A note from the author: Included here are a selection of resources for the exploration of Theatre Practitioner Bertolt Brecht. I use his methods in many units with my students, and have created a plethora of resources for them to use. Also included here is a detailed Year 9 SOW which will also be useful for KS4/5 students. § To develop an understanding of Brecht’s theories and principles § To practically explore some of Brecht’s conventions in improvised work § To develop an understanding of how theatre can be used for political purposes § To use Brecht’s ideas as a framework for a devised piece looking at modern history topics such as: The Diary of Anne Frank Social Media, Modern Technology & 1984 by George Orwell The 7/7 London Bombings Included: Brecht Year 9 SOW Brecht Techniques Lesson Workshop Teacher Packs Lesson Resources Please note: Packs for the Topics are available as a bundle or as separate items It is probably advisable that you purchase a copy of The Resistible Rise of Arturo Ui Please do comment on my resources so that I can continue to update and expand them. If you need any more information/clarification please comment and I will update my resources ASAP!

A note from the author: Included here are a selection of resources for the exploration of Theatre Practitioner Constantin Stanislavski. I use his methods in many units with my students, and have created a plethora of resources for them to use. Included: Role on the Wall Worksheet - Stanislavski Given Circumstances Role on the Wall Comparison Sheet Hot Seating Assessment Year 8 Example Lesson Assessment of KS3 Unit on Stanislavskian Techniques Constantin Stanislavski Techniques Document - Detailed analysis of techniques Units, Objectives & Super Objectives - My own created Diagram plus information on these elements. Information on the theatre styles: Realism and Naturalism Quotes from ‘An Actor Prepares’ A good script to use for exploration is Love & Information by Caryl Churchill or any of the Naturalism playwrights (Ibsen, Checkhov, Strindberg, O’Casey, Shaw etc.) Please do comment on my resources so that I can continue to update and expand them. If you need any more information/clarification please comment and I will update my resources ASAP!

A note from the author: In this resources pack are images and information to aid students with devising a Brechtian piece of drama in conjunction with my Brecht SOW. I use this SOW and these resources with my Year 9 classes, but would work equally well with KS4 and KS5 classes and high ability Year 7/8 classes. Included: Information & Details about the 7/7 London Bombings A selection of Images Brechtian Techniques Sheet Assessment Task Sheet Please do comment on my resources so that I can continue to update and expand them. If you need any more information/clarification please comment and I will update my resources ASAP!

A note from the author: I crafted this 50-lesson SOW after teaching DNA successfully for 7 Years. It includes helpful resources, lessons activities and some example questions and mock papers. Overview of SOW: Lessons One & Two – Intro Booklet & Ice-Breakers Lesson Three – Immersive Session Lesson Four – Forum Theatre Lessons Five, Six & Seven – Section One Lessons Eight, Nine & Ten – Section Two Lessons Eleven, Twelve & Thirteen – Section Three Lesson Fourteen – Section Four Lesson Fifteen – Plot & Structure Lessons Sixteen & Seventeen – Themes Lessons Eighteen & Nineteen – Context & Playwright’s Intentions Lesson Twenty – Genre & Style Lesson Twenty One – Mood & Atmosphere Lessons Twenty Two, Twenty Three & Twenty Four – Directing Intro, Character Rehearsal Techniques Lessons Twenty Five & Twenty Six – Relationship Rehearsal Techniques Lesson Twenty Seven – Physical Rehearsal Techniques Lesson Twenty Eight – Vocal Rehearsal Techniques Lesson Twenty Nine – Directing Questions Lesson Thirty – Acting Intro & Character Motivations Lesson Thirty One & Thirty Two – Acting Intro & Vocal Acting Skills Lessons Thirty Three & Thirty Four – Physical Acting Skills Lesson Thirty Five – Interaction Acting Skills Lesson Thirty Six & Thirty Seven – Acting Questions Lesson Thirty Eight – Design Intro & Locations Lesson Thirty Nine and Forty – Colour Lesson Forty One & Forty Two – Costume, Hair & Make Up Design Lesson Forty Four – Staging Types Lesson Forty Five – Mood & Atmosphere Lesson Forty Five & Forty Six –Set Design Lesson Forty Seven – Lighting Design Lesson Forty Eight – Sound Design Lesson Forty Nine & Fifty – Design Questions Included: SOW - 50 lessons over 56 Pages (plus some ideas for further lessons) Lesson Resources (worksheets, handouts, guides, tables etc.) Mock Exams & Additional DNA Questions 99 Documents in Total Please note: You will need to purchase a copy of ‘DNA’ by Dennis Kelly to accompany this SOW as there are no script extracts included due to copywright. There are also other resources that are useful to complement this SOW such as props, set, costumes and stationery. Only documents are included in this SOW pack. Please do comment on my resources so that I can continue to update and expand them. If you need any more information/clarification please comment and I will update my resources ASAP!

A note from the author: I use this scheme of work with my Year 7 class, as not only does it offer exciting and creative opportunities, but it also allows for complex exploration into issues around migration and strong emotions. The students seem to want to get fully involved in all aspects and I have developed this scheme over four years of teaching it. It involves a rich variety of activities, and supports the development of empathetic and sympathetic social qualities in my students. 1/10/20 - This resource has been updated with key extracts of the script for you to use. Objective Overview of The Arrival § Students to create a devised performance on The Arrival, based on the stimuli provided (theme of migration, text extracts, pictures) and explorative rehearsal techniques. § Students to develop skills in unison movement, puppetry, non-verbal communication, still images, thought tracking and transitions. § Students to gain an introductory knowledge of Stanislavski Techniques. Overview of The Arrival ‘The Arrival is a migrant story told as a series of wordless images that might seem to come from a long forgotten time. A man leaves his wife and child in an impoverished town, seeking better prospects in an unknown country on the other side of a vast ocean. He eventually finds himself in a bewildering city of foreign customs, peculiar animals, curious floating objects and indecipherable languages. With nothing more than a suitcase and a handful of currency, the immigrant must find a place to live, food to eat and some kind of gainful employment. He is helped along the way by sympathetic strangers, each carrying their own unspoken history: stories of struggle and survival in a world of incomprehensible violence, upheaval and hope.’ Included: In-depth Scheme of Work Lesson Resources (Images, Worksheets on Migration Reasons, Dove Origami Puppet Sheet) Assessment Instructions & Abridged Assessment Instructions Script Extracts Please note: You may want to purchase ‘The Arrival’ by Shaun Tan - picture book to accompany this SOW, however I have included all necessary image resources. You may also want to get a copy of ‘The Arrival’, a play by Kristine Landon-Smith & Sita Brahmachari, based on the picture book, to accompany the assessments for this unit. However you can complete the assessment with the ‘abridged’ format without having a copy of the script. Please do comment on my resources so that I can continue to update and expand them. If you need any more information/clarification please comment and I will update my resources ASAP!

A note from the author: I have used these resources with my form group from Year 7 - 9 to ensure that not only do I develop a strong pastoral grounding with the students, but also that I build a professional relationship with my form. Some of the resources will need to be tailored / adapted to the needs of your form and your school pastoral policies, however they are a great template to work from. Included here are a range of different resources. The main ideas are embedded within the two ‘Twilight’ documents as this is from a session I ran on our Pastoral role as form teachers. Posters / Displays: - Multiple Intelligence Posters - to instil a sense of acceptance of difference - A Fingerprint Tree (will need an ink pad) where all students add their fingerprint as a leaf to the tree - to create a bond of loyalty - Quotes of the Week - to inspire students - Code of Conduct examples - to help students understand expectations of the school, staff and themselves. - Roles/Responsibilities Lists with ideas to get the whole form involved. Activities Ideas: - A range of ideas in the ‘Twilight’ documents - Teach a Skill / Run an Activity Forms - student led in form time - Quiz on school rules and expectations (obviously will need to be adapted) - Settling in Meetings / Interview Question Sheets - Caption Competitions - Desert Island Disks Certificates (students talk about and present extracts of two songs that are important for them) - Puns and Riddles to keep their mind fresh. Please do comment on my resources so that I can continue to update and expand them. If you need any more information/clarification please comment and I will update my resources ASAP!

A note from the author: A department template for conducting a risk assessment. Category: Director of Drama Toolkit (also available as part of this bundle) Includes: Drama Department Risk Assessment Template Please note: Purchasing this template allows you to amend and reproduce the risk assessment in anyway that you wish. Please do comment on my resources so that I can continue to update and expand them. If you need any more information/clarification please comment and I will update my resources ASAP!

A note from the author: Included here are a selection of Contentless Scenes for use in lessons. Contentless Scenes (sometimes known as ‘Open’ or ‘Ambiguous’ scenes) are scenes that have very little detail on character or narrative plot leaving it open for the actors or directors to use their creativity and imagination to add detail to the scene with endless possibilities. I use these to explore: Character Creation Character Motivation Character Relationships Character Interactions Narrative Structures Subtext Themes & Issues Naturalistic Acting / Stanislavski They are so useful and I use them with each year for different reasons. I have written 35 scenes here that are all different and useful for a variety of reasons. I tend to photocopy them on different coloured pages and split them between different years so that as we use the scenes for different reasons as the students move up through the school they always have fresh stimuli. Included: 20 Duologue Contentless Scenes (ranging from half a page to a full page) 10 Quick-fire Contentless Scenes (suitable for 2 or three actors each) Four are very short (2/3 lines), 6 are longer (4/6 lines) 5 Contentless Scenes for Three Actors (full pages) It works out as less than 29p per scene! Please do comment on my resources so that I can continue to update and expand them. If you need any more information/clarification please comment and I will update my resources ASAP!

A note from the author: I use this scheme of work with my Year 8 class, as not only does it offer a historical perspective on theatre, but it also allows for complex exploration into characters, ensemble work and strong emotions. The students seem to want to get fully involved in all aspects and I have developed this scheme over four years of teaching it. It involves a rich variety of activities, and supports the development of ensemble unison (both vocal and physical) and promotes positive working relationships in my students. Objective Overview of Greek Theatre § Students to explore Greek Theatre elements such as chorus, characters comedy & tragedy, masks, depictions of gods, exaggerated acting. § Students to develop skills in unison movement, choral voice, non-verbal communication, tragic/comic characters, mask work, script exploration, and gestures. § Students to gain an introductory knowledge of Greek Theatre playwrights, Theatre practitioners (Complicitie, Jacques Lecoq), mythological characters, classical history and performance conditions. § Students to explore The Trojan Women in depth, as well as examples from The Frogs and The Clouds. Overview of The Trojan Women The Trojan Women follows Queen Hecuba, her daughter Cassandra, her daughter-in-law Andromache and her grandson Astyanax, as they learn of their fates to the conquering Greek army. Talthybius, a herald of the Greeks, shows great compassion for the Trojans but must deliver terrible news (the death of Astyanax, the burning of Troy, the separation of Cassandra and Andromache from Hecuba). Menelaus considers slaughtering his ex-wife Helen (of Helen of Troy fame, the face that launched 1000 ships) however he is won over by her charm and decides to delay her killing. Is Helen responsible for the whole Trojan War? The gods Poseidon and Athene start the play discussing how to kill the Greek Army after they offended Athene at her temple. This leads to the messages and themes of the futile nature of war, fate, free will and feminism. The play occurs at the same time as Euripides’ other play Hecuba. Included: In-depth Scheme of Work Lesson Resources (Images, Worksheets, Handouts) Scripts (a few chorus example scripts, self-written gesture scripts) Assessment Instructions Please note: You may want to purchase ‘The Trojan Women’ by Euripides, and The Frogs and The Clouds by Aristophanes - however I have included two extracts from the plays plus some example chorus sections. The Trojan Women is the main resource for this SOW. Please do comment on my resources so that I can continue to update and expand them. If you need any more information/clarification please comment and I will update my resources ASAP!

A note from the author: In this resources pack are images and information to aid students with devising a Brechtian piece of drama in conjunction with my Brecht SOW. I use this SOW and these resources with my Year 9 classes, but would work equally well with KS4 and KS5 classes and high ability Year 7/8 classes. Included: Extracts from 1984 by George Orwell Social Media / Modern Technology Facts & Information A selection of Images Brechtian Techniques Sheet Assessment Task Sheet Please note: Whilst I have included extracts from 1984 by George Orwell, it is advisable that a copy of the book is purchased to give students more freedom over the chosen extracts. Please do comment on my resources so that I can continue to update and expand them. If you need any more information/clarification please comment and I will update my resources ASAP!

A note from the author: I love improvisation and have compiled this SOW to be adaptable and useful for all Drama teachers as an accessible way into the world of improv. I have noted down different techniquesand games that you can play with your students, as well as assessment ideas and two fun whole class impov ideas. Your students will definitely love playing around with these in your lessons. SOW Overview: A detailed 10 page, five lesson (90 minute lessons - therefore has enough material for 8 hours of lesson time if you have shorter lessons!) SOW for students to experiment and play around creatively with Improvisation components. Lesson Structure (90 Minute Lessons!) Lesson One: Introduction to Improvisation Lesson Two: Improvisational Stimuli Lessons Three: Narrative, Abstract and Atmosphere Creation Lesson Four: The Cavemen & Cavewomen - Whole Class Improvisations Lesson Five: Assessment Lesson - Could be split over a number of extra lessons to tie together everything they have learnt from the SOW. Resources Included: 1 x 10 Page Improvisation SOW Assessment lesson Resources - Letter, Security Passes, Character Signs Assessment Feedback Form Please do comment on my resources so that I can continue to update and expand them. If you need any more information/clarification please comment and I will update my resources ASAP!

A note from the author: This is one of my favourite plays. I studied it at KS5 and love exploring the complex themes and characters with my students. I have adapted and honed this SOW over the past two years, and it not only includes a detailed SOW, but also lots of handmade worksheets and other useful resources. The only other thing you will need are copies of the text itself! Enjoy… SOW Overview A scheme of work spread over 24 lessons focusing on an in-depth study of A Doll’s House by Henrik Ibsen. These resources not only cover analysis of the text, but also a practical exploration of how students can bring the text to life as an actor, director and designer. There are also Stanislavskian techniques used throughout the exploration to grasp the style of naturalism, and other practitioner’s methods are explored as well such as Cecily Berry, Jacques Lecoq. This scheme of work is primarily for A Level students but could work well with high ability GCSE students. Please do comment on my resources so that I can continue to update and expand them. If you need any more information/clarification please comment and I will update my resources ASAP!

A note from the author: In this resources pack are images and information to aid students with devising a Verbatim & Documentary Theatre piece of drama in conjunction with my Verbatim & Documentary SOW. I use this SOW and these resources with my Year 9 classes, but would work equally well with KS4 and KS5 classes and high ability Year 7/8 classes. Included: A range of information on the Homelessness (focus on Brighton - but easily adaptable to any city!) Homelessness Facts & Figures Homelessness Comments and Opinions (some highly offensive) A selection of Images Assessment Task Sheet Video link to use as a starter to the topic Please note: Whilst I have included a range of stimulus, it is also advisable to include at least one article/piece of information from the month and year of use. Please do comment on my resources so that I can continue to update and expand them. If you need any more information/clarification please comment and I will update my resources ASAP!

A note from the author: I use these resources to ensure fair and consistent marking throughout my department for all KS3 SOW. Overview of Resource: Creation - This mark is given for ideas, rehearsal and group work. Performance - This mark is given for the performance and acting skills. Evaluation - This is given for self-reflection and evaluation of others work through written and verbal peer-feedback. Included: 1x Short Note Assessment form 1 x Medium Note Assessment Form 1 x Long Note Assessment Form 1 x Document with Marketing Criteria and Banding for: Creation Mark Performance Mark - Individual Performance Mark - Group Evaluation Mark 1x Review & Reflection Feedback form Template Please note: You may also wish to mark written work alongside observations from creation/performance/evaluation. This should inform the marks given and be returned with comments and feedback, along with the marking notes. Please do comment on my resources so that I can continue to update and expand them. If you need any more information/clarification please comment and I will update my resources ASAP!

A note from the author: An Introduction Booklet that I use in the first lesson with my A Level students to set goals, expectations and ground rules for ensemble making. Category: Introduction to Drama Resources (All Year Groups 7-13!) (also available as part of this bundle) Resources Included: A Level Introduction to Drama Booklet (8 Pages) Lead a Workshop Activity Pages Include: Pg 1 - Ensemble Member Profile Pg 2 - Inspirational Drama Quotes Pg 3 & 4 - Eduqas A Level Components & Course Overview Pg 5 & 6 - Year 12 & 13 Drama & Theatre Studies A Level Academic Year Map Pg 7 - Comedy Mask (or things we like to see in Drama) & Tragedy Mask (or things we like to avoid in Drama) Pg 8 - Pupil Contract Please note: Purchasing this resource allows you to amend it in any way you would like. Please do comment on my resources so that I can continue to update and expand them. If you need any more information/clarification please comment and I will update my resources ASAP!

A note from the author: I crafted these resources to accompany teaching the devised component of GCSE Drama, after successfully teaching it for 10 Years. It includes helpful resources, lessons activities and model responses. These are there to support the final performances, mark sheets, examples scripts, examples background power points, example music lists. I have separate resources available for: GCSE Drama Component One - General Resources GCSE Drama Component One - Creative Log / Portfolio of Supporting Evidence GCSE Drama Component One - Evaluation Category: Also available in my Bundles: GCSE Drama Component One Complete Bundle GCSE Drama Complete Bundle - Components One, Two & Three Included: Backdrop PowerPoints to accompany Scenes Example Scenes Cue Sheets Mark Sheets Please do comment on my resources so that I can continue to update and expand them. If you need any more information/clarification please comment and I will update my resources ASAP!

A note from the author: I love this the comparison between The Pied Piper and Kindertransport and have compiled this SOW to be adaptable and useful for all Drama teachers as an accessible way into: Character Development Stimulus Exploration Truthful Performances Different Interpretations of Character / Theme Collaboration Your students will definitely love this SOW - mine certainly do! SOW Overview: A detailed 8 page, four lesson (90 minute lessons - therefore has enough material for 6 hours of lesson time if you have shorter lessons!) SOW. Lesson Structure (90 Minute Lessons!) Lesson One: The Pied Piper of Hamlyn (Poem) Lesson Two: Kindertransport (Play) Lessons Three: The Ratcatcher (Character Development) Lesson Four: Assessment Lesson - Could be split over a number of extra lessons to tie together everything they have learnt from the SOW. Resources Included: 1 x 8 Page Kindertransport & The Pied Piper SOW Assessment Lesson Resources Please note: You will need to purchase a copy of ‘Kindertransport’ by Daniel Samuels for the SOW due to copyright reasons I cannot include the full script here. Please do comment on my resources so that I can continue to update and expand them. If you need any more information/clarification please comment and I will update my resources ASAP!

A note from the author: I crafted these resources to accompany teaching the devised component of GCSE Drama, after successfully teaching it for 10 Years. It includes helpful resources, lessons activities and model responses. These are there to support the formation and creation of the evaluation - written response to the component. I have separate resources available for: GCSE Drama Component One - Creative Log / Portfolio of Supporting Evidence GCSE Drama Component One - Performance Resources GCSE Drama Component One - General Devising Resources Included: Model Answers Guidebooks Please do comment on my resources so that I can continue to update and expand them. If you need any more information/clarification please comment and I will update my resources ASAP!