This detailed and visually-appealing resource offers a complete reference point for students learning or revising Arthur Miller's 'A View from the Bridge.' It contains comprehensive sections on: - Context; - Scene by Scene Summary (with quotes); - Main Characters; - Themes; - Miller's Dramatic Devices; - The Features of Tragedy. Key words and ideas are underlined for easy reference. The resource is designed to be printed onto A3, and is provided as both a PDF and a Word version (so that you can edit if you want to). All images used are licensed for commercial use and are cited on a separate document (included).

This engaging and informative lesson enables students to make precise and sustained interpretations regarding Susan Hill’s portrayal of Eel Marsh House in the early chapters of The Woman in Black. In particular, they consider how the language (e.g. similes and pathetic fallacy) are used to introduce and develop the imagery and atmosphere of the house. They also consider how the features of the house (e.g. its isolation and age) relate to the generic conventions of scary settings. The lesson follows a step-by-step learning journey, in which children learn through: - Defining the key conventions of ghostly settings; - Reading extracts introducing Eel Marsh House, and relating the conventions of ghostly settings to the description of Eel Marsh House; - Identifying and exploring how the features of Hill’s language help to create imagery and an atmosphere that surrounds Eel Marsh House; - Analysing how Hill’s language and subject matter are effective in the description of Eel Marsh House; - Peer assessing each other’s learning attempts. Included is: - Whole lesson PowerPoint - colourful and comprehensive; - Extracts from ‘The Journey North’ and ‘Across the Causeway’ of The Woman in Black; - The Features of Ghostly Settings worksheet; - Analysis template with success criteria for creating well-structured responses; - Comprehensive lesson plan. There are also opportunities for group learning, peer assessment, and whole class discussion. This was originally taught to middle-ability year 10 groups, but can easily be differentiated for groups of different ages and abilities. All images are licensed for commercial use, and image rights are listed on the last page of the presentation.

This lesson enables students to make precise interpretations of the final chapter of Philip Pullman’s ‘Northern Lights.’ They also learn how the different features of the endings (for example plot twists, dark moments, and unpredictable elements) combine to create endings that are engaging and effective. At the end of the lesson, they use this understanding to create their own alternate endings to the text. The lesson follows a step-by-step learning journey, in which children learn through: -Recapping the key events from earlier in the text, (in order to lay the foundations for understanding the ending); -Reading and comprehending the ending of the text, through reading chapter 23 and answering thoughtful comprehension questions; -Analysing the effectiveness of the ending, considering a range of techniques used by Pullman to structure his ending; -Creating their own alternate ending, using the agreed features of effective endings; Self assessing their learning attempts. Included is: Whole lesson PowerPoint - colourful and comprehensive; Extract from Chapter 23 of Northern Lights; Analysis template; Comprehensive lesson plan. All resources are provided in Word (for easy editing) and PDF (to ensure formatting remains fixed between different computers). There are also opportunities for group learning, speaking and listening, peer assessment, and whole class discussion. I originally used these resources with year 7/8 classes, however colleagues have used them for between years 5 and 10 with some adaptations. The PowerPoint is in the zipfile. All images are licensed for commercial use, and image rights are listed on the last page of the presentation.

This resource booklet contains a wide range of age-appropriate, engaging, and meaningful comprehension activities for use throughout the reading of George Orwell’s ‘Animal Farm.’ Teachers have found them particularly useful in exam revision, comprehension tasks, or guided reading sessions. They are perfect for aiding the progress of students towards meeting the KS4 expectations within the new National Curriculum framework - this makes the tasks suitable for all examining bodies. Students have found these resources extremely engaging, and for teachers there is explicit information within each task regarding which comprehension strands the task is designed to demonstrate. They also relate to key extracts, characters, and themes from the story, ensuring that students gain a deep understanding of the text. Activities within the booklet include: - ‘Context: The Russian Revolution’ - to aid students with ‘Drawing on knowledge of the purpose, audience and context of the writing, including its social, historical and cultural context and the literary tradition to which it belongs, to inform evaluation;’ - ‘Orwell’s Description’ - to aid students with ‘Analysing a writer’s choice of vocabulary, form, grammatical and structural features, and evaluating their effectiveness and impact;’ - ‘Napoleon’ - to aid students with ‘Seeking evidence in the text to support a point of view, including justifying inferences with evidence;’ - ‘Editing the Text’ - to aid students with ‘Making an informed personal response, recognising that other responses to a text are possible and evaluating these.’ Plus many, many more activities (the booklet is around 30 pages in length!) I’ve also added it as a PDF in case the formatting differs on your computer. All images are licensed for commercial use, and are cited on a separate document (included).

This resource booklet contains a wide range of age-appropriate, engaging, and meaningful comprehension activities for use throughout the reading of Sue Townsend’s ‘The Secret Diary of Adrian Mole, Aged 13 3/4.’ Teachers have found them particularly useful in comprehension or guided reading sessions. They are perfect for aiding the progress of children towards meeting the KS3 expectations within the new National Curriculum framework. Children have found these resources extremely engaging, and for teachers there is explicit information within each task regarding which comprehension strands the task is designed to demonstrate. They also relate to key extracts, characters, and themes from the story, ensuring that children gain a deep understanding of the text. Activities within the booklet include: ‘Context: 1980s Britain - to enable students to demonstrate that they can: ‘Know the purpose, audience and context of the writing and drawing on this knowledge to support comprehension.’ ‘Townsend’s Language Devices’ - to enable students to demonstrate that they can: ‘Know how language, including figurative language, vocabulary choice, grammar, text structure and organisational features, present meaning.’ ‘Bert Baxter Character Profile’ - to enable students to demonstrate that they can: ‘Study setting, plot, and characterisation, and the effects of these.’ ‘Vocabulary Inspector’ - to enable students to demonstrate that they can: ‘Learn new vocabulary, relating it explicitly to known vocabulary and understanding it with the help of context and dictionaries.’ Plus many, many more activities (the booklet is 23 pages in length!) I’ve also added it as a PDF in case the formatting differs on your computer. All images are licensed for commercial use, and are cited on a separate document (included).

This highly engaging and informative double lesson (around 1.5 to 2 hours of teaching materials) helps students to build skills in demonstrating appropriate, sophisticated, and original structures in their writing, and provides them with theories and techniques to help them to organise their writing adequately. I wrote this lesson because I noticed that there are an extremely high volume of students that approach extended writing tasks (even in their GCSEs) with practically no sense of organisation. Even though they have clearly learnt a number of writing techniques from their teachers, their writing can be extremely short, repetitive, and in some cases the topic is confused. This lesson aims to address each of those issues. Students learn: - What structure and organisation mean; - Narrative structure theory and 'plot mountain;' - How time order can effect a creative text; - How to expand using the five key senses; - How and when to use paragraphing; - Plan for their own extended piece of writing; Included are all worksheets, and detailed and visual PowerPoint presentation, which explains each concept clearly, and a lesson plan for teacher guidance. Alternatively, you can buy the Descriptive Writing Big Bundle (All descriptive devices lessons, structuring and organising writing lesson, capturing the readers attention lesson, and the literacy writing mat) for £5. All images are licensed for commercial use, and authors are cited on the final slide.

Based on the popular game show 'Pointless', this resource is perfect for use as a starter activity, plenary, or revision tool. Editable, so that you can change to any other topic or change the questions/answers. Containing almost 30 slides of sound clips, engaging visuals, and suitably challenging questions, this resource is effective at both promoting engagement and enhancing learning. There are several full rounds of questions to build students' understanding of adjectives, including: 1. Finding synonyms of dull adjectives 2. Defining adjectives 3. Unscrambling anagrams of adjectives 4. Finding the most complex and interesting adjectives. The nature of the game ensures that this resource can challenge students of all levels. NOTE: You can buy this resource alone, or in a bundle of 8 Pointless games, for only £1 more!

This detailed and visually-appealing resource offers a complete reference point for students learning or revising Tony Harrison’s poem 'Long Distance II.’ It contains comprehensive sections on: Context; Line-by-Line Analysis; Poetic Devices/ Language Devices; Themes; Form/Structure; Poems for Comparison; Links to Wider Reading. Key words and ideas are underlined for easy reference. The resource is designed to be printed onto A3, and is provided as both a PDF and a Word version (so that you can edit if you want to). All images used are licensed for commercial use and are cited on a separate document (included).

This interesting and engaging lesson enables students to understand the key structural, language and content features of Haiku poems, and to utilise these features accurately and imaginatively in their own Haikus. Students follow a clear and logical learning journey, in which they: -Define and identify the key structural and language features of Haikus; -Understand the origins and purposes of this form of poetry; -Read Haikus, answering questions about the content and use of language and structure; -Compare and contrast Haikus, evaluating their effectiveness; -Plan and create their own Haikus, using a guiding helpsheet and the knowledge/skills that they have accrued over the lesson; -Peer/self-assess their learning attempts. Resources are eye-catching and purposeful, including: -Visually engaging whole-lesson PowerPoint; -An interesting, imaginative, and well-presented worksheet (in Word and PDF); - A useful Haiku helpsheet (also in Word and PDF); -Step-by-step lesson plan. All images are licensed for commercial use, and are cited on the final page of the slide.

This fun and informative lesson helps students to understand two of the key themes throughout David Walliams ‘Billionaire Boy:’ money and happiness. Students explore Joe’s happiness, before then producing their own writing to argue piece on the topic of whether they believe money can buy happiness. The lesson follows a step-by-step learning journey, in which children learn through: -Considering what they would buy if they were a billionaire, and detailing this through a mind-map! - Reading and understanding extracts from the opening section of Billionaire Boy, in which Joe's wealth and unhappiness is detailed; - Identifying and analysing Walliams's use of devices to demonstrate Joe's unhappiness; - Writing their own arguments (using a help-sheet and model examples for influence) about whether they think money can buy happiness; - Self assessing their own learning attempts. Included is: - Whole lesson PowerPoint - colourful and comprehensive; - 'Joe's Unhappiness' Worksheet (and answer sheet); - Selected extracts - Billionaire Boy; - Writing to Argue Help-sheet; - Billionaire Mind-Map (and PDF version); - Comprehensive lesson plan. There are also opportunities for group learning, speaking and listening, peer assessment, and whole class discussion. I originally used these resources with a mixed-ability year 7 class, however colleagues have used them for between years 3 and 9 with some adaptations. All images are licensed for commercial use, and image rights are listed on the last page of the presentation.

This engaging and informative lesson enables students to make precise and perceptive interpretations of the character of Bertha Mason in Jane Eyre. Through close analysis of specific extracts from the text, students develop an understanding of how Bertha fits the conventions of a quintessential ‘gothic monster’, and also explore her position as a prime example of the ‘Other’ in Victorian society. The lesson follows a step-by-step learning journey, in which students learn through: Defining the key term ‘gothic novel’ and understanding the key conventions of gothic literature; Reading selected extracts from the text and answering comprehension questions considering Bertha Mason as fulfilling the role of the gothic monster; Considering ideas of the Victorian ‘Other’ and establishing how Bertha Mason recycles these ideas; Analysing how ideas of Bertha link to predominant 19th Century ideas about mental health and ethnicity; Using the knowledge they have gathered over the lesson to design and describe their own gothic monsters; Peer assessing each other’s learning attempts. Included is: Whole lesson PowerPoint - colourful and comprehensive; Bertha Mason worksheet; Selected extracts (from chapters 11, 20, and 26); Character profile template; Comprehensive lesson plan. There are also opportunities for group learning, peer assessment, and whole class discussion. These resources were originally taught to GCSE students, but with subtle adaptations they have also been used with both younger and older (up to A Level) students. Worksheets are provided as word docs (so that you can edit) and PDFs (to protect formatting). All images are licensed for commercial use, and image rights are listed on the last page of the presentation.

This resource booklet contains a wide range of age-appropriate, engaging, and meaningful comprehension activities for use throughout the reading of William Shakespeare’s ‘The Merchant of Venice.’ Teachers have found them particularly useful in exam revision, comprehension tasks, or guided reading sessions. They are perfect for aiding the progress of students towards meeting the KS4 expectations within the new National Curriculum framework - this makes the tasks suitable for all examining bodies. Students have found these resources extremely engaging, and for teachers there is explicit information within each task regarding which comprehension strands the task is designed to demonstrate. They also relate to key extracts, characters, and themes from the play ensuring that students gain a deep understanding of the text. Activities within the booklet include: ‘Context: Shakespearean Times’ - to aid students with ‘Drawing on knowledge of the purpose, audience and context of the writing, including its social, historical and cultural context and the literary tradition to which it belongs, to inform evaluation;’ ‘Shakespeare’s Description’ - to aid students with ‘Analysing a writer’s choice of vocabulary, form, grammatical and structural features, and evaluating their effectiveness and impact;’ ‘Shylock’ and ‘Bassanio’ character profiles- to aid students with ‘Seeking evidence in the text to support a point of view, including justifying inferences with evidence;’ ‘Editing the Play’ - to aid students with ‘Making an informed personal response, recognising that other responses to a text are possible and evaluating these.’ Plus many, many more activities (the booklet is around 30 pages in length!) I’ve also added it as a PDF in case the formatting differs on your computer. All images are licensed for commercial use, and are cited on a separate document (included).