A lesson which focuses mainly on building students discussion of AO2 (language analysis) through group work. Therefore, I have included no context and only a little reference to structure. My students seemed to really enjoy the lesson.

This resource can be used across 2-3 lessons and leads students through the plot, context, settings, characters and key themes of the poem. I have tried to throw in a few strategies to make the lesson more student-led and less discussion or teacher focused, such as asking students to come up with their own questions about a section of text. The slides also contain my thoughts and ideas where they may be helpful.

The presentation looks at Moira across the text. It begins with a quotation hunt , contains a task where students evaluate who would be the better protagonist (Moira or Offred) , considers the issue of race and provides a starting point for an essay question.

A wide-ranging lesson which introduces the sonnet form through creative writing and comprehension questions about Barrett Browning’s use of it. I really liked the well-known resource ‘What’s a sonnet miss?’ (a poem about how sonnets are written), but found it too inaccurate. So, I have written and included my own sonnet about sonnets called ‘What’s a sonnet sir?’. Also included are comprehension questions which focus students on language and context, as well as a simple outline for an essay on the topic of the poet’s presentation of love. I found this an engaging and accessible way to introduce the Eduqas GCSE poetry anthology to my year 9 students. However, the lesson would work for any syllabus with Sonnet 43 on it.

Up to two lessons’ worth of content on Wilfred Owen’s poem Exposure. This was created and delivered to a middle-ability Year 8 class and provides a number of engaging activities including: Storyboarding Descriptive writing Language analysis (focusing on the presentation of nature, not war) Diary entry imaginative writing AI generated imagery has been used in this lesson, making it very visually pleasing.