I have been teaching Performing Arts for over 10 years and I have a wealth of experience and knowledge to share with you.
Most recently I was teaching in Bangkok, prior to this I was The Director of Theatrical Productions in Amman, Jordan for 2 years. Before this I was Head of Dance in a school in the UK for 4 years.
I hope you find my resources helpful and if you do please leave a review. There are a mixture of Dance, Healthy living and PSHE resources for a range of ages and curriculum.
I have been teaching Performing Arts for over 10 years and I have a wealth of experience and knowledge to share with you.
Most recently I was teaching in Bangkok, prior to this I was The Director of Theatrical Productions in Amman, Jordan for 2 years. Before this I was Head of Dance in a school in the UK for 4 years.
I hope you find my resources helpful and if you do please leave a review. There are a mixture of Dance, Healthy living and PSHE resources for a range of ages and curriculum.
23 page workbook designed with BTEC, NCFE and ASDAN Performing Arts courses in mind.
Editable for you to make more specific to your course or use as is for your students.
Real world situation: Dance Showcase
You can change what you are designing for or keep as is: Dance Showcase with three trios that need the production roles of Costume Designer, Set Designer and Hair and Make-up Designer filled.
Page 1 states the purpose of the workbook as follows:
In this workbook are activities that will contribute to your final grades this year. You will be assessed on your research document and logbook entries (Criteria 1), on your participation and contribution in rehearsal (Criteria 2), your performance and application of performance skills (Criteria 3) and finally your contribution to the production process (Criteria 4). You can be awarded pass, merit, or distinction for each of these criteria.
What does this mean?
To complete criterion 4, you must complete some design tasks. Below is a list of options, you must complete at least two of these roles. To achieve a distinction, you need to produce work that is successful as well as inspired and inventive; the work will demonstrate a concrete understanding of stimulus, choreographic intention and overall dance ideas. Be sure to read all the tasks before deciding on which 2 to complete.
Design options – you must complete at least 2
● Costume – developing and shaping ideas, e.g. mood boards, producing draft sketches, pitching ideas, making changes, refining ideas and creating final designs, e.g. drawings showing construction methods and materials
● Set – developing and shaping ideas, e.g. mood boards, producing draft sketches, pitching ideas, making changes, refining ideas and creating final designs, e.g. scale plans, 3-D models and annotated drawings
● Make-up – developing and shaping ideas, e.g. mood boards, producing draft sketches, pitching ideas, making changes, refining ideas and creating final designs, e.g. facial plans.
NOTES FOR TEACHERS
Included in this resource.
This resource provides context in relation to the ‘isms’, meaning romanticism, classicism, modernism and post modernism. The examiners reports refer to the importance of “context where relevant” being a key factor for missing marks in the higher bands. Your students, where relevant should be able to put the works they are studying into the context of these art movements.
Contents
Notes for teachers on the artistic and architectural movements of Classicism, Romanticism, Modernism and Postmodernism and links to the ‘isms’.
10 pages of contextual information, images, and discussion points for your students.
Timeline for Gene Kelly, Bob Fosse and Jerome Robins
A suggested task to use this information.
Essay structure and an example of how to include this contextual information.