Some of the better lessons I created for a year 9 War Poetry SOW. They are visual, many contain clips and are all fully differentiated (including LOs).

A full lesson centred around an extract from Suzanne Collins’s The Hunger Games with activities designed to get students to analyse how the author creates a sense of setting using a backstory and proper nouns. Students then have the opportunity to create their own backstory for a dystopia they have imagined. The resource was created as the fourth installment in a scheme of work, but could be used for a one-off lesson too. It is aimed at high-ability students in Year 7 but would work well for students in years 5, 6 or 8 dependent upon ability.

A full lesson on Keats’s Ode to a Nightingale, covering context, form and structure, themes and language.

A full lesson guiding students through the poem ‘Hide and Seek’ by Vernon Scannell, which appears on the Edexcel IGCSE Literature specification. The resource contains: a simple starter activity; guided analysis, breaking down key lines with questions; a plenary activity asking students their thoughts on the moral of the poem. The lesson could be developed with an extended writing activity and additional questions for each section of the poem. These are not included and this resource is not as detailed as some other resources in my shop, hence the lower price point.

A pair of lessons which focus on extract analysis of characters from Dr Jekyll and Mr Hyde and Frankenstein. The Frankenstein lesson contains printable resources for close language analysis in groups and the Jekyll and Hyde lesson contains an engaging activity where students can draw and label Mr Hyde. I would recommend the resource be used with low to middle ability KS3 students.

The lesson begins with some definitions of reliable and unreliable narrators, requiring students to justify which they feel Offred is. Next, students discuss the benefits of each type of narrator to an author before looking at some specific sections where Offred can be seen as unreliable. They must analyse the possible reasons and effects of this lack of reliability.

The lesson begins by building character profiles of Commander Fred Waterford and Fred Judd, and asks students to consider the significance of each character. Next is a close focus on the presentation of his character with discussion questions and, finally, a motion that forms the basis of a debate over his character.

A lesson on Kipling’s ‘If-’, which engages students with the poem’s main themes and ideas, and features of language and structure. It contains some background on the poem, information on stoicism (which seems to underpin many of the poem’s ideals), guided annotation, information on form and structure, and an exam-style question with writing frame. The lesson was designed for use with high ability students, studying the Edexcel IGCSE in Literature. The cover image was created using AI and does not reflect the appearance of the the slides in the resource. The image has been uploaded in case you would like to use it.

A lesson filled with contextual information on Keats’s On The Sea. Discussion points are also provided for Keats’s use of the sonnet form as well as his philosophy of negative capability and the role of the poet. Some images have been created using AI.

A simple lesson focusing on the use of rhyme in Robert Frost’s Stopping by Woods on a Snowy Evening. I would recommend it being taught to younger students getting to grips with how we annotate rhyme schemes and compose rhymed poems; I taught this lesson to a mixed ability year 7 class. The presentation includes a starter asking students to use metaphors. Then, there is a slide exemplifying the difference between true and near rhyme. I’ve included an embedded video of a good reading of the poem. Following this is an annotation exercise and, finally, students are asked to write their own rubai using the same rhyme scheme as Frost.

This lesson teaches students how to analyse the language of a poem through a range of activities relating to Counting Tigers by Gillian Clarke. It includes a choice of starter activity, a quotation ‘exploding’ activity, two exemplar responses to an exam-style question on the poem and a writing frame utilising the PETAL acronym to help students write their own response. The lesson is highly visual and there may be enough content to cover more than just one one-hour lesson. I taught this lesson to a low-ability year 9 class, but it could easily be pitched to GCSE students as an unseen poem.

A full lesson on The Eve of St Agnes by John Keats, taking students through key points of plot, context, form and structure, language features and themes. I used this over a two-lesson teaching sequence.

A step-by-step PowerPoint that takes students through writing an analytical response to a question on Shelley's Ozymandias. It centres on an exemplar piece that might be indicative of a grade 7 or 8 and has a writing frame included. There is also an annotating activity and a web hunt. It does not cover comparison to other poems. Suggested for more able years 10 and 11.

An introduction to Romanticism aimed squarely at KS3. The focus is on the art and ideals of the Romantic era and begins with some annotation of Fuseli's The Nightmare. There is a link to an engaging video on the topic, though it runs rather fast, so it would be worth pausing for discussion or using the video with higher ability only. The presentation contains printable grids with key questions, drawing students attention to important things in the artwork. The resource does not deal with any literature, but provides an opening from which you can segue into the works of the Romantics.

An introduction to the conventions of Gothic literature for KS3. This is an engaging resource with a video clip, a game of taboo, some descriptive writing and peer assessment. It is very accessible and would suit the low to middle ability.

A lesson which examines the imagery, form and context of Keats’s On sitting down to read King Lear once again. A group task is provided to facilitate study of the imagery of the poem quatrain by quatrain.

This lesson takes students through the Petrarchan sonnet form and Keats’s use of it, key context surrounding the poem and discussion / language analysis questions which focus students on its main interpretations. The language analysis task can be enacted in groups or as individual / paired comprehension. I have also included some information on Apollo and his relevance to Keats, as well as information on ‘The Camelion Poet’.

Lesson 3 in the scheme of work on writing in the dystopian genre. The lesson could be used as a one-off resource but is designed to build on students’ prior knowledge of noun phrases, non-finite clauses and adverbials. The resource asks students to think about the conventions of the genre and then asks them to write their own story openings. An original exemplar story opening is included to discuss / annotate with the class, which showcases the techniques practised in the previous two lessons. The lesson has been designed for use with high-ability year 7s, but would equally be suitable for students in years 5, 6 or 8, dependent upon ability.

Intended as the fifth in a creative writing scheme of work on dystopian writing. However, this lesson will work independently. The resource is centred around an extract from Do Androids Dream of Electric Sheep? by Philip K Dick as an example of how students could write a persuasive advert for their own automaton - either humanoid or animal. I have included an additional starter activity as the material may take more than one lesson to cover. The resource was designed for high ability year 7 students, but could work for students in years 5, 6 or 8, dependent upon ability.

A lesson sequence on the excerpt ‘Beyond the Sky and the Earth: A Journey into Bhutan’ from the Edexcel IGCSE anthology. There may be two lessons worth of material here, focused on having students identify and annotate the key features of language and structure. Then, then class are divided in two and provided with tables to complete, which focus them on analysing either the presentation of the people or the place, for question 4 of Paper 1. The resource may be better used with higher ability students, as the majority of the work is student focused, relying on their thoughts and analyses and those of their partner/group. Two AI-generated images have been used for decoration.