Rock ‘n’ Roll
KS3 Scheme of Work – 6 lessons
Objectives
• To learn about the origins of rock ‘n’ roll in the 1950s
• To sing and play several rock ‘n’ roll and rock songs
• To recognise some typical instruments – keyboard, drums and double bass – and their functions
• To play the chords of C, F, G and Am on the keyboard
• To perform the 12-bar blues and I-vi-IV-V chord progressions on the keyboard
• To arrange a rock ‘n’ roll song for a group performance
Lesson Overview
1. The Origins of Rock ‘n’ Roll
2. The 12-Bar Blues
3. The Bass Line
4. The I-vi-IV-V Progression
5. Preparing Group Arrangement
6. Group Performances and Listening Exercise
Subject-specific vocabulary
• Performers: Bill Haley and the Comets, Elvis Presley
• Instruments: double bass, drum kit, keyboard
• Chords: C, F, G, Am
• 12-bar blues and I-vi-IV-V chord progressions
Assessments
• Performing (keyboard) – 12-bar blues
• Composing – group arrangement of a Rock ‘n’ Roll song
• Listening – Hound Dog
This topic can be followed up with the topic on The Beatles, which introduces more secondary triads and more complex song structures, reflecting the development of rock music in the 1960s.
A step-by-step self-guided process for GCSE students to compose a song in any style. Typically lasts for 5-10 hours. Four-page worksheet with lyric ideas (both in .doc and .pdf format) plus example song in .sib format.
KS3 Scheme of Work – 6-8 lessons
Objectives
• To listen to music, particularly waltzes, in different genres by composers from the Romantic era (1830-1900)
• To perform the accompaniment for a waltz on the keyboard
• To compose a 16-bar waltz for piano, fitting the melody to chosen four-bar chord sequences
Lesson Overview
• Lesson 1: Romantic Music
• Lesson 2: Oom-pah-pah
• Lesson 3: A piano waltz
• Lesson 4: An orchestral waltz
• Lesson 5: An operatic waltz
• Lesson 6: Listening to Programme Music
• Lessons 7/8: Composing Programme Music
Subject-specific vocabulary
• Instruments of the symphony orchestra: violins, viola, ‘cello, double bass, harp, piccolo, flute, oboe, cor anglais, clarinet, bassoon, contrabassoon, horn, trumpet, trombone, tuba, percussion
• Romantic Composers: Chopin, Tchaikovsky, Johann Strauss jr, Grieg, Schubert, Berlioz, Wagner, Verdi
• Musical Genres: piano music, orchestral music, ballet, opera
Assessments
• Listening – Romantic Music (Lesson 1)
• Performing (keyboard) – ‘Oom-pah-pah’ accompaniment (Lesson 2)
• Composing – 16-bar waltz (Lessons 3-6)
Analysis (divided into elements of music) of the following songs:
‘Eleanor Rigby’
‘Here, There and Everywhere’
‘I Want to Tell You’
‘Tomorrow Never Knows’
These are set works for the current Edexcel Pearson A level music course, but they are equally suitable as wider listening for GCSE/A level.
Summary notes for all three set works in this area of study:
Debussy - Estampes Nos. 1 and 2
Familia Valera Miranda - two songs from Caña Quema
Anoushka Shankar - three songs from Breathing Under Water
All ten songs from the three Set Works in the Popular Music and Jazz Area of Study (Edexcel/Pearson A Level Music):
Kate Bush, Hounds of Love (3 songs)
Beatles, Revolver (4 songs)
Courtney Pine, Back in the Day (3 songs)
Listening/analysis notes for all 10 songs in this Area of Study
A Midsummer Night’s Dream: literary devices
14-page list of literary devices and quotation, in .docx and .pdf formats
29 types of literary device, from alliteration to zeugma
105 quotations from ‘A Midsummer Night’s Dream’
Explanations of literary devices and quotations
Act/scene/line references
One-page worksheet on literary devices in ‘A Midsummer Night’s Dream’, in .docx and .pdf formats
**A Midsummer Night’s Dream (abridged)
Abridged 36-page version of ‘A Midsummer Night’s Dream’ in .docx and .pdf formats
Retains act and scene structure of original and all major plot points
Ideal for quicker study or shorter performances of the play (approx. 40 minutes)
info@schoolworkshops.com
A great way to test students’ knowledge of ‘A Midsummer Night’s Dream’
50 multiple-choice questions (10 on each act) with four choices for each question
.docx format provided for easy editing and importing into quiz apps (e.g. Microsoft Forms, Plickers)
.pdf format provided for quick, easy, ready-formatted printing
separate answer sheet provided in .pdf format
A great way to test students’ knowledge of ‘A Midsummer Night’s Dream’
50 multiple-choice questions (10 on each act) with four choices for each question
.docx format provided for easy editing and importing into quiz apps (e.g. Microsoft Forms, Plickers)
.pdf format provided for quick, easy, ready-formatted printing
separate answer sheet provided in .pdf format
14-page list of literary devices and quotation, in .docx and .pdf formats
29 types of literary device, from alliteration to zeugma
105 quotations from ‘A Midsummer Night’s Dream’
Explanations of literary devices and quotations
Act/scene/line references
One-page worksheet on literary devices in ‘A Midsummer Night’s Dream’, in .docx and .pdf formats
Lesson 4 in Rock ‘n’ Roll
KS3 Scheme of Work – 6 lessons (or standalone lesson)
Objectives of scheme
• To learn about the origins of rock ‘n’ roll in the 1950s
• To sing and play several rock ‘n’ roll and rock songs
• To recognise some typical instruments – keyboard, drums and double bass – and their functions
• To play the chords of C, F, G and Am on the keyboard
• To perform the 12-bar blues and I-vi-IV-V chord progressions on the keyboard
• To arrange a rock ‘n’ roll song for a group performance
Lesson Overview
1. The Origins of Rock ‘n’ Roll
2. The 12-Bar Blues
3. The Bass Line
4. The I-vi-IV-V Progression
5. Preparing Group Arrangement
6. Group Performances and Listening Exercise
Subject-specific vocabulary
• Performers: Bill Haley and the Comets, Elvis Presley
• Instruments: double bass, drum kit, keyboard
• Chords: C, F, G, Am
• 12-bar blues and I-vi-IV-V chord progressions
Assessments
• Performing (keyboard) – 12-bar blues
• Composing – group arrangement of a Rock ‘n’ Roll song
• Listening – Hound Dog
This topic can be followed up with the topic on The Beatles, which introduces more secondary triads and more complex song structures, reflecting the development of rock music in the 1960s.
Lessons 2+3 of Rock ‘n’ Roll
KS3 Scheme of Work – 6 lessons (or a standalone double lesson)
Objectives
• To learn about the origins of rock ‘n’ roll in the 1950s
• To sing and play several rock ‘n’ roll and rock songs
• To recognise some typical instruments – keyboard, drums and double bass – and their functions
• To play the chords of C, F, G and Am on the keyboard
• To perform the 12-bar blues and I-vi-IV-V chord progressions on the keyboard
• To arrange a rock ‘n’ roll song for a group performance
Lesson Overview
1. The Origins of Rock ‘n’ Roll
2. The 12-Bar Blues
3. The Bass Line
4. The I-vi-IV-V Progression
5. Preparing Group Arrangement
6. Group Performances and Listening Exercise
Subject-specific vocabulary
• Performers: Bill Haley and the Comets, Elvis Presley
• Instruments: double bass, drum kit, keyboard
• Chords: C, F, G, Am
• 12-bar blues and I-vi-IV-V chord progressions
Assessments
• Performing (keyboard) – 12-bar blues
• Composing – group arrangement of a Rock ‘n’ Roll song
• Listening – Hound Dog
This topic can be followed up with the topic on The Beatles, which introduces more secondary triads and more complex song structures, reflecting the development of rock music in the 1960s.
A complete carol from '50 Christmas Carols', edited by Chris Gill.
Arranged for four parts (SATB) on two staves, with chord symbols above, and lyrics for all of the verses printed in between the staves.
The complete edition of '50 Christmas Carols' is available as a pdf and Sibelius file from TES resources, or as a paperback from Amazon.
A complete carol from '50 Christmas Carols', edited by Chris Gill.
Arranged for four parts (SATB) on two staves, with chord symbols above, and lyrics for all of the verses printed in between the staves.
The complete edition of '50 Christmas Carols' is available as a pdf and Sibelius file from TES resources, or as a paperback from Amazon.
A complete carol from '50 Christmas Carols', edited by Chris Gill. Arranged for four parts (SATB) on two staves, with chord symbols above, and lyrics for all of the verses printed in between the staves. The complete edition of '50 Christmas Carols' is available as a pdf and Sibelius file from TES resources, or as a paperback from Amazon.
A complete carol from '50 Christmas Carols', edited by Chris Gill. Arranged for four parts (SATB) on two staves, with chord symbols above, and lyrics for all of the verses printed in between the staves. The complete edition of '50 Christmas Carols' is available as a pdf and Sibelius file from TES resources, or as a paperback from Amazon.
A complete carol from '50 Christmas Carols', edited by Chris Gill. Arranged for four parts (SATB) on two staves, with chord symbols above, and lyrics for all of the verses printed in between the staves. The complete edition of '50 Christmas Carols' is available as a pdf and Sibelius file from TES resources, or as a paperback from Amazon.
A complete carol from '50 Christmas Carols', edited by Chris Gill. Arranged for four parts (SATB) on two staves, with chord symbols above, and lyrics for all of the verses printed in between, the staves. The complete edition of '50 Christmas Carols' is available as a pdf and Sibelius file from TES resources, or as a paperback from Amazon.