I'd be interested to see how classes respond to this.

I've found another use for all that knowledge we have about the old AQA English Lit anthology (The Sunlight on The Grass anthology). I have started to turn them into English Language Paper 1 Section A Mock Exams! This is one of them. There is no mark scheme, but if you use the Paper 1 mark scheme from the AQA website you should be fine. This one uses the start of On Seeing the 100% Perfect Girl One Beautiful April Morning. I've taken one paragraph out but don't worry, it doesn't take away from the creepiness of the narrative voice.

I've found another use for all that knowledge we have about the old AQA English Lit anthology (The Sunlight on The Grass anthology). I have started to turn them into English Language Paper 1 Section A Mock Exams! This is one of them. There is no mark scheme, but if you use the Paper 1 mark scheme from the AQA website you should be fine. This one uses sections from Compass and Torch - I've stitched together two sections and omitted the bit about the horses (for those who remember) so that the extract focuses only on the relationship between the boy and the man.

I've found another use for all that knowledge we have about the old AQA English Lit anthology (The Sunlight on The Grass anthology). I have started to turn them into English Language Paper 1 Section A Mock Exams! This is one of them. There is no mark scheme, but if you use the Paper 1 mark scheme from the AQA website you should be fine. This one uses the start of Anil. As a pause for though, you may wish to consider renaming the character of Anil. Think about it...

I've found another use for all that knowledge we have about the old AQA English Lit anthology (The Sunlight on The Grass anthology). I have started to turn them into English Language Paper 1 Section A Mock Exams! This is one of them. There is no mark scheme, but if you use the Paper 1 mark scheme from the AQA website you should be fine. This one uses a section from When The Wasps Drowned - it's not the start bit, but if you think about it, it doesn't really need to be.

I’ve found another use for all that knowledge we have about the old AQA English Lit anthology (The Sunlight on The Grass anthology). I have started to turn them into English Language Paper 1 Section A Mock Exams! This is one of them. There is no mark scheme, but if you use the Paper 1 mark scheme from the AQA website you should be fine. This one uses the start of The Darkness Out There. The focus here is very much on the use of setting. UPDATE: I’ve included some rudimentary answers. You’ll still need a copy of the mark scheme.

I've had a lot of fun teaching these lessons. Essentially, the idea is you spend a lesson exploring a poem and then a creative angle has been drawn from the text to inform the creative writing lesson that follows. Each of the creative writing lessons assumes a two hour window. A simple scheme, but I've found it to be rather effective.

A few things first: the mock exam can be found elsewhere on in my resources and I base the lessons off a similar series of lessons focused on Anil. The difference here is that these lessons are very much targeting higher ability students - all of the success criteria draws from the top end of the mark criteria. I found this series of lessons to be really useful as a way of establishing the skills required to answer each of the Section A questions. The lessons focus less on exam strategy and more on understanding what is required in relation to each question. The kids found it useful.

A stand alone lesson that assumes all participants have read and understood the text. I used it as a platform to show students what they needed to be revising. There is some focus on themes and a focus on an extract - both areas of which I use as a stimulus for class lead discussion. I finish with an exam based question - the focus is upon the characters that are manipulated, not the manipulator (just to keep them on their toes). Hope you find this useful.

A couple of lessons that focus on improving creative writing skills. I allude to tasks that have already been completed by the students - you can easily edit these to reflect your own tasks. Particularly pleased with the descriptive writing task as it got a bunch of lads who don’t “do” creative writing to talk about their feelings.

Two lessons this time, both very much reliant on the students to do the contributing: hence the reduced price.