Suitable for teaching as a one off, or as part of the GCSE "Power and Conflict" poetry cluster. Skills covered: themes and ideas (with a look at literary criticism examining tribal conflict and the psychological landscape in Heaney's poetry); language forms, structure and features; and context.

1-2 lessons for the "Conflict and Power" poetry cluster for the GCSE. These lessons focus on comparison skills for the two above poems, with a focus on revising A01-A03 in London.

For the GCSE Language Paper 2 (non-fiction), this lesson facilitates students' development of critical writing for non-fiction texts. Tailored for question 3 of the exam. In this lesson, students revise persuasive language devices and analyse "Hiroshima" by John Hersey.

For GCSE Language Paper 2 (non-fiction), this lesson facilitates students’ development of comparison and critical writing skills, for question 4 of the exam. Clips introduce comparison skills, which are consolidated in examining non-fiction extracts surrounding the Titanic (original news report and survivor’s journal).

After marking my year 11 exams, I was disappointed by how many students continue to panic and write huge generalisations instead of proper analysis. E.g. "the imagery really helps the reader picture the scene in their mind" or "this technique creates tension and makes the reader want to read on." This resource can be used with high-ability year 9/10 or low-middle ability year 11s. A couple of different activities walk students through ways of approaching analysis.

A one off lesson that you can teach either as a part of creative writing or just a filler lesson. Looks at how to structure a creative response based on different stimulus; plenty of model examples included.

Regardless of how many times I’ve taught Macbeth at GCSE, students still seem to struggle to make meaningful connections between text and context, and thus hit their A03 target. Here are four lessons I designed to tackle this problem, going in depth to explore: Lesson 1: Who was King James? How did his paranoia, marriage to Anne of Denmark, taking of the English throne, and self-appointment as witch-hunter influence the shaping of Macbeth? Lesson 2: Protestantism & Catholicism. What are the key differences between the two? How did Luther’s teachings divert from Catholic tradition and lay the groundwork for Henry VIII? Lesson 3: The Chain of Being. How did this reinforce the feudal system? Lesson 4: The Supernatural. How does the setting of Scotland lend itself to supernatural elements? How does the supernatural in Macbeth reinforce the colonial narrative? My set 1 year 10s really engaged with these four lessons. Have also included “required readings” with key terms and questions for discussion that you might choose to set as homework before the lessons (flipped-model style).

10 essay questions for EACH of the English Literature topics: Power & Conflict, Jekyll & Hyde, An Inspector Calls and Macbeth. Presented in a flier format for students to tear off a question. Great resource for classroom displays, extension tasks, or students’ private study.

This unit of work and accompanying series of lessons was designed for a class of Gifted and Talented students in year 8. They were studying fantasy fiction in their general English classes, and withdrawn for 2 separate sessions a week to focus on these extension activities. This unit can be integrated into a fantasy unit or taught separately. Details are as follows: PBL, student-centred model Culminating product is a fantasy narrative fiction Lots of scaffolds, differentiation and stretch and challenge Designed as an introduction to understanding literary theory Built around fostering higher order thinking skills, critical and creative writing, and 21st century skills (collaboration, questioning etc). Research and digital literacy- some lessons require independent research and inquiry. Lessons included focus on the following: Why have people dissed fantasy? Critical readings of Le Guinn and Tolkien Introduction of project and need to knows Process of creation: who was Tolkien and what were his methods? Introduction of complex terminology relating to fantasy world-building Breakdown of critical reading of “On Fairy Stories” and linking to ‘what is the purpose of fantasy?’ How to build a convincing fantasy world How to create unique magic systems What are the ethical considerations of fantasy? Originally, this powerpoint was made using Google Slides, and students all had their own digital copy. This is why some of the interactive “portals” (pictures where students can right-click and will be taken to a separate resource) link elsewhere. I have included the resources in a different form so that you can give these to students in hard copy form instead.

**Pitch: **Lower- set year 10 **Context: **For students writing fiction narratives Included: Explanation of Todorov narrative structure theory Breakdown of four narrative types: linear, non-linear, parallel, framed Bank of structural terms Narrative planning sheets in each of the four structure types.

**Pitched at: **Lower-set year 10 **Context: **Students writing narrative fiction Lesson content: Tips and tricks for writing in the historical fiction genre How to write setting How to write plot How to write characters and build a character arc. Included: Powerpoint Examples of historical fiction Planning sheets

A four slide resource that introduces students to the meaning of archetypes. I like to use this resource at the beginning of any fiction topic.

Pitched at: Year 11 Standard **Context: Students are studying different fiction genres and culminating product is writing a narrative fiction in a genre of their choice. Lesson sequence: Introdution and goal setting Student get to know you/diagnostic What is genre? Recap of form, structure, language The Gothic Genre (several lessons, looking at extracts from Dracula, Frankenstein, The Werewolf by Angela Carter. The Fantasy Genre (looking at Tolkien, WOT, world-building etc) The Dystopian genre What is narrative structure? How to write critical paragraphs analysing language How to structure a creative response Show, don’t tell workshop Resources included: Main power-point Model creatives and critical paragraphs Worlshop power-points on structure and narratology, symbolism, types of fantasy worlds All extracts Worksheets Peer marking activities

Two to three lessons on the poem "Ozymandias" by Percy Bysshe Shelley. Romantic context, high level language and structure analysis, annotations and creative activities make an engaging three-part series.

Now on sale for Christmas- whole scheme of work for "An Inspector Calls." 30 or so lessons covering everything you need for teaching this GCSE topic.

My year 7s are about to undertake a poetry unit, and so I thought I'd share my first two lessons. Lesson one covers form, structure and language with related activities. Lesson two looks at meaning in the poem "The Word Party" which is a great introduction poem for little newbies. Happy new year everyone!

This is the first lesson I've taught for our new non-fiction unit with year 7. This lesson recaps language techniques, introduces non-fiction types, and then looks at a short review of "Alice in Wonderland." The final activity requires students to write their own review of "The Jabberwocky". Enjoy

3/4 lessons for if you're starting to teach the GCSE Language Paper 2: Viewpoints and Perspectives, or as a general introduction to non-fiction. Find included: - Introduction to non-fiction and persuasive language devices - Structure of a film review (I've chosen "All Quiet on the Western Front" as it coincides with my class's adjacent war unit, but you can supplement this for any film) - Analysis of a film review - Comprehension, analysis and summary exam skills. Enjoy

Part of the Power & Conflict cluster for GCSE poetry, these 2-3 lessons firstly cover contextual factors (Agard's subjective experience and the broader issues/aftermath of colonialism), in depth annotations of the poem, themes and ideas. An guided annotation sheet can be done in class or as homework.

A lesson teaching comparison skills, designed for the "Power & Conflict" poetry cluster for the GCSE. (AQA specification). Can be taught as a one off after the rest of the unit has been taught