A nicely constructed essay on "Structures and Abstraction" to show students beginning the written element of their personal Investigation with a good mix of research and gallery visits to inform the personal response. The student uses quotation well to set up opportunities to comment and develop ideas further, supported by examples of their own work. Also includes the student's own photos of work seen in galleries such as the Mondrian on this cover image.
I use this as an introduction session to life drawing as it is a great confidence booster in figure drawing, but I've also found it really useful as part of any project to do with the figure. Using Rodin as a source it gives good crossover between AO1 and AO2, looking at the way he uses pose and body language to inform their drawings to get a really informed and meaningful personal response. The great thing about working from sculpture is that it frees the students up from worrying about the detail that often gets in the way. There is an extension activity using new approaches for them in media in a really expressive way. Great for GCSE and A Level students
A lesson starter and activity to explore Matisse's cut outs in a new approach. The starter will enable students to challenge their thinking on how an artist can work when faced with physical challenges. This is a great lesson for the promotion of equality and diversity and gives good coverage to AO1 AO2 and AO4 with them commenting on the ways of working and then taking new approaches with the cut outs of Matisse. Great for all age ranges in raising their awareness of equality and diversity. The power point slides give additional information on the artists condition and ways of working.
A set of images of extreme facial expression to use for drawing - images of sculptures featuring the work of Franz Xaver Messerschmidt, Bernini and Rodin. I've used these with year 9 and above - and find that getting students to draw from sculptures offers them a start in seeing where the essential forms are through tonal changes without being distracted by detail - the withdrawal away from the reality of a basic photograph of a face seems to help in achieving more expressive and stronger drawing. The powerpoint contains 22 images of facial expressions in sculptures and links to information. This can form the basis of a set of lessons that lead into their own explorations of facial expression through their own direct observations. The expressions can cause some smiles too.
This always goes well - it gives students a systematic approach to making a seamless repeat pattern. The step by step guide on the power point comes with a starter pattern looking at repeating pattern across different cultures and then focuses on William Morris style repeating process, so a good coverage of AO1 2 and 4. Great for years 7 - 9 but can be done in a simpler version for KS2 also. Good to follow on from some observation drawing sessions on natural forms, but I've used the idea with allsorts of shapes from Cosmic to micro organisms
This has always proved a really useful lesson, either done part way through a project or towards the end. It focuses the students into thinking what is their work about, what are they trying to do in their work, and how they can explain their ideas. I use this source by separating the images from the text, and the students have to match the statement to the work. This then leads into them highlighting areas that they find most informative and commenting on how they can understand the work more after reading what the artist has said about it. They then begin to formulate their own thoughts into writing their own artists statements to go at the start of the project, rather than an evaluation at the end. This is great for GCSE and A Level AO1 and 4, and also for creating a great impression with the moderator.
A useful intervention or cover lesson - comes with a starter task to engage on entry and leads through examples of how fashion designers are using artists as influences in their work. The task has suggested artists to explore and has learning objectives to focus the students on outcomes
A fun starter to engage boys in particular in discussion - the points in discussion can be directed towards design, comfort, clean etc to prompt the refinement of the definition of "best"
6 thinking skills starters to engage and inspire as well as inform on different approaches and aspects of Art. Great for KS 3 4 & 5 - useful for starting lesson observations, or just as a way of giving them something different
A lesson with a starter activity which focuses students on how artists communicate ideas in different ways as well as understanding that when they look at an image it is usually communicating a story, a concept, a response to something. Students are then guided to explore a discussion question relating to how artists use text in their work with a list of suggested sources. The slides have notes accompanying to prompt discussion and there are opportunities to dwell on issues of equality and diversity. This lesson is aimed at GCSE and A Level to boost response to AO1 to show extended informed comments and discussion rather than the usual biographical information on one artist.
This might be useful starting the essay in lockdown - getting the students to think for themselves and construct a discussion around their theme, and exploring the work of artists
A nice starter for students to think outside the box. Great for getting a positive working atmosphere going and developing thinking skills. great for any subject as something different to start with including tutor time.
A useful starter for Music or Tutor time - keep your students engaged on entry looking for connections between the images. The nature of the Odd One Out starters is to prompt guessing and questioning from the students, so there are no questions on this starter apart from "which is the odd one out?". I find dropping clues in where they get stuck helpful to prompt further looking and guessing. The important thing is not for them to know, or guess the answer but to open up possibilities of thinking for them.
A fun little starter to engage students on entry - gets them looking at how artists work in different ways - some neat and tidy, some chaotic. It gives them a reference point of the work the artists produce with the answers. Good for a bit of background knowledge of working practices in painting.