Humble English Teacher hoping to cut down on teachers' workload by providing high quality resources (from primary to secondary - mostly English but some other subjects too). Please share and review if you like what you see here.
Humble English Teacher hoping to cut down on teachers' workload by providing high quality resources (from primary to secondary - mostly English but some other subjects too). Please share and review if you like what you see here.
How does Shakespeare explore deception and performance in ‘Macbeth’? This 27-slide lesson explores this pivotal question.
Things are never what they seem in ‘Macbeth’: fair is foul and foul is fair when it comes to the much-contested fate of the crown.
Explore how Macbeth and Lady Macbeth commit regicide through endless deception and performance, but also how they ultimately become trapped in their own web of lies.
Questions, discussion points and tasks are included. An essay question (based on an extract from the play) is featured at the end of the lesson.
This lesson is perfect for those studying the play at GCSE, but could be used for other year groups too.
PowerPoint saved as PDF.
This resource is a collection of 30 practice questions based on J.B. Priestley’s ‘An Inspector Calls’.
Providing perfect revision for those studying the text at GCSE, this bundle of 30 exam-style questions will give your students plenty of practice at analysing the play’s key themes, characters, and ideas.
Questions are included on every character and each of the main themes.
PowerPoint saved as PDF.
This 30-slide exploration of the Witches in Shakespeare’s ‘Macbeth’ makes for a comprehensive and detailed revision lesson.
The lesson includes key context, as well as focus on the Witches’ language, appearance, and function in the play. Links are made to wider themes (including gender and the supernatural), and questions and tasks are included for pupils throughout. Students are encouraged to deconstruct historical depictions of witches and witchcraft - particularly with reference to misogyny - while considering how Shakespeare exploits/subverts stereotypes. The lesson ends with a practice essay question, which is ideal for those studying the play at GCSE (especially those studying with AQA).
PowerPoint is saved as PDF.
This 28-slide lesson explores the themes of duality and double-lives in Oscar Wilde’s ‘The Importance of Being Earnest’.
The lesson encourages students to think about the numerous binaries and dualities throughout Wilde’s play, and how these relate to the idea of ‘earnestness’ that the play satirises. Sophisticated vocabulary is provided to help students with their analysis.
Students are presented with important literary and historical context, including Wilde’s own ‘Picture of Dorian Gray’ and Stevenson’s ‘Jekyll and Hyde’, plus examples of real-life late-Victorian scandals which fed into and fuelled fin de siecle interests in the duality of man. We also explore dualities in Wilde’s own life.
The lesson considers how deception plays into the play’s key themes, and explores Wilde’s literary preoccupation with ‘masks’. Key quotations from the play (linked to duality or double-lives) are considered throughout the lesson, and each of the key characters are dissected.
Discussion points and questions are featured throughout. This lesson is ideal for A-level (age 16+) study of the text.
PowerPoint saved as PDF.
This 34-slide lesson explores the character of Viola in Shakespeare’s ‘Twelfth Night’.
With academic scrutiny, the lesson analyses one of Shakespeare’s most complex heroines, beginning with an overview of her key lines, attributes, and role in the plot. This then leads to analysis of her name, key vocabulary that we might use to describe her, and how her role as a cross-dressing protagonists compares to other Shakespearean comedies.
Important historical and theatrical context is explored alongside Viola’s character, and we consider the debates around just how ‘proto-Feminist’ Shakespeare’s presentation of Viola really is. Interesting viewpoints from a range of critics, directors, and actors are discussed.
Crucially, we also explore how Viola’s character catalyses other key events in the play and is central to the comedy of ‘Twelfth Night’. We look at how Viola interacts with other characters in the play and debate modern interpretations of whether homoeroticism is integral to her character. The role of twins in other Shakespearean plays is considered, and the Carnivalesque atmosphere of the play is analysed in light of Viola’s character.
Questions, discussion points, and essay questions are featured throughout. Students are encouraged to consider Viola’s character at a high level, so this lesson would be ideal for students aged 16+.
PowerPoint saved as PDF.
These 25 posters - featuring words of wisdom from 24 of Shakespeare’s plays - make for an inspiring, educational and visually stunning display in your classroom and corridor.
This worksheet is designed to stimulate analytical consideration of the key images, symbols, and themes of J.B. Priestley’s ‘An Inspector Calls’.
The task is flexible: teachers may ask pupils to surround each image with quotations, words, themes, or general ideas from the play.
For example, around the picture of the golf ball, pupils may write: “I don’t play golf” or ‘Birling’s luxuries and leisure as antithesis of the Inspector’, etc.
Images inevitably link together and overlap, which is a great prompt for students to connect the key ideas from across the play.
This extract from Arthur Miller’s play ‘The Crucible’ is perfect practice for analysing elements of political and social protest for those studying the AQA A level syllabus.
This extract from John Osborne’s classic 1956 play ‘Look Back in Anger’ is perfect practice for analysing elements of political and social protest for those studying the AQA A level syllabus.
This extract from Bertolt Brecht’s harrowing anti-war play ‘Mother Courage and Her Children’ is perfect practice for analysing elements of political and social protest for those studying the AQA A level syllabus.
This crossword on Shakespeare’s ‘Hamlet’ provides an enjoyable but academic activity for pupils to test their knowledge of the play.
It always works as a great starter or plenary task.
Ideal for pupils from KS3 to KS5.
This extract from Harold Pinter’s powerful play ‘One For The Road’ is perfect practice for analysing elements of political and social protest for those studying the AQA A level syllabus.
Please note: this extract (and play) contains very mature themes and language.
Detailed and high-grade notes on each of the major characters in J.B. Priestley’s ‘An Inspector Calls’.
Perfect for revision of the characters when studying the play at GCSE.
This 21-slide lesson introduces students to the key context of Alan Bennett’s ‘The History Boys’.
The lesson provides an introduction to Bennett’s career, Oxbridge, Thatcherism and New Labour, as well as the key themes and ideas of the play. Students consider what makes a good teacher, and learn critical vocabulary linked to the play. The role and significance of ‘history’ is also debated, while New Labour’s focus on ‘spin’ is explained in view of its relevance to the play. Theatre reviews of notable productions of ‘The History Boys’ are also included for discussion.
Questions, discussion points, and tasks are featured throughout for students.
This resource is ideal for those studying the play at GCSE or A level.
PowerPoint saved as pdf.
This top-band essay analyses how Shakespeare presents Macbeth and Banquo’s attitudes to the supernatural, based on the (infamous) AQA exam question from 2018.
Many students found this question challenging when it appeared in the summer of 2018. This essay is perfect (for HA pupils, in particular) to see how to structure a sophisticated and perceptive essay.
The extract and exam question are included on the first page.
This 36-slide lesson explores the character of Feste in Shakespeare’s ‘Twelfth Night’.
With academic scrutiny, the lesson analyses one of Shakespeare’s most complex comic characters, beginning with an overview of his key lines, attributes, and role in the plot. This then leads to analysis of Feste’s name, key vocabulary that we might use to describe him, and how his role as a jester grants him special privileges and licence.
Important historical and theatrical context is explored alongside Feste’s character, and we look at the development of Shakespeare’s ‘Fools’ across his plays. Feste’s relationship with music and song is analysed, as well as his engagement with the play’s fascination with disguise when he becomes ‘Sir Topas’. Interesting viewpoints from a range of critics, directors, and actors are discussed.
Crucially, we also explore how Feste’s character relates to the key themes of the play and is central to the comedy of ‘Twelfth Night’. We look at how Feste interacts with other characters in the play, such as Malvolio, and compare him to Viola in his liminal and transgressive state. The Carnivalesque atmosphere of the play is analysed in light of Feste’s character.
Questions, discussion points, and essay questions are featured throughout. Students are encouraged to consider Feste’s character at a high level, so this lesson would be ideal for students aged 16+.
PowerPoint saved as PDF.
This bundle of resources is a comprehensive, detailed, and academic exploration of all scenes from Shakespeare’s ‘Othello’ to provide the ideal companion for studying the play.
Five presentations are included - one for each of the play’s five acts. Each presentation introduces the setting and context for each of the play’s scenes, before providing step-by-step supportive notes for the scenes. These notes not only explain what is happening as the scene progresses, but key dialogue, images, and stage directions are deconstructed with academic scrutiny. Questions are also posed for students at regular intervals to encourage a thematic and holistic understanding of the play.
These resources can be used to support class readings of the texts, or made accessible to students at home to facilitate their understanding of each scene. In addition, students have found them extremely useful as revision resources to review in their own time.
Act 1 Notes - 54 slides
Act 2 Notes - 42 slides
Act 3 Notes - 50 slides
Act 4 Notes - 40 slides
Act 5 Notes - 38 slides
These resources are ideal for GCSE or A level study of ‘Othello’.
224 slides in total. PowerPoints saved as PDFs.
This 30-slide lesson explores the character of Sir Toby Belch in Shakespeare’s ‘Twelfth Night’.
With academic scrutiny, this lesson analyses one of Shakespeare’s most iconic and riotous characters, beginning with an overview of Sir Toby’s key lines, attributes, and role in the plot. We consider Sir Toby’s role as a quintessential comic creation: his Falstaffian parallels, his festive spirit, and his role as the ‘Lord of Misrule’.
Important historical and theatrical context is explored alongside Sir Toby’s character. We consider how self-aware Sir Toby is, thinking about his relationship with the audience and how he relates to Shakespeare’s stagecraft.
Crucially, Sir Toby’s function as a comic character (and how he relates to other characters, including Malvolio, Sir Andrew, and Maria) is discussed. We scrutinise Sir Toby’s role in view of the Carnivalesque atmosphere of the play.
Questions, discussion points, and essay questions are featured throughout. Students are encouraged to consider Sir Toby’s character at a high level, so this lesson would be ideal for students aged 16+.
PowerPoint saved as PDF.
A superb extract from Patrick Marber’s ‘After Miss Julie’, perfect for analysis as an ‘unseen’ text for Section A of AQA’s Political and Social Protest Writing A level paper.
Extract is attached with PowerPoint featuring questions for students to consider/discuss/answer and an exemplar INTRODUCTION to an essay response.
PowerPoint saved as PDF.
This crossword on Wilde’s ‘The Importance of Being Earnest’ provides an enjoyable but academic activity for pupils to test their knowledge of the play.
It always works as a great starter or plenary task.
Note: When the answer to a question is ‘Lady Bracknell’, it should be written as one word, ie: ‘LADYBRACKNELL’.