Attached are two lessons which guide students in planning and performing a role play based sketch which explores the themes within the play 'An Inspector Calls' by J.B Priestley. Since students have the option of studying this for their English Literature GCSE it's often a good idea to ask them to rehearse or perform a Speaking and Listening assessment based on it as it's got a range of ideas to discuss. Lesson 1: Students are asked to consider which skills they need to work well within a group and generally in terms of being a good listener and public speaker. Suggestions are listed on the next slide and they are introduced to AQA's mark scheme (Pass, Merit, Distinction). They then have the choice of 3 scenarios based on characters and moments within the play. Some of these are hypothetical situations which may not have happened but are plausible and provide good scope for emotional conflict - these might be best explored by a stronger group which you could select. Attached is a planning sheet with logical steps on how to approach them. There is a chance to rehearse and peer assess notes. Lesson 2: Students are asked to check their notes and add any last ones before performing. Attached is a peer assessment tick sheet which is also useful for teachers to use and log grades whilst the class watches. At the end of the performances students are asked to consider the best performances and justify why as well as noting down their final judgement of their own performance linking it to the success criteria.

This lesson asks students to analyse what Mrs Birling’s dialogue shows about her as a character and consider how the audience is meant to react. The lesson starts by asking students to consider what what role she plays and how she develops as a character. There is a 'challenge task' also provided which asks them to think about how a modern audience responds to her. There is a list of quotes from across the play attached as a handout which students can think about in pairs and they can then be annotated on the board by students/the teacher. Students are then asked to list the positive and negative aspects of her character and what she does across the play. There are some suggestions which follow this. The lesson ends with a chance for students to write independent essay paragraphs with the AQA English Literature GCSE success criteria which can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills.

This lesson asks students to analyse what Mr Birling’s dialogue shows about him as a character and consider how the audience is meant to react. The lesson starts by asking students to consider what his attitudes expose about attitudes in 1912 and what he symbolizes as a 'challenge' task. 2 extracts from the play follow this which students can think about in pairs and they can then be annotated on the board by students/the teacher. There is a handout to use with this task attached which has a word box to explain some of his political comments. Also attached is a list of quotes from across the whole play which illustrate a range of ideas about Arthur (either what he says or what others say about him). Students can annotate these in their books or they can be blown up to A3 size to write on. The lesson ends with a chance for students to write independent essay paragraphs with the AQA English Literature GCSE success criteria which can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills.

This lesson asks students to identify useful quotes about Eric and explain what they show about him and the world in which he lives. The lesson starts by asking students to consider what sins he committed in the play and what he symbolizes as a 'challenge' task. There are suggested answers to these questions which could be discussed as a class. 2 extracts from the play follow this which students can think about in pairs and they can then be annotated on the board by students/the teacher. Students are then asked to list the positive and negative aspects of his character and what he does across the play. There are some suggestions which follow this. Also attached is a list of quotes from across the whole play which illustrate a range of ideas about Eric (either what he says or what others say about him). Students can annotate these in their books or they can be blown up to A3 size to write on. The lesson ends with a chance for students to write independent essay paragraphs with the AQA English Literature GCSE success criteria which can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills.

Attached is a bundle of resources which will help explore the character of Crooks in the novel 'Of Mice and Men'. The first 3 documents offer quotes which either describe Crooks or are part of his dialogue from across the whole novel. The last 2 documents focus on his role particularly in chapter 4 of the story where he attempts to undermine Lennie and becomes interested in the 'dream ranch' discussed by Candy and Lennie. Students can use the quote sheets to annotate their thoughts about him and to make links using coloured pens (the 'quote explosion' looks great on a display). There is a A3 essay plan sheet where students have plenty of room to plan their ideas for each paragraph - an ideal homework activity.

Attached is a lesson which asks students to analyse how Steinbeck introduces Crooks in chapter 4 and interests the reader in him. The lesson starts by asking students to list what they know about the context of 1930's America and black people lives then. The second slide gives some facts about the end of slavery, lynching and the Jim Crow laws. Students are then asked in pairs or groups to read the quotes from chapter 4 (either before of after reading it in full) which are on the hand out sheet and consider what they show about him as a person. On the powerpoint there are some suggestions including references to any techniques that Steinbeck uses for effect. The lesson ends with a chance for students to write independent essay paragraphs with a generic success criteria which can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills. As with all my lessons, there are 'Talk for Writing' activities and Challenge tasks for more able students.

This resource acts as an introduction to etymology: the study of the origin of words and the way in which their meanings have changed throughout history. Attached are 2 table style handout sheets listing root words which originate from either Greek or Latin. They ask students to list words which use them and to investigate what they mean. This would be useful to do in a computer room or using dictionaries in pairs/groups. The powerpoint reveals the answers and of course can be adapted to add more. This would be useful for KS3 literacy classes or within learning support (learning roots of words can help with spellings).

Attached are materials for 5 -6 lessons where students are given a list of ambitious words. Using either a computer or dictionary, working alone or in groups, they are to look up those words and attempt to use them within sentences. They are to write their findings on the attached sheet which encourages them to guess their meaning before hand and also investigate the origins of the word before looking it up. The lessons ends with a peer assessment of the sentences that they've made with them and extension task (instructions on how to make a word cloud online). The lists of words can be edited to include easier or harder words. These lessons would be useful for stronger KS3 / 4 sets or as lessons used in GAMA/G+T withdrawal or general learning support.

This is a lesson on a poem about the First World War which features in Edexcel and AQA's anthology of Literature exam poems. The poem, if you don't know it, describes the hopelessness of war and misery whilst living as a soldier in the trenches. It is a conflict poem which explores the themes of violence and fear in war which can be linked to other poems taught within a unit. It's particularly useful to compare to 'Bayonet Charge' by Ted Hughes and 'Remains' by Simon Armitage. The lesson begins by asking students to list what they know or can guess about the poet and the conditions in the trenches. There is then a slide which introduces them to Owen and gives a short list of important facts to consider. Students are then introduced to the 'WPSLOMP' method of analysing poetry which they can then apply in pairs before colour coding quotes which are examples of metaphors, simile and personification. The ideas they pull together for this can then be explored as a class and the slides can be annotated by the teacher on the board. Students are then asked to think about structure and there is a slide which introduces them to tercets, para-rhyme and explains the rhyme scheme. The lesson ends with a chance for students to write independent essay paragraphs with AQA's exam success criteria but this can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills. As with all my lessons, there are 'Talk for Writing' activities and Challenge tasks for more able students. Attached is; - A powerpoint with the lesson clearly outlined - A handout of glossary style word banks which students can stick into their anthologies - Essay PEA styles sentence starters writing frames for weaker students. - Links to online videos/readings (see 'Notes' under slides).

This is a lesson on a modern poem (published 1957) about the First World War which features in AQA's anthology of Literature exam poems. The poem, if you don't know it, describes a nameless soldier's advance 'over the top' in the trenches. It is a conflict poem which explores the themes of violence and fear in war which can be linked to other poems taught within a unit. It's particular useful to compare to 'Exposure' by Wilfred Owen and 'Remains' by Simon Armitage. The lesson begins by showing students a list of words featured in the poem, asking them to define them and consider associations with them which encourages them to think about the context. There is then a slide which explains what a bayonet is and features a link to a video on 'going over the top'. Students are then introduced to the 'WPSLOMP' method of analysing poetry which they can then apply in pairs before colour coding quotes which explore peace and violence as well as any imagery. The ideas they pull together for this can then be explored as a class and there are slides which reveal the devices for them to then write about. The lesson ends with a chance for students to write independent essay paragraphs with AQA's exam success criteria but this can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills. As with all my lessons, there are 'Talk for Writing' activities and Challenge tasks for more able students. Attached is; - A powerpoint with the lesson clearly outlined - A copy of the poem with a word box - A handout of glossary style word banks which students can stick into their anthologies - Essay PEA styles sentence starters writing frames for weaker students (these refer to a different essay question to the lesson but can be adapted)

This is a lesson introducing students to the idea of the narrative hook, in other words how to write a killer first line or so to 'hook' the reader in. I put this lesson together for a year 9 scheme of work which referred to the AQA English Language marking criteria (A05+6) but the success criteria can be adapted beyond a level 3 so that it's more demanding for a year 10/11 class. The lesson starts with asking students what a narrative hook is and then to brainstorm in pairs different approaches that can be used to draw readers into a story. There are 3 'taster' first lines to show on the board where students can note questions that they have to illustrate the point. Then there is a handout of quotes which they can match to hooks in trios/groups/pairs and discuss. These can be lined up on their desks or pasted straight in. Of course, the 'answers' are provided on a separate teacher copy and the powerpoint itself (a few debatable ones are thrown in the exercise to encourage students to justify choices). Students are then given 2 scenarios to write about (gothic/horror genre based) demonstrating the use of a chosen narrative hook. A chance to self/peer assess follows to end the lesson where there is a success criteria box to refer to.

Attached is a bundle of extracts that have been adapted from the original text which are more suitable for weaker GCSE English Literature classes and/or EAL students. In some cases I have taken out words, replaced them or omitted chunks of text so that they are more manageable, whilst aiming to keep the writer's original intention. In every document there is a simple essay question which students can focus on when reading the extract. I've found them useful to annotate in lessons and then ask students to respond using structured essay paragraphs. All extracts have a word box which defines archaic words. These would be useful for studying for any exam board and the question can be adapted to refer to the rest of the storyline. There are 14 extracts as follows: - How does Stevenson introduce Hyde as a villain?, Ch 1 - How does Stevenson make this scene tense?, Ch 2 (x 2 versions) - How does Stevenson show that Mr Utterson is worried about Hyde? Ch 2 - What type of atmosphere does Stevenson create in this extract? Ch 4 - How does Stevenson make Carew's murder dramatic? Ch 4 - How does Stevenson present Dr Jekyll as an isolated and desperate character? Ch 5 - Incident at the window, Ch 7 -How does Stevenson show Poole's fear of his master? Ch 8 - What do these quotes suggest could have happened to Jekyll? Ch 8 (list of single quotes, not extract) - How does Dr Lanyon feel about Hyde here? Ch 9 - How does Stevenson present the theme of addiction? Ch 9 - How does Jekyll feel about killing Mr Carew? Ch 10 - Jekyll wakes up as Hyde, how does Stevenson make this dramatic? Ch 10 - How does Stevenson make this a dramatic ending to the novel? Ch 10

In this lesson students are asked to explore how Stevenson uses patterns of imagery within the novel. The lesson starts by asking students to define descriptive devices that are used throughout the novel. Students are then offered a sheet of quotes from the novel which are examples of those devices. They can stick them in their books, annotate and highlight them in pairs and then the teacher can annotate them on the board where the class can feedback their ideas. Students are encouraged to think about the following questions: - What device is used and why? - Do these quotes links to others elsewhere? - How is the modern/Victorian reader supposed to react? - How does this imagery create an atmosphere? The lesson ends with a chance for students to write essay paragraphs independently using provided sentence starters which come in 3 formats: a 'layers of meaning' approach, PEA or the 'reading ladder'. An opportunity to self or peer assess their essay writing follows this. The success criteria provided refers to the AQA English Literature course but can be adapted to suit your course. All lessons in this series include: - Links to online videos (see 'notes' under Powerpoint slides) - Starter tasks which introduce the main idea of the lesson - Handouts of extracts from the novel - Differentiated tasks (the starter task has a 'challenge' and a word box appears by the quotes for weaker students) - Opportunities for pair and group talk within activities ('Talk for Writing') - Alternating opportunities for self and peer assessment - Essay writing prompts to allow students to write about the text - References to the AQA English Literature mark scheme, particularly to the demands for attaining a grade 5 - what is considered a 'good pass' for the qualification. It's suggested that you download the whole series to appreciate the full learning journey.

...even tackles Dactylic Dimeter! This is an interesting poem which features in both AQA and Edexcel's anthology of Literature exam poems. The poem, if you don't know it, describes the advance made by the Light Brigade during the Battle of Balaclava, part of the Crimean War. It is a conflict poem which explores the themes of glory and tragedy in war which can be linked to other poems taught within a unit. The lesson begins by showing students some images of the Crimean war and asks them to list what they teach them about the battle and the context, thus predicting what the poem could be about. There is then a slide which lists important facts about the battle which are easy to read and discuss as a class. They are then introduced to the 'WPSLOMP' method of analysing poetry which they can then apply in pairs before colour coding quotes which explore the themes of violence and bravery. The ideas they pull together for this can then be pulled together as a class and there are slides which reveal the devices for them to then write about. I have added 2 slides to this presentation which go into depth about structure for more able students - particularly on Dactylic Dimeter which can be hard to explain. There is a clear annotation of a stanza and an explanation of how it works to add the crucial rhythm which this poem is famous for. The lesson ends with a chance for students to write independent essay paragraphs with AQA's exam success criteria but this can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills. Attached is; - A powerpoint with the lesson clearly outlined - A handout of glossary style word banks which students can stick into their anthologies - Essay PEA styles sentence starters writing frames for weaker students (these refer to a different essay question to the lesson but can be adapted) Within this powerpoint are also links to online analyses of the poem as well as the BBC Bitesize video.

This is an interesting modern poem which features in both AQA and Edexcel's anthology of Literature exam poems. The poem, if you don't know it, explores the feelings of a mother whose son has gone to war as a soldier. It is a moving poem about loss which can be linked to other poems which share this theme. The lesson begins by asking students to define a list of key words which appear in the poem and then challenges them to link them together, thus predicting what the poem could be about. They are then introduced to the 'WPSLOMP' method of analysing poetry which they can then apply in pairs before colour coding devices that the poet uses for effect (metaphor, simile, sensual imagery and caesura). The ideas they pull together for this can then be pulled together as a class and there are slides which reveal the devices for them to then write about. The lesson ends with a chance for students to write independent essay paragraphs with AQA's exam success criteria but this can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. There is then an opportunity to self or peer assess according to the key skills. Attached is; - A powerpoint with the lesson clearly outlined - A handout of the starter activity which can be cut up - Essay PEA styles sentence starters writing frames for weaker students Within this powerpoint are also links to online analyses of the poem as well as the BBC Bitesize video.

Attached is everything you need to set up a speaking and listening project that could be adapted to last up to 3 lessons and could be assessed as a GCSE style Speaking and Listening activity. After studying the play Romeo and Juliet, students are asked to get into groups of up to 6 and perform in role as an outsider commenting on the relationship between Romeo and Juliet (it's suggested that the imaginary discussion takes place after their suicide for maximum impact). They can choose from the roles of: Friar Lawrence, the Nurse, Lord and Lady Capulet, Benvolio and Mercutio. By planning and performing the activity, they are not only revising the plot of the play but they are also practicing/being assessed on their speaking and listening skills. This task is naturally easy to differentiate since some characters are more challenging as others and you can choose who plays which role if you like. Although this is designed to help departments using the AQA exam board, it can be adapted for any course. Attached is: - Lesson 1 powerpoint (planning and assigning roles) - Lesson 2 powerpoint (performing and peer assessing) - a prompt sheet for each student's character where they're offered ideas to explore in the discussion - a student friendly copy of the AQA Speaking and Listening mark scheme (Pass, Merit, Distinction) - A student and teacher assessment tick sheet (plenty of space for peer and self assessment which refers to the success criteria.

In this lesson students are asked to connect the themes discussed in the novel as a whole with the background and social history in which is was set. The lesson starts by asking students what the words THEME and CONTEXT mean and then there are some prompts for a pair/class discussion on particular themes which arise in the story line. There are 3 slides with easy to follow facts on: crime, poverty and science within the Victorian period, some of which are easy to relate to moments or characters within the novel. Students are then asked in pairs or groups to read a sheet of 13 quotes from across the novel and connect to them to what they've learned about the novel's context. They can annotate and highlight them and they can then be annotated on the board when the class can feedback their ideas. The lesson ends with a chance for students to write essay paragraphs independently using provided sentence starters which come in 3 formats: a 'layers of meaning' approach, PEA or the 'reading ladder'. An opportunity to self assess essay writing follows this. The success criteria provided refers to the AQA English Literature course but can be adapted to suit your course. All lessons in this series include: - Links to online videos (see 'notes' under Powerpoint slides) - Starter tasks which introduce the main idea of the lesson - Differentiated tasks - Opportunities for pair and group talk within activities ('Talk for Writing') - Handouts of extracts/quotes from the novel - Alternating opportunities for self and peer assessment - Essay writing prompts to allow students to write about the scene - References to the AQA English Literature mark scheme, particularly to the demands for attaining a grade 5 - what is considered a 'good pass' for the qualification. It's suggested that you download the whole series to appreciate the full learning journey.

In this lesson students are asked to explore how Mr Hyde is portrayed as a villain. The lesson starts by presenting students with images of gothic villains and asking them to discuss what they know about each one. Students are then asked to read the extract where Mr Enfield tells Mr Utterson about how Hyde attacked a young girl in the street which is when the reader is first introduced to him. They can annotate and highlight it in pairs and the it can be annotated on the board where the class can feedback their ideas. There is another activity where students are provided with particular quotes and they are asked to link them with other moments in the novel (this is useful for classes who have finished the novel as a form of revision). The lesson ends with a chance for students to write essay paragraphs independently using provided sentence starters which come in 3 formats: a 'layers of meaning' approach, PEA or the 'reading ladder'. An opportunity to self assess essay writing follows this. The success criteria provided refers to the AQA English Literature course but can be adapted to suit your course. All lessons in this series include: - Links to online videos (see 'notes' under Powerpoint slides) - Starter tasks which introduce the main idea of the lesson - Differentiated tasks - Opportunities for pair and group talk within activities ('Talk for Writing') - Handouts of extracts from the novel - Alternating opportunities for self and peer assessment - Essay writing prompts to allow students to write about the scene - References to the AQA English Literature mark scheme, particularly to the demands for attaining a grade 5 - what is considered a 'good pass' for the qualification. It's suggested that you download the whole series to appreciate the full learning journey.

These resources could be stretched across at least 3 lessons if you chose. Alternatively, a class might be split into 3 groups to discuss the suggested themes and then present to the class within one session. Attached is a powerpoint and a quote bank for the following themes: Power, Fate and Destiny and Good versus Evil in the play Macbeth. The quotes are taken from across the play and some themes share some quotes. In some cases the speaker is named but not always, so that it challenges students to remember them. I would suggest that the quote banks are copied onto A3 paper or at least as A4 sheets pasted across 2 pages in an exercise book so that students have the space to annotate them and link them. Students could colour code their ideas and identify the act, scene and speaker of the quotes as a form of revision for the Literature exam. These are also a good basis for a classroom display. The lesson ends with a chance for students to write essay paragraphs independently using provided sentence starters which come in 3 formats: a 'layers of meaning' approach, PEA or the 'reading ladder'. An opportunity to self assess essay writing follows this. The success criteria provided relates to the AQA GCSE standards for a grade 5 (a good pass) but can be adapted to suit your course.

An oldie but a goodie! This is still an interesting poem to explore with classes who you feel would benefit from studying the themes of conflict, prejudice and racism. This could be a lesson within a unit on conflict poetry in year 9 or may be used as a chance to explore an 'unseen' poetry which is not in your GCSE class's anthology of Literature exam poems. The poem, if you don't know it, describes a South African's feelings whilst walking through a familiar community that was devastated by the effects of the Apartheid in South Africa. The lesson begins by asking students to define the concept of segregation and then teases out any facts they may already know about the Apartheid regime. There are images and some facts for them to consider. They are then introduced to the 'WPSLOMP' method of analysing poetry as well as being asked to colour code devices the poet uses for effect (metaphor, simile, peaceful and violent imagery). The lesson ends with a chance for students to write independent essay paragraphs with a generic success criteria which can be adapted for your course. There are 3 options on how to approach essay writing: 'layers of meaning', PEA, or the 'reading ladder' which follow the same idea. Attached is; - A blank copy of the poem with a word box for tricky words - A handout of Apartheid images - Essay PEA styles sentence starters writing frames for weaker students - A worksheet with a range of tasks on it along with the poem (good cover work?) - A storyboard template - A powerpoint with the lesson clearly outlined