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English resources for KS3, 4 & 5
SHAKESPEARE'S OTHELLO - COMPARING THE LANGUAGE USED BY KEY CHARACTERS. FOCUS ON JEALOUSY. KS3 & 4.
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SHAKESPEARE'S OTHELLO - COMPARING THE LANGUAGE USED BY KEY CHARACTERS. FOCUS ON JEALOUSY. KS3 & 4.

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Aimed at higher ability KS3 or 4, this is a couple of lessons looking at how Othello's language changes from the beginning to the end of the play. It also makes comparison between Iago and Othello's language. The lesson also looks at identifying the writer's methods, through extracts from the play, which focus on the language used by both these key characters. There is a focus on Othello's words to Desdemona before he kills her and then how he returns to his former control in his final speech.
DRAMA LESSON FOR CREATING VICTORIAN ENGLISH TOWN - KS3 & 4 - CONTEXT FOR NOVEL
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DRAMA LESSON FOR CREATING VICTORIAN ENGLISH TOWN - KS3 & 4 - CONTEXT FOR NOVEL

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With step by step instructions, students will create a job role and character for themselves within a Victorian town of the class's own creation. This aims to further understanding of the working Victorians of the time and to be clear about the differences between the rich and poor. This can be taken further to develop characters and roles, and also used to facilitate descriptive or narrative writing.
VICTORIAN WORKING CHILDREN - CONTEXT FOR VICTORIAN NOVELS KS3 & 4
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VICTORIAN WORKING CHILDREN - CONTEXT FOR VICTORIAN NOVELS KS3 & 4

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Students should produce a word cloud on what they know of Victorian society so far. They are then asked to match the image with the children's job from this era. More information is given about different child jobs and then students use this to write their own job adverts, using given examples. See other lessons for sale.
CONTEXT LESSON ON VICTORIAN ENGLAND FOR INTRODUCING / RE-CAPPING A CHRISTMAS CAROL
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CONTEXT LESSON ON VICTORIAN ENGLAND FOR INTRODUCING / RE-CAPPING A CHRISTMAS CAROL

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Aimed at middle to low ability KS3, this lesson looks at the context of Victorian England, giving a range of information about life in the workhouse and looking at the difference between the lives of the rich and poor. There is also an extract from Berlie Doherty’s ‘The Street Child’ to analyse. Perfect for introducing any Victorian novel, but with A Christmas Carol in mind. Could be useful as re-capping context prior to exam.
WORLD WAR 1 CREATIVE POETRY TASKS - KS3 OR KS4 - POSSIBLE INTRODUCTION TO WAR POETRY
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WORLD WAR 1 CREATIVE POETRY TASKS - KS3 OR KS4 - POSSIBLE INTRODUCTION TO WAR POETRY

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Aimed at higher ability KS3 or 4, this lesson provides a range of WW1 poetry related tasks. Students are asked to consider what they already know about WW1 and create a colourful wordle (word cloud). Then, using stills from WW1 in Lego, students match lines from famous WW1 poems to the images. Finally, students decorate a template of a poppy (choice provided), with images and quotations from their learning. This could be provided as a competition. Possible introductory lesson to WW1 poetry.
ENGLISH LANGUAGE PAPER 1 SECTION B
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ENGLISH LANGUAGE PAPER 1 SECTION B

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ACTIVITIES RELATED TO THE NARRATIVE (AND DESCRIPTIVE) WRITING REQUIREMENT OF SECTION B OF AQA'S ENGLISH LANGUAGE PAPER 1. THE METAPHOR LESSON HELPS REMIND STUDENTS WHAT AN EFFECTIVE METAPHOR IS - RATHER THAN WRITE A POEM, THEY COULD SIMPLY WRITE A SELECTION OF METAPHORICAL DESCRIPTIONS.
The Seven Pomegranate Seeds - Myths and Legends - KS3 - AQA English Language Paper 1 Skills KS4
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The Seven Pomegranate Seeds - Myths and Legends - KS3 - AQA English Language Paper 1 Skills KS4

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Using Anthony Horowitz's re-telling of the story, these couple of lessons look at the relevance of the four seasons and ask pupils to consider how they affect people in everyday life. This starter activity helps them understand the ending of the story later in the lesson. Following more reading, there is a 'What do we learn about Hades' Q2 type task, with given answers for use with peer or self assessment. Then, students examine Demeter's feelings for her daughter by selecting evidence to support a number of given inferences. After discussion of the ending, pupils are asked to invent a fifth season and a god / goddess to control it.