Before having children I was Head of KS3 English at a secondary school in Lincolnshire. I thoroughly enjoyed my time as a teacher and I loved planning lessons and creating exciting resources.
Before having children I was Head of KS3 English at a secondary school in Lincolnshire. I thoroughly enjoyed my time as a teacher and I loved planning lessons and creating exciting resources.
Grid for students to use to analyse and record their own day of talking, considering the participants, the purpose, the content etc. A grid is also included for students to analyse their parents' day of talking.
Students are asked to analyse a short piece of dialogue between a teacher and student. They are to 'zoom' in on the language and focusing specifically on words, e.g. the difference between the words 'chat' and 'discussion'.
This PPT offers students two activities to practise close reading and inference. The first activity gives students a scenario in which they have to consider whether the protagonist is guilty of theft. The answer isn't very obvious so students have to closely read the passage to make a considered decision.
The second activity gives an RSPCA's description of a puppy for adoption. Students have to explain what they can infer from the passage based on evidence and reasoning.
In this resource bundle are three activities to learn the language features on a magazine's front cover:
CARD SORT - cut out all of the cards and ask students to match up the feature with the example.
FEATURE DOMINOES - students essentially play a spoken version of dominoes in which they match up language features with examples. Detailed instructions included on resource..
BLOCKBUSTERS - students have the cross the square on the PPT vertically or horizontally by asking a series of questions about magazine language features.
MAGAZINE LAYOUT - students learn how a magazine is laid out. Firstly, put students in pairs. One partner spends 1-2 minutes studying the magazine layout before they have to turn over the sheet and try to explain to their partner how a magazine is laid out.
Students learn the following features:
Alliteration
Emotive language
Tag line
Left side third
Cover line
Imperative
Superlative
Sky line
Pun
Masthead
Second person pronoun
Interrogative
Hyperbole
Central image
Use of numbers
Connotation
11 examples of written reports for Year 9 English students. There are examples of reports for students making 'limited', 'adequate', 'good' and 'excellent' progress. Reports include targets for improvement.
10 examples of written reports for Year 10 students studying for their GCSEs. There are examples of reports for students making 'adequate', 'good' and 'excellent' progress. Reports include targets for improvement.
This resource offers a fun way of researching WW1 context.
Before the lesson print of the questions and put them into colour-coded piles. You'll need as many questions as you have groups of students. For example, if you have 6 groups, you must have 6 print-outs of the questions. You'll need 6 x yellow questions, 6 x green questions, 6 x blue questions etc.
Put students in teams of 3-4 students. Students must have immediate access to a laptop or computer to be able to find the answers to the questions.
You need to put the piles of questions on your desk. Issue Q1 to all groups and 1 piece of paper to all groups for them to write their answers on. Groups must find the answer to Q1, write it down on their answer sheet and then bring their answer sheet to you. If the answer is correct, you issue them with Q2, and so on until groups have found all the answers to all the questions. It is basically a race to the finish, but the answers must be of quality because you have to 'okay' them before they're issued with the next question. Students enjoy the competitive element of this task. You may wish to give the winning group a small prize as an added incentive.
Discuss the contextual research once the task is over and discuss its links with the poems being studied.
This resource offers students an 8-step guide to approaching poetry, divided into:
1. Title
2. Shape
3. Personal response
4. Voice
5. Vocabulary
6. Imagery
7. Structure
8. Interpretation
There are prompt questions under each 'step' to help students. This resource can be applied to any poem to encourage students' independent analysis of poetry.
Students will need access to a computer to complete this activity. Put students into small groups and issue A4 paper one of the questions from the Questions Pack.. Students are to create an attractive poster which provides the answers to the question(s) they've been given.
After 30 minutes, students are to 'present' their poster to the rest of the group. Students are to make notes in their books so that they have a record of the contextual information about Skellig.
Display students' posters in your classroom as a point of reference throughout the study of Skellig.
Students complete two starter activities in the PPT that ask them to improve sentences to make them more dramatic and impactful. Students then look at Chapter 25 in which Michael's sister is described.
Issue the Worksheet and two different coloured highlighters. Students are to highlight the important features of language and structure in the extract. Allow 10-15 minutes. Discuss students' findings. Ask students what impact the features have.
Display slide 6 which explains how to write an effective PEE paragraph. Students are to write 3 PEE paragraphs about what they've found in Chapter 25 in their books.
After 10-15 minutes, ask students to share their best PEE paragraphs.
Ask students to close their eyes and put their heads on the table.
Play Thomas Newman track and read the second-person edit of Chapter Two's description of the garage. Read the description slowly to allow students to imagine how Michael would feel entering the garage. After you've read the description, allow students 1-2 minutes to reflect with their eyes closed. Explain that once they open their eyes, they're to write down how they felt in the given situation. Ask students to share with a partner. De-brief post-activity; ask students: ‘How did it feel to do that?’
This activity should help students to engage with Michael's character and how he feels when entering the garage where Skellig resides.
Put students into 6 groups and issue each group one section of the Wife of Bath and one translation sheet. Students are spend 3 minutes with each section and write the modern translation on their translation sheet. IMPORTANT: Students must make sure they write their translation in the correctly numbered space on the sheet to ensure it's in order at the end of the task. They're to use the helpful hints to guide them.
After students have had all 6 sections, they're to read out what they've translated. Discuss as a class.
This PPT looks at new words and where they come from, which includes looking at blended words (jeans + leggings = jeggings), clipped words and new, organic words. They begin to understand how new words are added to the dictionary.
If possible, allow students access to computers and let them explore the Oxford Dictionaries website which has lots of information about new words added to the dictionary.
Students to correct these commonly mixed-up idioms. This activity could lead into a lesson about the origin of idioms and why idioms are part of the English language.
Play ‘Halloween’ music as students walk in.
Display ‘Urban Legends’ PowerPoint. Show students the definitions of ‘urban’ and ‘legend’. Students are to attempt to work out what an urban legend is with reference to the definitions. Pair-share. Introduce L.O. Ask students to write date, title and L.O. in their exercise books.
Look at the conventions of an Urban Legend. Explain Def. – conventions - a rule, method or feature of a particular piece of writing) Establish what an urban legend is.
Show students the short video of ‘Diet Coke and Mentos’.
Switch off the lights and use torch to read the urban legend 'Killer on the Back Seat'. Students will find it pretty creepy!
Split the class into groups. Distribute the Urban Legends and ask one member from each group to read an urban legend aloud. After groups have read an urban legend, request whole-class feedback. Ask students to state the common features of an urban legend.
Display ‘How to write your own Urban Legend’ slide. Discuss the conventions of an urban legend in preparation for students to write their own.
Ask students, in pairs, to discuss their initial ideas for two minutes.
Using slide 6, students are to start writing their own Urban Legend. It should be no longer than 4 paragaphs and should take no longer than 3-4 minutes to read. Students to finish for homework.
Show the PPT and discuss students' responses to the three questions.
Discuss Roald Dahl's quotation, and the short story features on slide 3.
Show slide 4 and issue Baby Shoes handout. Explain to students that this is a short story, just one sentence. Students are to read the ‘short story’ and think about the story behind it, e.g. Has a married couple lost a baby?
Encourage students to think a little more left-field, like is 'Baby Shoes, Never Worn' the name of a painting?
Students should jot down their ideas around the ‘short story’. They may discuss their ideas with a partner.
Introduce Ernest Hemingway. Students are to copy down notes into their exercise book.
Ask students to think of a collective name they would give to stories that are six words long, e.g. ‘sentence stories’. Encourage students to be inventive. They may discuss in pairs. Show slide 4; these are different names given to the shortest of short stories - are the ones students suggested up there?
Split students into seven groups. Give each group one piece of Flash Fiction stuck to a piece of A4 paper. As a group, they must decide the ‘story’ behind each piece of flash fiction. Model activity. Rotate the flash fiction allowing different groups to make notes on the same sheet of paper. Encourage students to think outside the box and not to go straight for the obvious.
After 10-15 minutes, make sure each group has one piece of flash fiction. Each group should read their flash fiction aloud and explain their story behind it. Students who are not presenting should listen, as they will be randomly selected to pick and explain their favourite piece of flash fiction.
(Optional) Issue question cards. Ask students to see whether the 'short story features' discussed earlier apply to the six-word stories.
As a final activity, students should have a go at writing their own 6-word short story. Share with the class.
Issue Question Cards
Listen to Iron Maiden’s The Rime of the Ancient Mariner (8 minutes). This is an edited version of the original track as the original track has a lot of instrumentals! Issue lyrics. Students are to follow in order to gauge an understanding of the story.
Issue the pictures on A4 paper to individual students. On a sticky note, they’re to describe what’s in the picture. They’re to then try and work out in what order the pictures go. They can refer to the lyrics to help them. It’s all speculation at the moment; try to work it out. This should help them to understand the narrative structure.
Afterwards, students are to discuss what they think happens in the story from beginning to end. They should write their plot summary as a list on a piece of A3 paper as a pair and/or group. This should give them an understanding of the narrative structure.
This resource offers a fun way of researching context.
Before the lesson print of the questions and put them into colour-coded piles. You'll need as many questions are you have groups of students. For example, if you have 6 groups, you must of 6 print-outs of the questions. You'll need 6 x yellow questions, 6 x green questions, 6 x blue questions etc.
Put students in teams of 3-4 students. Students must have immediate access to a laptop or computer to be able to find the answers to the questions.
You need to put the piles of questions on your desk. Issue Q1 to all groups and 1 answer sheet to all groups. Groups must find the answer to Q1, write it down on their answer sheet and then bring their answer sheet to you. If the answer is correct, you issue them with Q2, and so on until groups have found all the answers to all the questions. It is basically a race to the finish, but the answers must be of quality because you have to 'okay' them before they're issued with the next question. Students enjoy the competitive element of this task. You may wish to give the winning group a small prize as an added incentive.
Discuss the contextual research once the task is over and discuss its links with the play.
Students use this sheet to chart their sympathy for Candy throughout the novel. This sheet could be blown up to A3 to allow students lots of room to annotate the chart with key quotations from the text.
Of Mice and Men
Much of the plot in the novel is cyclical, as are the lives of the characters. The story opens and closes in the same place, the men’s lives are a routine of work - earn money - spend money in the flop-house - work, and many of the chapters begin and end in similar ways. There are lots of examples of foreshadowing in Of Mice and Men. Steinbeck uses this technique to suggest that the characters couldn’t have avoided their fates – their destinies are inevitable.
The task this resource offers is for students to look below the surface of the text and interpret how Steinbeck is offering clues about what will happen later on in the novel. I am looking for some original responses.