I teach English across Key Stages 3-5, and I teach Film Studies at A Level. I try to create resources which are easy to use and which, for KS4 and 5 pupils, will aid their revision for exams. My resources tend to be word documents, so they can easily be adapted to suit your students' needs.
I teach English across Key Stages 3-5, and I teach Film Studies at A Level. I try to create resources which are easy to use and which, for KS4 and 5 pupils, will aid their revision for exams. My resources tend to be word documents, so they can easily be adapted to suit your students' needs.
This resource is intended for A Level Lit students, but could work with able GCSE students studying ‘Hamlet’.
It works best if the pupils already know the whole plot (from, say, watching a production) and who are now embarking on the nitty-gritty of studying each scene.
It is presented here as a Word document whose boxes expand as they are typed in. I find this helps the students’ revision because the questions are near the answers, and can easily be added to as their knowledge grows.
I encourage the students to include as much quotation as they can and to do so in a different colour text, again to aid revision later.
I have created this expandable word doc to enable students to throughly analyse the whole of the film. The resource is divided into sections which correspond with the various episodes in this film.
Each section has three sections for the students to fill in:
Interesting uses of film form
How this creates meaning and response
Relevant context
These columns cover the three areas students need to write about in the Global Film essays in the exam.
I have found that gathering all three areas together on a sheet like this helps enormously when it comes to revision. Students can work alone or in groups to fill in each section. Because it’s a one-stop-shop with expandable boxes, it can be added to throughout the course.
I have created this expandable word doc to enable students to throughly analyse the whole of the film. The resource is divided into sections which correspond with the various episodes in this film.
Each section has three sections for the students to fill in:
Interesting uses of film form
How this creates meaning and response
Relevant context
These columns cover the three areas students need to write about in the Global Film essays in the exam.
I have found that gathering all three areas together on a sheet like this helps enormously when it comes to revision. Students can work alone or in groups to fill in each section. Because it’s a one-stop-shop with expandable boxes, it can be added to throughout the course.
This is a great way for A Level Film students to keep track of the structure of This is England. It’s a largely linear film, but it is divided in half when Combo draws a spit-line on the floor, dividing the skinheads.
The first page has all the scenes in two columns, reflecting this split. Students should use coloured pens to colour scnes on each side of the divide which ‘mirror’ each other, such as the two montage scenes, or the scenes when Shaun’s image is transformed, first by Woody and Lol, and later by Combo.
On the second sheet, they record in detail how these paired or mirrored scenes are similar and different.
The sheet explains how syndetic lists differ from lists using commas. It then requires the students to write their own syndetic lists using common nouns and proper nouns and abstract nouns and verbs and adjectives and adverbs. (See what I did there?)
This worksheet can be given to students so they can type their responses directly into the fields provided. Alternatively, you could hand out paper copies and they could handwrite their responses.
The tasks include:
stating when this scene is set
giving a brief synopsis of the scene
8 deep-dive questions into the characters and dialogue
exploring the use of stagecraft and plastic theatre in the scene
examining relevant contextual factors
It is ideal for use with A Level English Literature students, but could be used in Drama lessons, too.
This worksheet can be given to students so they can type their responses directly into the fields provided. Alternatively, you could hand out paper copies and they could handwrite their responses.
The tasks include:
stating when this scene is set
giving a brief synopsis of the scene
8 deep-dive questions into the characters and dialogue
exploring the use of stagecraft and plastic theatre in the scene
examining relevant contextual factors
It is ideal for use with A Level English Literature students, but could be used in Drama lessons, too.
A handout containing 36 examples of slang commonly used by soldiers in the trenches of WW1, plus their definitions. For example, ‘Barkers’ were sausages, because the the meat in them was thought to come from dogs. ‘Dead soldiers’ were empty beer bottles.
I give these sheets to students who have just studied Journey’s End and ask them to write a short play set in the trenches in which the characters use some of the slang terms.
It could also be useful when writing fiction or even non-fiction pieces about the war.
This worksheet can be given to students so they can type their responses directly into the fields provided. Alternatively, you could hand out paper copies and they could handwrite their responses.
The tasks include:
stating when this scene is set
giving a brief synopsis of the scene
8 deep-dive questions into the characters and dialogue
exploring the use of stagecraft and plastic theatre in the scene
examining relevant contextual factors
It is ideal for use with A Level English Literature students, but could be used in Drama lessons, too.
This worksheet can be given to students so they can type their responses directly into the fields provided. Alternatively, you could hand out paper copies and they could handwrite their responses.
The tasks include:
stating when this scene is set
giving a brief synopsis of the scene
8 deep-dive questions into the characters and dialogue
exploring the use of stagecraft and plastic theatre in the scene
examining relevant contextual factors
It is ideal for use with A Level English Literature students, but could be used in Drama lessons, too.
This worksheet can be given to students so they can type their responses directly into the fields provided. Alternatively, you could hand out paper copies and they could handwrite their responses.
The tasks include:
stating when this scene is set
giving a brief synopsis of the scene
8 deep-dive questions into the characters and dialogue
exploring the use of stagecraft and plastic theatre in the scene
examining relevant contextual factors
It is ideal for use with A Level English Literature students, but could be used in Drama lessons
This worksheet can be given to students so they can type their responses directly into the fields provided. Alternatively, you could hand out paper copies and they could handwrite their responses.
The tasks include:
stating when this scene is set
giving a brief synopsis of the scene
8 deep-dive questions into the characters and dialogue
exploring the use of stagecraft and plastic theatre in the scene
examining relevant contextual factors
It is ideal for use with A Level English Literature students, but could be used in Drama lessons, too.
This worksheet can be given to students so they can type their responses directly into the fields provided. Alternatively, you could hand out paper copies and they could handwrite their responses.
The tasks include:
stating when this scene is set
giving a brief synopsis of the scene
8 deep-dive questions into the characters and dialogue
exploring the use of stagecraft and plastic theatre in the scene
examining relevant contextual factors
It is ideal for use with A Level English Literature students, but could be used in Drama lessons, too.
This worksheet can be given to students so they can type their responses directly into the fields provided. Alternatively, you could hand out paper copies and they could handwrite their responses.
The tasks include:
stating when this scene is set
giving a brief synopsis of the scene
8 deep-dive questions into the characters and dialogue
exploring the use of stagecraft and plastic theatre in the scene
examining relevant contextual factors
It is ideal for use with A Level English Literature students, but could be used in Drama lessons, too.
I have copied the text from the Edexcel Anthology and interspersed it with boxes for students to write notes in. The boxes have questions, headings or quotations in them to help guide the learners.
I have copied the text from the Edexcel Anthology and interspersed it with boxes for students to write notes in. The boxes have questions, headings or quotations in them to help guide the learners.
I have copied the text from the Edexcel Anthology and interspersed it with boxes for students to write notes in. The boxes have questions, headings or quotations in them to help guide the learners.
I have copied the text from the Edexcel Anthology and interspersed it with boxes for students to write notes in. The boxes have questions, headings or quotations in them to help guide the learners.
A great pre-viewing activity for ‘This is England’ is to watch Don Letts’ doc on Skinheads on YouTube.
This resource promts them to watch carefully and then make notes on how Skinhead culture emerged and evolved.
I set it as a homework before studying the film.
This resource is best used electronically so the students can type lengthy answers in the boxes provided. It asks them to think about several often contardictory ideas about how the film has been structured and then use evidence from the film to support each one. It is a really useful revision resource.