This pack, containing 11 worksheets and 1 teacher answer sheet, is designed to support the teaching of Set Work 7, 'Release' from the album Volume 2: Release, by Afro Celt Sound System, from the new Pearson Edexcel GCSE Music (9-1) 2016 specification. The activities and tasks on each of the worksheets are differentiated, in order to support the development of skills for a range of abilities. The following worksheets are included: – Worksheet 7.1: First Impressions; – Worksheet 7.2: The Set Work in Context; – Worksheet 7.3: Performing Forces; – Worksheet 7.4: Structure; – Worksheet 7.5: Harmony and Tonality; – Worksheet 7.6: Melody; – Worksheet 7.7: Rhythm, Metre and Tempo; – Worksheet 7.8: Music Technology; – Worksheet 7.9: Exam Style Questions; – Worksheet 7.10: Wider Listening; – Worksheet 7.11: Revision Checklist. In addition, a comprehensive answer sheet is included providing definitive answers (where they exist) and indicative content for student responses for every question presented in this worksheet pack. Added following feedback from a user of another worksheet pack in this series, these answers make marking and discussion of class tasks more efficient, and support peer and self-marking of tasks too! Previews of the first page of each worksheet are available from the files list. It is the responsibility of the teacher to check this coverage of this content against the exam board specification, this worksheet pack does not intend to offer complete coverage of the set work, but should be used instead as a tool to support the teaching of the subject content. Please leave a review if you like this resource!

Most GCSE Specifications require students to have a basic knowledge of cadences that they can use to identify them through the study of set works, and through listening to unfamiliar music, or both. This 6-page worksheet introduces the concept of the cadence at it's most basic level, and progresses through 3 different tasks ensuring that students are able to practice recognising cadences from a score, by listening, and able to write cadences in their own composition. The worksheet begins with a comprehensive guide that introduces the concept of the cadence, ensuring that students can recognise chords and assign the appropriate roman numeral, before introducing each of the four types of cadence, each accompanied by a written example. There are three subsequent tasks aimed at securing student's understanding – they are: – Task 1: To name various cadences by analysing a score; – Task 2: To complete the last two chords of a simple chorale phrase, using the cadence specified; – Task 3: A listening question requiring students to identify 6 cadences at the end of a short chorale harmonisation (audio file included). A limited preview of the worksheet is available from the files list. It is the responsibility of the teacher to check the coverage of this worksheet against the exam board specification, this worksheet does not intend to offer complete coverage for all specifications. Please leave a review if you like this resource!

This pack, containing 10 worksheets and 1 teacher answer sheet, is aimed at supporting the teaching of Set Work 2, Piano Sonata No. 8 in C minor, Pathétique, movement 1 by Ludwig van Beethoven, from the new Pearson Edexcel GCSE Music (9-1) 2016 specification. The activities and tasks on each of the worksheets range in difficulty, in order to support the development of skills for a range of abilities, with differentiated questions aimed at specific target grades. The following worksheets are included: – Worksheet 1.1: First Impressions; – Worksheet 1.2: The Set Work in Context; – Worksheet 1.3: Sonata Form; – Worksheet 1.4: Thematic Material; – Worksheet 1.5: Dynamics; – Worksheet 1.6: Texture; – Worksheet 1.7: Harmony and Tonality; – Worksheet 1.8: Exam Style Questions; – Worksheet 1.9: Wider Listening; – Worksheet 1.10: Revision Checklist. In addition, a comprehensive answer sheet is included providing definitive answers (where they exist) and indicative content for student responses for every question presented in this worksheet pack. Added following feedback from a user of another worksheet pack in this series, these answers make marking and discussion of class tasks more efficient, and support peer and self-marking of tasks too! Previews of the first page of each worksheet are available from the files list. It is the responsibility of the teacher to check the coverage of this content against the exam board specification. This worksheet pack does not intend to offer complete coverage of the set work, but should be used instead as a tool to support the teaching of the subject content. Please leave a review if you like this resource! –––– Update 05/09/17: Correction of a small misprint in Worksheet 2.3. Update 12/10/17: Addition of answer sheet, and change of wording in Worksheet 2.9, Q. 5.

New for September 2024! A set of 15 practice listening/exam-style questions, covering all of Area of Study 1, including the new study piece, Beethoven Symphony 1. Great for end of unit tests and building exam technique without using up the limited ‘real’ past papers. This 66 page resource includes 10 unfamiliar listening practice questions for each of the strands of the Western Classical Tradition 1650–1910, including: – the coronation anthems and oratorios of Handel; – the orchestral music of Haydn, Mozart and Beethoven; – the piano music of Chopin and Schumann; and – the Requiem of the late Romantic period. There are also 5 further questions updated for the new study piece for first teaching from September 2024, Beethoven: Symphony No. 1, Movement 1, in the style of Section B of the exam. Regular practice with exam-style questions is crucial for exam success, and should form part of well-rounded study and preparation for the exam. This book of additional questions will allow you to save the limited number of ‘real’ past papers for closer to the exam. This book includes 15 total questions, complete with a mark scheme and mark record sheet that students can used to track their progress. Sample pages are available to view in the files section. All audio files are included.

This pack, containing 11 worksheets and 1 teacher guide, is aimed at supporting the teaching of Set Work 1, Brandenburg Concerto No. 5 in D major, 3rd movement, by J. S. Bach, from the new Pearson Edexcel GCSE Music (9-1) 2016 specification. The activities and tasks on each of the worksheets range in difficulty, in order to support the development of skills for a range of abilities. The following worksheets are included: – Worksheet 1.1: First Impressions; – Worksheet 1.2: The Concerto; – Worksheet 1.3: Finding the Solo; – Worksheet 1.4: Instrumentation: Exam Style Questions; – Worksheet 1.5: Fugal Structure; – Worksheet 1.6: Melody in Section A; – Worksheet 1.7: Comparing Melodies; – Worksheet 1.8: Rhythm and Metre: Exam Style Questions; – Worksheet 1.9: Rhythm in the Harpsichord Part; – Worksheet 1.10: Identifying Texture; – Worksheet 1.11: Revision Checklist. Additionally, as suggested in a review for this resource, a Teacher Sheet has now been included providing all of the answers (where a definitive answer exists) and indicative content for each of the questions on every worksheet in this pack. This adds the flexibility for students to self-mark their work and makes teacher marking easier too. Previews of the first page of each worksheet are available from the files list. It is the responsibility of the teacher to check this coverage of this content against the exam board specification, this worksheet pack does not intend to offer complete coverage of the set work, but should be used instead as a tool to support the teaching of the subject content. Please leave a review if you like this resource! Update 30/05/2017: Correction of a minor error in Worksheet 1.10. Update 21/09/2017: Addition of Teacher Sheet 1 – Answers.

This 48 page resource contains a compilation of practice questions for the Component 3: Appraising exam for the new 2016 Pearson Edexcel GCSE (9-1) Specification. In the exam, students will be required to complete listening questions based on set works from each of the areas of study. The questions in this collection are tailored specifically towards the set works in Area of Study 1: Instrumental Music (1700-1820). **The collection contains: ** Five listening questions based on J.S. Bach: Brandenburg Concerto no. 5 in D major (3rd movement) Five listening questions based on Beethoven: Sonata in C minor (Pathétique) (1st movement) Three musical dictation questions based on J.S. Bach: Brandenburg Concerto no. 5 in D major (3rd movement) Three musical dictation questions based on Beethoven: Sonata in C minor (Pathétique) (1st movement) Two unfamiliar listening questions. Full mark scheme for teachers. Student mark record sheet for tracking progress. **Student Book ** In response to a suggestion made on Twitter by a user of this resource, a student book has now been added which contains just the questions and the mark record sheet, with the answers omitted, to enable teachers to print a whole booklet for their students to use, without them being able to consult the answers. **Audio Recordings ** For reasons of copyright, this resource does not contain the audio recordings that are required to complete the questions. Full details of specific recordings and timings are provided, and for those questions that relate directly to a set work, the recording used is the same as that recommended in the specification, so should be available already. These questions are all based on those that will be found in Section A of the examination. No questions based on those from Section B are included. A sample question is available to preview by selecting the ‘Sample Question’ file in the files list. Update 20/04/16: Minor Corrections and addition of ‘Also in this series’ page. Update 11/09/17: Student Book added. Update 23/04/18: Improved wording of some questions, and correction of a number of minor errors in the mark scheme. If you purchase this resource, please leave a rating and feedback!

This 44 page resource contains one complete practice paper and accompanying mark scheme for the Component 3: Appraising exam that students will sit as part of the assessment for the 2016 Pearson Edexcel GCSE Music (9-1) qualification. The questions in this paper are based upon the style and wording of those found in the sample assessment materials provided by the exam board so as to help prepare students as much as possible for their exam. This resource includes one complete practice paper and a comprehensive mark scheme to accompany each of the questions. The following breakdown provides a summary of the set works covered in each question: • Question 1: John Williams, Star Wars Episode IV: A New Hope. • Question 2: Afro Celt Sound System, ‘Release’ from the album Release. • Question 3: Beethoven, Piano Sonata No. 8 in C minor, ‘Pathétique’, first movement. • Question 4: J. S. Bach, Brandenburg Concerto No. 5 in D major, 3rd movement. • Question 5: ‘Defying Gravity’ from Wicked. • Question 6: Queen, ‘Killer Queen’ from the album Sheer Heart Attack. • Question 9: J. S. Bach, Brandenburg Concerto No. 5 in D major, 3rd movement. The complete question paper is included within the teacher guide for reference, and a separate copy of the complete paper is available as a separate file which can be printed or for students. Audio files Unfortunately, for reasons of copyright, this resource does not have an accompanying audio CD or sound files. However, full details of the recording used, and the timings required for each extract are given in this book to make it easy for teachers to compile their own audio CD. For the set work questions, the recording used is from the Pearson Anthology CD, meaning no additional purchase of material be necessary for the majority of questions. For question 8 and 9 (the unfamiliar listening questions), the recording has been selected as one that can be easily found and purchased as an MP3 download online at very low cost. For best results, you may wish to edit each extract and mix them onto a single recording with announcements at the beginning of each playing. If you purchase this resource, please leave a rating and feedback! –––––––––––––– Update 19/06/2018: updated to reflect confirmation that the extracts in Section B will each be played three times, contrary to what appears in the Sample Assessment Materials. A minor error in the total number of marks for question 9 has also been corrected.

This pack of posters currently contains 11 full colour A3 classroom posters, covering several of the most significant film composers of the 20th and 21st century. These posters are perfect to brighten up your classroom, and help to familiarise your students with the key composers of the film music genre, and the scores they composed. The pack currently contains posters for the following composers: – Alexandre Desplat – Bernard Herrmann – Danny Elfman – Ennio Morricone – Hans Zimmer – Howard Shore – James Horner – Jerry Goldsmith – John Barry – John Williams – Randy Newman For the best results, the posters should be printed borderless on A3 paper, in colour, and laminated. All posters are supplied in PDF format. Previews of all posters are available in the files list. Please leave a review if you purchase this item, and share photos of your display on twitter @SeanYoung_Music

This pack, containing 11 worksheets and 1 teacher guide, is aimed at supporting the teaching of Set Work 3, Music for a While, by Henry Purcell, from the new Pearson Edexcel GCSE Music (9-1) 2016 specification. The activities and tasks on each of the worksheets range in difficulty, in order to support the development of skills for a range of abilities. The following worksheets are included: – Worksheet 3.1: First Impressions; – Worksheet 3.2: The Set Work in Context; – Worksheet 3.3: Instrumentation; – Worksheet 3.4: Structure and Ground Bass; – Worksheet 3.5: Text Setting; – Worksheet 3.6: Ornaments; – Worksheet 3.7: Laments; – Worksheet 3.8: Harmony; – Worksheet 3.9: Exam Style Questions; – Worksheet 3.10: Comparison of Baroque Features; – Worksheet 3.11: Check Your Knowledge. In addition, a comprehensive answer sheet is included providing definitive answers (where they exist) and indicative content for student responses for every question presented in this worksheet pack. Added following feedback from a user of another worksheet pack in this series, these answers make marking and discussion of class tasks more efficient, and support peer and self-marking of tasks too! Previews of the first page of each worksheet are available from the files list. It is the responsibility of the teacher to check the coverage of this content against the exam board specification. This worksheet pack does not intend to offer complete coverage of the set work, but should be used instead as a tool to support the teaching of the subject content. Please leave a review if you like this resource! ––––– Update 31/05/2017: Correction of minor errors on Worksheet 3.2 and 3.9, and layout improvements in Worksheet 3.10. Update 23/10/2017: Addition of Teacher Sheet 3, including answers to all questions.

This pack, containing 11 worksheets and 1 teacher answer sheet, is designed to support the teaching of Set Work 6, ‘Main Title/Rebel Blockade Runner’ from Star Wars Episode IV: A New Hope, by John Williams, from the new Pearson Edexcel GCSE Music (9-1) 2016 specification. The activities and tasks on each of the worksheets are differentiated, in order to support the development of skills for a range of abilities. The following worksheets are included: – Worksheet 6.1: First Impressions; – Worksheet 6.2: The Set Work in Context; – Worksheet 6.3: Performing Forces; – Worksheet 6.4: Leitmotifs; – Worksheet 6.5: Structure; – Worksheet 6.6: Texture; – Worksheet 6.7: Rhythm, Metre and Tempo; – Worksheet 6.8: Harmony and Tonality; – Worksheet 6.9: Exam Style Questions; – Worksheet 6.10: Wider Listening; – Worksheet 6.11: Revision Checklist. In addition, a comprehensive answer sheet is included providing definitive answers (where they exist) and indicative content for student responses for every question presented in this worksheet pack. Added following feedback from a user of another worksheet pack in this series, these answers make marking and discussion of class tasks more efficient, and support peer and self-marking of tasks too! Previews of the first page of each worksheet are available from the files list. It is the responsibility of the teacher to check this coverage of this content against the exam board specification, this worksheet pack does not intend to offer complete coverage of the set work, but should be used instead as a tool to support the teaching of the subject content. Please leave a review if you like this resource!

This pack of posters currently contains 13 full colour A3 classroom posters, with one for each major and minor key signature, ideal to brighten up your music classroom. For the best results, the posters should be printed borderless on A3 paper, in colour, and laminated. All posters are supplied in PDF format. Previews of all posters are available in the files list. Please leave a review if you purchase this item, and share photos of your display on twitter @SeanYoung_Music

This pack of posters currently contains 23 full colour A3 classroom posters, covering several of the most significant composers in the Western Classical tradition. These posters are perfect to brighten up your classroom, and help to familiarise your students with the key composers, the period they were from, and their nationality. The pack currently contains posters for the following composers: – Bach – Beethoven – Berlioz – Brahms – Debussy – Elgar – Fauré – Handel – Haydn – Holst – Mahler – Mendelssohn – Mozart – Purcell – Saint-Saëns – Schoenberg – Schubert – Schumann – Shostakovich – Strauss – Stravinsky – Vaughan Williams – Wagner More composers will be added soon! For the best results, the posters should be printed borderless on A3 paper, in colour, and laminated. All posters are supplied in PDF format. Previews of all posters are available in the files list. Please leave a review if you purchase this item, and share photos of your display on twitter @SeanYoung_Music

This pack of posters contains 12 full colour A3 classroom posters, covering several of the most significant Blues and Jazz composers. These posters are perfect to brighten up your classroom, and help to familiarise your students with the key composers of the genre. The pack currently contains posters for the following composers: – Benny Goodman – Bessie Smith – Charlie Parker – Count Basie – Dizzy Gillespie – Duke Ellington – Glenn Miller – Jelly Roll Morton – Louis Armstrong – Miles Davis – Scott Joplin – W. C. Handy For the best results, the posters should be printed borderless on A3 paper, in colour, and laminated. All posters are supplied in PDF format. Previews of all posters are available in the files list. Please leave a review if you purchase this item, and share photos of your display on twitter @SeanYoung_Music

In order to do well in their exam, your students will need to be familiar with the key musical features of each of the eight set works listed in the new 2016 Pearson Edexcel GCSE (9-1) Music Specification. These posters categorise the key features under each of the different elements of music, and will help your students to learn and memorise these elements effectively! The collection contains one revision poster for each of the two set works listed in Area of Study 1: Instrumental Music (1700-1820) – J.S. Bach: Brandenburg Concerto no. 5 in D major (3rd movement) – Beethoven: Sonata in C minor (Pathétique) (1st movement) Great value at just £1 per poster! All posters are supplied in PDF format. Previews of all posters are available in the files list. For the best results, the posters should be printed borderless on A3 paper, in colour, and laminated. Please leave a review if you like this resource!

In order to do well in their exam, your students will need to be familiar with the key musical features of each of the eight set works listed in the new 2016 Pearson Edexcel GCSE (9-1) Music Specification. These posters categorise the key features under each of the different elements of music, and will help your students to learn and memorise these elements effectively! The collection contains one revision poster for each of the two set works listed in Area of Study 2: Vocal Music – Henry Purcell, Oedipus, Z. 583: Music for a While – Queen, ‘Killer Queen’ from the album Sheer Heart Attack Great value at just £1 per poster! All posters are supplied in PDF format.Previews of all posters are available in the files list. For the best results, the posters should be printed borderless on A3 paper, in colour, and laminated. Please leave a review if you like this resource!

This document contains links to download the audio recordings recommended by the exam board for each of the set works on iTunes. At the time of upload, the links included in this document were correct; however, you should check the latest version of the specification on the Pearson Edexcel website before downloading and using the audio tracks suggested in this document.

This arrangement of the song The Lion Sleeps Tonight contains three vocal groups, one melody and two accompaniment, prepared for a classroom singing session at Key Stage 3 level. The parts have been simplified and are easily memorable, making this suitable to be learned aurally. This resource contains: – A score containing each of the three parts – A lyric sheet with the lyrics for the first vocal part Please leave a rating and feedback below if you like this resource!

Regular wider listening is an important part of preparing for the new Eduqas GCSE Specification, as the exam requires students to listen and identify musical devices that are used in unfamiliar repertoire. The music they will be required to listen to in the exam will be related to by style and/or genre to one of the four areas of study. By engaging regularly in listening to unfamiliar music of these styles/genres, students will develop their appraising skills and their ability to recognise various musical devices in unfamiliar music. To support this, I've launched #WiderListeningWednesday on Twitter and Facebook, with a different wider listening piece posted each Wednesday at 9.30 am. This wider listening diary is the perfect accompaniment to these weekly posts, as it will ensure your students engage regularly in listening outside of lessons and will provide a useful record for revision, without the task become arduous and time consuming. What's included? – The diary comes in the form of a full colour A5 booklet that can be printed for students which provides space for 51 diary entries in one place. For best results this should be printed commercially. Two versions of this booklet are included, one for in-house printing, and a second for commercial printing with all of the necessary crop marks included. Please consult the attached guidance for commercial printing to ensure your printed product appears correctly. – The book contains useful guidance that will help students recognise the important features of each wider listening piece, and also contains a list of the musical devices listed in the specification, for reference. – For ease, a handy printing guide has been included to guide you through in-house printing and some recommended print specifications, if you choose to let a professional print company handle your printing. You can follow #WiderListeningWednesday on Twitter @SeanYoung_Music and Facebook @SeanYoungMusicEd! Please share, retweet and leave a review of this resource if you like it!