An A4 cloze exercise on Aristotle's Concepts of Tragedy which could be used with Shakespearean or modern tragedies. I designed it for use with A View from the Bridge and used it as a revision exercise, but it would also be a useful in-class test of students' understanding after you've introduced the concepts. Differentiation = the missing words are on the back for students who need support but they can attempt to complete as many gaps as possible before referring to this.

1-page resource with key quotations Space to add attributions or explanations for each quotation I use for retrieval practice

A detailed but compact A3 reversible revision resource for A Level students studying Angela Carter and The Bloody Chamber. One side of the sheet focuses on context and the other side on critics and theoretical approaches, both key Assessment Objectives on the OCR new linear A Level. The theoretical approaches covered are feminism, post-modernism and pyschoanalysis and a list of key critical quotations is provided. The context side includes a summary of source texts, a reminder of the text's artistic influences, a number of quotations from Carter herself, taken from her letters and essays, and information on other key Carter texts The Sadeian Woman, Fireworks and The Passion of New Eve. My Sixth Form students found this resource extremely useful for revision as the contextual and critical knowledge required for the exam can seem overwhelming - this brings it together in one place.

An A Level revision resource with fifteen key quotations from The Merchant's Tale which cover a range of themes and events. The meaning of each quotation is explained in modern English and there is a ticklist for the student to use when they have learnt the quotation. I found this particularly helpful for students who struggled to learn many quotations in Middle English as it provides a good range of quotes which could be used in lots of different essays.

Detailed 2-page resource of analytical notes on 'A Passage to Africa' by George Alagiah - for use with Section B of the Edexcel IGCSE in English Language. I prepared these notes for first-teaching of the extract but also ultimately gave them to students who found them very useful for revision purposes. The notes begin by focusing on purpose, audience and form and then focus in close detail on key linguistic and structural choices made by the writer. This helped my students to gain the in-depth and high level knowledge and skills required to score well on this section.

A bundle of three handy resources on the Marriage Tales and the presentation of January & May's relationship. 'Mapping the Marriage Tales' allows students to summarise each of the marriage tales and plot them on a 'graph' based on the view of marriage presented and who is in charge (videos of the four tales are on YouTube!). The 'Sympathy Graph' is useful for assessing how sympathetic May & January are at different points in the tale. 'The Wedding Night Experience' requires students to explore May and January's different experiences of the consummation of the marriage.

An introductory lesson to The Canterbury Tales focused on an extract from the General Prologue - good for use with an A Level class that is going to go on to study one of the tales. Includes a listening starter activity to introduce the language aurally, then a deduction activity where students try to work out the meaning of individual words from the extract, followed by an interlinear translation activity of this section of the prologue and follow-up analytical questions.

A research activity on Chaucer which requires students to work independently and work through different levels of questions. (I’ve used SOLO Taxonomy to provide a range of questions). The resources included are: a detailed contextual booklet on Chaucer’s life, The Canterbury Tales, and a history of Pilgrimage; differentiated questions which require students to read the booklet and do their own research. This is an effective introductory lesson for A Level study of Chaucer and provides much of the contextual knowledge required by OCR.

A detailed handout explaining the Pluto and Proserpina Interlude in The Merchant's Tale. Their unique presentation and nuanced relationship is explored in relation to the wider tale. Designed for the OCR specification, which weights context heavily.

A descriptive writing lesson drawing on the opening scene in Macbeth, the meeting of the witches on the heath. The lesson focuses on on sensory description and using a range of writing techniques including descriptive words, similes, metaphors, alliteration and personification. The activities check and reinforce understanding of these techniques before they put them into practice. The resources are fully differentiated with modelling and scaffolding included. Students identify one or more target skills to focus on and there is a further challenge activity for those who complete the main writing task. The progress slide allows you to demonstrate progress within the lesson easily and students enjoy working through the levels. Engaging full colour resources are provided. This could be used with a KS3 or lower set KS4 group and is great for using alongside the study of Macbeth to develop essential writing skills and create interleaved English studies.

A carousel lesson on Angela Carter's 'The Lady of the House of Love' for A Level Literature. Gets students focused on close analysis of language and symbolism and encourages them to make links to themes and context. Resources included are: Instruction slides; twelve A3 sheets containing key quotations from the story, with space for students to write their ideas in response to these quotations; a completed version of these sheets containing many points which are useful for understanding and revising the tale. The completed version is very useful for students to compare with their own version and is particularly helpful for revision.

Twelve challenging questions on 'The Erl-King' by Angela Carter (part of The Bloody Chamber collection) designed to be completed after reading the story. Created for the OCR A Level spec which heavily weights context and requires knowledge of critics, so these questions develop both of those skills.

Thirteen questions on Angela Carter's 'Puss-in-Boots' tale from The Bloody Chamber collection. The questions are designed to be completed after reading the story and encourage further research and critical thinking. Created for the OCR A Level Literature comparative textual study which heavily weights context and requires knowledge of critics, so these questions test and develop both of these skills.

This lesson introduces essentialism and teaches students how to write an effective thesis/introduction to a comparative essay on essentialism and The Bloody Chamber. Designed for the OCR A Level English Literature comparative literary studies module. The resources include a fun 'odd-one-out' starter on stereotyping and essentialism, to be followed by discussion, a resource which clearly explains essentialism, a model thesis comparing two gothic texts (The Fall of the House of Usher and The Tell-Tale Heart) for students to read and dissect, a comparative essay question on essentialism and The Bloody Chamber and a paired activity in which students write a thesis in response to this question. The full essay is then written for homework. This lesson works well early-on in the A Level course as it gives students confidence in how to approach a comparative essay.

A valuable resource to help meet the context Assessment Objective for 'The Bloody Chamber'. This is a summary of key extracts from Edmund Gordon's recent biography of Carter, 'The Invention of Angela Carter'. Includes fascinating and revealing comments from Carter's personal writings which can be directly connected to The Bloody Chamber tales. My students found this very interesting and useful.

A research-based lesson to introduce the Commedia Dell'Arte stock characters which Carter draws on in 'Puss-in-Boots'. This could be completed before or after reading the story (although bear in mind that one of the questions asks students to make links with the story). Students will need access to the internet (this can be done on phones if necessary). The resources included are - slides with instructions, a research pack with questions on each stock character for students to complete, and a poster of each stock character for your classroom walls.

Explores the artistic influences and references in 'The Bloody Chamber' (the title story of the collection) and how Carter challenges a patriarchal artistic tradition in which women are 'killed into art' (Gilbert & Gubar). Lesson slides break down key information and references to artistic movements and artists. Most slides provide a question for students to consider individually, in pairs or as a group, allowing them to build knowledge and understanding. A detailed booklet is provided as reading material for homework.

Set 'Bluebeard' as homework reading then do this lesson, which tests student's knowledge of the text and asks them to rewrite it in the style of Angela Carter. Post-modernism is then introduced (clear explanation provided) and students read and assess each others' rewritten stories for post-modernist traits. Finally, students consider quotations from critics and Carter herself examining the nature of revisionist fairy tales. There is a homework question on how far Carter is postmodern writer in the tales studied so far. *Note - This lesson presupposes that students have read 'Bluebeard' but have not yet read 'The Bloody Chamber'. They should be familiar with Carter's style and should have read at least one of her other stories (I always start with 'The Werewolf').

Thirteen challenging questions for A Level students on 'The Bloody Chamber', the title story of Carter's collection by the same name. Designed to be answered after reading and discussing the story. Students are asked to consider perspective, source, mythology, links to Carter's 'The Sadeian Woman' and the musical references in the tale. Links are included to Bach, Debussy, Wagner and Verdi YouTube videos as students are asked to consider their different musical styles and how these relate to the tale.

This model answer responds to the June 2013 paper of the Edexcel IGCSE English Language, which contained two extracts from Anne Frank's diary. The exam paper can be accessed on the Edexcel website if you wish to use the extracts with your students. Although this was created specifically for the IGCSE, it is a useful example of analysis for use with any GCSE English class. I created this model to demonstrate sophisticated and in-depth analysis to my top set students. The response is detailed - 635 words - and provides students with high target grades with a good level of challenge. Any questions, just ask!