Enhance your learning environment with this poster of J.B. Priestley’s ‘An Inspector Calls’, designed by Mr. Gradgrind.

A crossword on Shakespeare’s ‘Romeo and Juliet’. Ideal for KS3.

This 30-slide lesson explores the context of Shakespeare’s ‘The Tempest’. The lesson considers how European colonialism and the Age of Discovery influenced and impacted Shakespeare’s writing. Students are provided with an in-depth discussion of European colonial expansion in the Renaissance, including information on the Jamestown settlement and common artistic depictions of Indigenous Americans in Shakespeare’s lifetime. We think about how ‘The Tempest’ can be read as a product of the search for the ‘New World’. Shakespeare’s potential sources for this tragi-comic play are explored. Key words and themes are also presented, and the plot is outlined. We think about some of Shakespeare’s dramatic structure and stagecraft in the play, leading some critics to align Prospero with the playwright himself. Questions, discussion points, and tasks are included for students. This lesson could be used as a comprehensive introduction for pupils studying the play anywhere from high-attaining KS3 to A level. PowerPoint saved as PDF.

This 27-slide lesson serves as the perfect introduction to J.B. Priestley’s ‘An Inspector Calls’, establishing the key context and background to the play. The lesson features information about Priestley’s life and views, capitalism, socialism, important historical dates, and pre-war and post-war context. The play’s key themes and ideas are explored, and tasks and discussion points are included throughout. At the end of the lesson is an extended writing task that could serve either as a class-based activity or homework task. This lesson is aimed primarily at GCSE students but could be used for KS3 too. PowerPoint is saved as PDF.

This 35-slide lesson is designed to explore and revise the ‘generation gap’ in J.B. Priestley’s ‘An Inspector Calls’. The lesson considers the gulf between the younger and older characters in the play with reference to key quotations and character development. We think about how the elder characters blame and criticise the younger characters in the play, and how the younger characters judge their disappointing elders in turn. Priestley’s authorial intentions are also explored, thinking about how each character is used symbolically. Each character is dissected in detail, including the ambiguities of Gerald’s place in terms of generational divisions. Questions, discussion points, and tasks are included for students. An essay question is featured at the end of the lesson. This resource is perfect for GCSE analysis of the play. PowerPoint saved as pdf.

This 35-slide lesson explores the role of women in Shakespeare’s ‘Othello’. Perfect for high-attaining students, this lesson analyses how female characters are presented in the tragedy, exploring the roles of Desdemona, Emilia, Bianca and others in light of the play’s themes and Jacobean context. We consider how various female characters are presented in the play, thinking about how female transgression and disobedience threatens the patriarchal authority of the male characters, and the tragedy that ensues. Fidelity, cuckoldry, and duplicity are explored, as are the roles of key props, such as the handkerchief. Directorial choices and how these might impact our interpretations of female characters are discussed. Misogynistic language and masculine violence is also debated, while the private and public personalities of characters are deconstructed. Students are equipped with ambitious vocabulary to facilitate sophisticated analysis of Shakespeare’s characters. Questions and discussion points are included throughout for students. We consider Shakespeare’s messages and intentions, and students are provided with fascinating critical opinions from academics on the female characters of the play. This is an ideal resource for revising this key element of the play. PowerPoint saved as PDF.

This 33-slide lesson explores and revises Gerald Croft in J.B. Priestley’s ‘An Inspector Calls’ in a thorough and comprehensive structure - perfect for those studying the play at GCSE. Gerald is perhaps the most complex character in the play and students often find him challenging to analyse effectively. This lesson walks step-by-step through Gerald’s role in the play and how Priestley presents him at different points. Included are Gerald’s key quotations and moments, his function in the play, his corresponding historical context, and regular consideration of Priestley’s message and use of Gerald as a symbol. Questions and thinking points are featured throughout the lesson. An exam-style question is included at the end. PowerPoint saved as PDF.

This 36-slide lesson explores the character of Feste in Shakespeare’s ‘Twelfth Night’. With academic scrutiny, the lesson analyses one of Shakespeare’s most complex comic characters, beginning with an overview of his key lines, attributes, and role in the plot. This then leads to analysis of Feste’s name, key vocabulary that we might use to describe him, and how his role as a jester grants him special privileges and licence. Important historical and theatrical context is explored alongside Feste’s character, and we look at the development of Shakespeare’s ‘Fools’ across his plays. Feste’s relationship with music and song is analysed, as well as his engagement with the play’s fascination with disguise when he becomes ‘Sir Topas’. Interesting viewpoints from a range of critics, directors, and actors are discussed. Crucially, we also explore how Feste’s character relates to the key themes of the play and is central to the comedy of ‘Twelfth Night’. We look at how Feste interacts with other characters in the play, such as Malvolio, and compare him to Viola in his liminal and transgressive state. The Carnivalesque atmosphere of the play is analysed in light of Feste’s character. Questions, discussion points, and essay questions are featured throughout. Students are encouraged to consider Feste’s character at a high level, so this lesson would be ideal for students aged 16+. PowerPoint saved as PDF.

How does Shakespeare present attitudes to gender in ‘Macbeth’? Students so often write about gender dynamics in ‘Macbeth’ with clumsy generalisations that examiners can’t abide. This lesson aims to encourage specific and mature contextualised understanding of gender in the 1600s and within the play itself. This 30-slide PowerPoint explores how Shakespeare exploits and subverts attitudes to gender throughout the play, encouraging students to comment with precision and perception on masculinity and femininity. Ideal for KS4 students in particular but easily adaptable for other ages. PowerPoint saved as PDF.

This 30-slide lesson provides detailed and comprehensive analysis of Priestley’s dramatic devices throughout ‘An Inspector Calls’. Considers the role of lighting, costume, pace, entrances/exits, dramatic irony, tension, props, and much more. The clever structure of Priestley’s play is unpicked and analysed. Questions, discussion points, and tasks are included for students. This lesson is perfect for high-attaining students studying the play for GCSE. PowerPoint saved as pdf.

This 28-slide lesson introduces the background and context of Shakespeare’s ‘A Midsummer Night’s Dream’. We begin with a series of posters, asking students to ‘judge a book by its cover’ and guess what the play might be about based on the images. We then dissect the play’s title, thinking about dreams, midsummer, and madness. Students are introduced to Shakespeare’s life and work before delving into the genre of comedy and its recurring features. Life in Shakespeare’s England - particularly for women - is discussed. We read and watch a summary of the play before considering the significance of the play’s setting. In addition, students explore some famous paintings inspired by the play in order to further discuss what the play might be about. Key themes and ideas about love and transformation are explored. Students are then given some ambitious vocabulary to define, using a dictionary (online or otherwise). Common attributes of Shakespeare’s stagecraft are explained, while images from the play onstage and on film are presented. The lesson ends with a research task inspired by Shakespeare’s theatre. This lesson is ideal for students aged 11-14. PowerPoint saved as PDF.

This 43-slide lesson explores the character of Malvolio in Shakespeare’s ‘Twelfth Night’. With academic scrutiny, the lesson analyses one of Shakespeare’s most famous and complex characters, beginning with an overview of his key lines, attributes, and role in the plot. This then leads to analysis of Malvolio’s name, key vocabulary that we might use to describe him, and how his ‘gulling’ threatens the comic spirit of the play. Important historical and theatrical context is explored alongside Malvolio’s character, and we look at how Shakespeare uses him to satirise Puritanism. Using Elizabethan debates surrounding acting and its influence, we think about how Malvolio functions as a metatheatrical symbol of anti-theatricality. Interesting viewpoints from a range of critics, directors, and actors are discussed. Crucially, we also explore how Malvolio’s character relates to the key themes of the play and is central to the comedy of ‘Twelfth Night’. We look at how Malvolio interacts with other characters in the play, the vivid imagery used in his gulling, and how his famous ending might be interpreted from a range of critical lenses. The Carnivalesque atmosphere of the play is analysed in light of Malvolio’s character. Questions, discussion points, and essay questions are featured throughout. Students are encouraged to consider Malvolio’s character at a high level, so this lesson would be ideal for students aged 16+. PowerPoint saved as PDF.

This 34-slide lesson explores the character of Viola in Shakespeare’s ‘Twelfth Night’. With academic scrutiny, the lesson analyses one of Shakespeare’s most complex heroines, beginning with an overview of her key lines, attributes, and role in the plot. This then leads to analysis of her name, key vocabulary that we might use to describe her, and how her role as a cross-dressing protagonists compares to other Shakespearean comedies. Important historical and theatrical context is explored alongside Viola’s character, and we consider the debates around just how ‘proto-Feminist’ Shakespeare’s presentation of Viola really is. Interesting viewpoints from a range of critics, directors, and actors are discussed. Crucially, we also explore how Viola’s character catalyses other key events in the play and is central to the comedy of ‘Twelfth Night’. We look at how Viola interacts with other characters in the play and debate modern interpretations of whether homoeroticism is integral to her character. The role of twins in other Shakespearean plays is considered, and the Carnivalesque atmosphere of the play is analysed in light of Viola’s character. Questions, discussion points, and essay questions are featured throughout. Students are encouraged to consider Viola’s character at a high level, so this lesson would be ideal for students aged 16+. PowerPoint saved as PDF.

This 30-slide lesson explores the character of Sir Toby Belch in Shakespeare’s ‘Twelfth Night’. With academic scrutiny, this lesson analyses one of Shakespeare’s most iconic and riotous characters, beginning with an overview of Sir Toby’s key lines, attributes, and role in the plot. We consider Sir Toby’s role as a quintessential comic creation: his Falstaffian parallels, his festive spirit, and his role as the ‘Lord of Misrule’. Important historical and theatrical context is explored alongside Sir Toby’s character. We consider how self-aware Sir Toby is, thinking about his relationship with the audience and how he relates to Shakespeare’s stagecraft. Crucially, Sir Toby’s function as a comic character (and how he relates to other characters, including Malvolio, Sir Andrew, and Maria) is discussed. We scrutinise Sir Toby’s role in view of the Carnivalesque atmosphere of the play. Questions, discussion points, and essay questions are featured throughout. Students are encouraged to consider Sir Toby’s character at a high level, so this lesson would be ideal for students aged 16+. PowerPoint saved as PDF.

This 38-slide lesson explores the character of Olivia in Shakespeare’s ‘Twelfth Night’. With academic scrutiny, the lesson analyses one of Shakespeare’s most complex female characters, beginning with an overview of her key lines, attributes, and role in the plot. This then leads to analysis of her name, key vocabulary that we might use to describe her, and how there may be more than meets the eye to Olivia’s excessive mourning. Important historical and theatrical context is explored alongside Olivia’s character, and we consider the debates around how subversive and ‘proto-Feminist’ Shakespeare’s presentation of Olivia really is. Interesting viewpoints from a range of critics, directors, and actors are discussed. Crucially, we also explore how Olivia’s character relates to the key themes of the play and is central to the comedy of ‘Twelfth Night’. We look at how Olivia interacts with other characters in the play and debate modern interpretations of whether homoeroticism is integral to her character. Her connection to Queen Elizabeth I is considered, and the Carnivalesque atmosphere of the play is analysed in light of Olivia’s character. Questions, discussion points, and essay questions are featured throughout. Two exemplar paragraphs are included, too. Students are encouraged to consider Olivia’s character at a high level, so this lesson would be ideal for students aged 16+. PowerPoint saved as PDF.

Perfect for stretch and challenge, this 24-slide lesson considers how Priestley was influenced by various theories of time when writing ‘An Inspector Calls’. The ideas of P.D. Ouspensky and J.W. Dunne are explored here, as well as questions about the nature of the Inspector’s curious relationship with time and how the significance of time is emphasised throughout the play. Stephen Daldry’s 1992 production of the play is considered in view of time theories, and the play’s key characters and stagecraft are analysed in terms of their relationship with time. Frequent questions and discussion points are included for students, and the lesson ends with an extended essay question on Priestley’s use of time. The resource is included in two versions here: as a PDF with saved fonts and formatting, and the original PowerPoint file so that the resource can be edited.

These 25 posters - featuring words of wisdom from 24 of Shakespeare’s plays - make for an inspiring, educational and visually stunning display in your classroom and corridor.

This 20-slide lesson explores how props and stagecraft are used in Oscar Wilde’s ‘The Importance of Being Earnest’. Important theatrical context is discussed in order to analyse how Wilde’s play relates to ideas of farce, melodrama, and Naturalism in the late 19th century. Students are encouraged to reflect upon the various props used in the play and their symbolic significance. Costumes, entrances, exits, asides, off-stage characters, and dramatic irony are also considered. PowerPoint saved as PDF.

This 30-slide lesson provides a comprehensive contextual introduction to Shakespeare’s ‘Romeo and Juliet’. Posing questions to students about young love, marriage, passion, and stereotypes, the lesson introduces key themes and ideas related to Shakespeare’s iconic tale of doomed romance. The genre of tragedy is considered, as are typical elements of romance. We look at Shakespeare’s life and work, and examine a series of posters for ‘Romeo and Juliet’ to see how the play is commonly presented in the cultural imagination. Important historical and theatrical context is explained, and key terminology is introduced to allow students to produce sophisticated analysis. Questions and discussion points are featured throughout, and there is a research task at the end of the lesson. Also included is a series of films inspired by ‘Romeo and Juliet’ to facilitate conversations around the play’s cultural impact. PowerPoint saved as PDF. Also included is a ‘Romeo and Juliet’ word-search.

A superb extract from Patrick Marber’s ‘After Miss Julie’, perfect for analysis as an ‘unseen’ text for Section A of AQA’s Political and Social Protest Writing A level paper. Extract is attached with PowerPoint featuring questions for students to consider/discuss/answer and an exemplar INTRODUCTION to an essay response. PowerPoint saved as PDF.