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As a fully qualified art teacher with a passion for education, I have been teaching since 2018, bringing creativity and inspiration into the classroom. I hold a First-Class Honours degree in a Master’s in Art and Design Education from University College Cork and Crawford College of Fine Art. My experience has allowed me to develop comprehensive schemes of work and detailed individual lesson plans, all designed to engage students and foster a love for art.

As a fully qualified art teacher with a passion for education, I have been teaching since 2018, bringing creativity and inspiration into the classroom. I hold a First-Class Honours degree in a Master’s in Art and Design Education from University College Cork and Crawford College of Fine Art. My experience has allowed me to develop comprehensive schemes of work and detailed individual lesson plans, all designed to engage students and foster a love for art.
Pre Christian Ireland, Stone, Bronze and Iron Age
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Pre Christian Ireland, Stone, Bronze and Iron Age

3 Resources
This bundle includes: Three comprehensive PowerPoints covering Stone Age, Bronze Age, and Iron Age Ireland, with a total of 142 slides. These resources are perfectly aligned with the 2024 Leaving Cert Art History syllabus, offering a complete and engaging approach to Pre-Christian Ireland. In-depth content for each era, featuring: Stone Age Ireland: Detailed diagrams, sketches of burial sites, and up-to-date exam questions. Bronze Age Ireland: Significant artefacts, annotated photographs, and metalworking techniques like Repoussé, casting, and incising. Iron Age Ireland: Key artefacts, contextual information, and a focus on ironworking craftsmanship. Exam-focused questions for all three eras, helping students prepare thoroughly for their Leaving Cert assessments. Rich visuals, including annotated photographs, diagrams, and sketches that bring ancient Ireland to life, allowing students to connect with the material in a meaningful way. New vocabulary highlighted and defined, along with links to informative videos to enhance student understanding. This bundle sets a teacher up for the entire year, providing everything needed to deliver engaging and thorough lessons on Pre-Christian Ireland. It’s a complete package of resources that saves time and ensures students are fully prepared for this section of their Leaving Cert Art History exams.
Iron Age (Pre Christian Section)
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Iron Age (Pre Christian Section)

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This PowerPoint includes: 35 slides packed with essential content on Iron Age Ireland, perfectly tailored for the 2024 Leaving Cert Art History syllabus. Significant artefacts from the Iron Age, presented with annotated photographs that help students visually connect with the period’s key objects and cultural achievements. In-depth contextual information that explores the historical background, societal changes, and cultural developments during the Iron Age in Ireland. Examination of metalworking techniques, including examples of how iron was used and crafted into tools and artefacts, providing students with a deeper understanding of ancient craftsmanship. Highlighted vocabulary, with definitions included to help students grasp key terms and concepts related to the Iron Age. detailed slides crafted to align with the latest Leaving Cert Art History requirements, ensuring students are well-prepared for assessment. This PowerPoint serves as a concise yet comprehensive resource, perfect for teachers who want to deliver engaging and informative lessons on Iron Age Ireland while preparing their students for the Leaving Cert.
Bronze Age Ireland (Pre Christian)
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Bronze Age Ireland (Pre Christian)

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This PowerPoint includes: 37 slides** focused on Bronze Age Ireland, filled with engaging content and essential information aligned with the 2024 Leaving Cert Art History syllabus. Highlighted significant artefacts from the Bronze Age, with expertly annotated photographs to help students visually connect with these ancient treasures. Detailed contextual information covering the historical background, culture, and developments during the Bronze Age in Ireland, ensuring a comprehensive understanding. In-depth exploration of metalworking techniques, including Repoussé, casting, and incising, with clear explanations and examples to illustrate the craftsmanship of the era. Exam-style questions designed to prepare students for the Leaving Cert Art History exams, ensuring thorough revision of key topics. Key terminology highlighted and defined, helping students build a strong vocabulary related to Bronze Age art and techniques. This PowerPoint is a valuable teaching tool, offering a well-rounded and visually rich exploration of Bronze Age Ireland, perfect for helping students succeed in their Leaving Cert Art History studies.
Stone Age Ireland (Pre Christian Section)
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Stone Age Ireland (Pre Christian Section)

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This PowerPoint includes: 70 slides packed with comprehensive information and exam-focused content on the Stone Age Ireland section of Pre-Christian Ireland, perfect for the 2024 Leaving Cert Art History syllabus. Detailed diagrams that bring ancient tools, cultures, and structures to life, providing students with a visual understanding of key concepts. In-depth explanations of important burial sites, such as dolmens, court cairns, and Newgrange, with accompanying sketches that highlight their significance. Exam-style questions specifically tailored to help students prepare for the latest Leaving Cert Art History exams, ensuring they are ready for assessment. Contextual information to deepen students’ understanding of the Stone Age period, including discussions on tools, culture, and societal practices. Highlighted new vocabulary, with definitions provided to enhance student comprehension and retention of key terms. Web links to informative videos that complement the content, offering students a multimedia approach to learning. This PowerPoint is an invaluable resource for teachers looking to deliver a thorough and engaging lesson on Stone Age Ireland, while also preparing their students for the Leaving Cert.
Fauvism: Henri Matisse, Post Impressionism
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Fauvism: Henri Matisse, Post Impressionism

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This PowerPoint presentation provides a comprehensive exploration of Henri Matisse and André Derain, two leading figures in the Fauvist movement. It offers a visually engaging and educational experience by combining practical tasks, annotated artist examples, and clear art vocabulary to help students grasp the essence of Fauvism. 1. Focus on Fauvism and Key Artists This PowerPoint delves into the Fauvist movement, highlighting its defining characteristics, such as bold, vibrant colours, simplified forms, and the prioritisation of emotional expression over realism. Through a study of Henri Matisse and André Derain, the presentation showcases how these artists broke away from traditional art conventions, using colour in unconventional ways to evoke emotional responses and create dynamic compositions. The presentation carefully examines key works from both artists, contextualising their contributions to the movement and exploring how they influenced the direction of modern art. By comparing the approaches of Matisse and Derain, students gain a deeper understanding of Fauvism’s diversity and impact. 2. Practical Tasks This PowerPoint incorporates practical tasks that encourage students to apply the concepts they’ve learned. These activities might include creating their own Fauvist-inspired artworks, experimenting with non-naturalistic colours and expressive brushstrokes, or reinterpreting a landscape in the style of Matisse or Derain. These tasks provide hands-on opportunities for students to explore Fauvist techniques and express their own creativity while reinforcing their understanding of the movement. Practical exercises can also include group discussions and critiques, where students compare their work with the examples shown in the presentation, further solidifying their grasp of Fauvist principles. 3. Engaging Visuals and Design The PowerPoint presentation is designed with visually engaging slides, incorporating high-quality images of the artworks, clear text, and a cohesive colour scheme that reflects the vibrancy of Fauvism. The use of visuals is strategic, helping to maintain student interest and ensuring that the presentation is not only informative but also aesthetically appealing. The layout is user-friendly, with a logical progression from introductory slides to more detailed analyses, practical activities, and reflective questions. This makes it easy for students to follow along and engage with the material at their own pace.
Scheme of work for 19th Century Painting, Visual Studies, Europe and the Wider World
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Scheme of work for 19th Century Painting, Visual Studies, Europe and the Wider World

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This scheme of work will have you covered for the Europe and the Wider World section of Visual Studies. It provides a clear and organised roadmap for teaching 19th-century painting, with a detailed breakdown of topics, artists, movements, and artworks. The structure ensures that key themes are covered sequentially, allowing for a thorough exploration of significant artistic developments from Neoclassicism to Modernism. It focuses specifically on 19th-century French painting, which is a crucial period in art history. This ensures a deep dive into important movements like Romanticism, Realism, and Impressionism, among others. 1. Balanced Content and Pedagogical Approach: The lessons balance theoretical content (e.g., discussing the influence of the Royal Academy of Art) with practical activities (e.g., gallery visits, picture analysis), ensuring that students engage with both the history and practice of art. It caters to diverse learning styles by incorporating different methodologies such as gallery visits, art analysis, debates, and virtual tours. This variety helps students to develop a rounded understanding of art history. 2. Art Historical Depth: The document introduces students to iconic artists and their major works, helping them to build a strong foundation in art history. From Jacques-Louis David to Picasso, the scheme ensures that students not only learn about the artists but also understand the socio-political context influencing their works. Lessons on individual artists like Delacroix, Ingres, and Monet go beyond surface-level introductions by engaging students in in-depth analysis and critical thinking about style, technique, and the evolution of each artist’s work. 3. Cross-Disciplinary Learning: The inclusion of historical context, such as the impact of the Industrial Revolution, political events, and technological advancements, ensures that students see the connections between art, history, and society. This cross-disciplinary approach enriches students’ understanding of art as part of the broader cultural and historical narrative. 4. Development of Critical Thinking and Art Appreciation: The scheme encourages students to develop critical thinking skills by analysing works of art and debating contemporary issues, such as the influence of technology on art. This ensures that students are not passive learners but are actively engaged in interpreting and discussing art. 5. Time-Saving Resource for Teachers: For art teachers, this scheme of work is a time-saving resource that provides a well-thought-out plan for the entire academic year. It reduces the workload associated with lesson planning and ensures that all key topics are covered in a logical and cohesive manner. It also allows teachers to focus on delivering high-quality lessons without having to spend excessive time researching content and structuring their teaching.
Auguste Rodin, The father of modern sculpture.
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Auguste Rodin, The father of modern sculpture.

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This Power point was designed fro the Leaving Cert Art Curriculum in mind. It provides a concise and insightful overview of the Rodin’s life, work, and impact on modern sculpture. It begins by introducing Auguste Rodin, highlighting his revolutionary approach to sculpture and his departure from traditional techniques. The presentation explores key works such as “The Thinker” and “The Gates of Hell,” analysing their form, technique, and emotional depth. It also discusses Rodin’s influence on future generations of artists, illustrating how his innovative use of texture and movement redefined the medium. The Power point effectively combines visual examples with analysis, helping students understand Rodin’s significance in the context of art history.
JMW Turner and John Constable, The British Romantic Painters of 19th Century
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JMW Turner and John Constable, The British Romantic Painters of 19th Century

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This PowerPoint presentation was created for the Leaving Cert Art Curriculum. It explores the artistic legacies of J.M.W. Turner and John Constable, two pioneering British landscape painters, and connects their work to contemporary artist Olafur Eliasson. The presentation begins with an examination of Turner’s dramatic, atmospheric landscapes and Constable’s meticulous, naturalistic scenes, highlighting their differing approaches to capturing the sublime and the serene in nature. It then transitions to Olafur Eliasson, whose immersive installations and environmental art draw on the same themes of light, weather, and the natural world that preoccupied Turner and Constable. The presentation concludes by illustrating how Eliasson’s work continues the exploration of nature’s power and beauty, creating a dialogue between historical and contemporary approaches to landscape art.
Camile Claudel, Artworks in focus: Age of maturity, The Waltz and Clotho.
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Camile Claudel, Artworks in focus: Age of maturity, The Waltz and Clotho.

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This PowerPoint presentation delves into the life and work of Camille Claudel, a pioneering sculptor whose contributions to art were often overshadowed by her tumultuous relationship with Auguste Rodin. The presentation focuses on three of her most significant works: Age of Maturity, The Waltz, and Clotho. Age of Maturity is explored as a deeply personal piece reflecting Claudel’s feelings of loss and abandonment, often interpreted as a commentary on her relationship with Rodin. The Waltz captures the fluidity and passion of a dancing couple, showcasing Claudel’s ability to convey movement and emotion through bronze. Finally, Clotho portrays one of the Fates from Greek mythology, symbolising the inevitability of destiny, and is a powerful representation of Claudel’s technical skill and expressive power. The presentation not only examines these works in detail but also contextualises them within the broader themes of Claudel’s life, her struggles for recognition, and her lasting impact on the world of sculpture.