Aimed at middle to higher ability students, this resources gives an overview of the sections, timings and some quick tasks to refresh memories before the exam. Based on Section A: An Inspector Calls, Section B: Power and Conflict Poetry and Unseen Poetry comparative question.

Aimed at Y7 and 8, this short scheme aims to introduce KS3 pupils to 6 of Shakespeare’s famous characters/speeches. Ideal for introducing Shakespeare or one of his plays. Students are guided to act out conversations or deliver monologues. All resources included. Would probably take 3 1 x hour lessons in total. Could be extended. Includes Beatrice & Benedick, Malvolio, Lady Macbeth, Don John, Seven Ages of Man and Romeo and Juliet.

This lesson is aimed at encouraging students to love reading. It has links to author readings and recommendations from celebrities. There is a genre quiz that helps students work out the kind of story that might interest them, amongst other activities. Aimed at Y6 - Y8.

TWO COMPLETE LESSONS THAT YOU COULD USE TO INTRODUCE DYSTOPIAN FICTION TO A KS3 OR 4 CLASS. USES FILM TRAILERS AND PLOT SUMMARIES FROM MODERN OLDER CHILDREN'S DYSTOPIAN FICTION.

LA KS3 - GOES THROUGH WHAT A RECIPE IS AND HOW ZEPHANIAH HAS USED METAPHOR IN HIS POEM. INCLUDES A WORD BANK AND A WRITING FRAME FOR A BRIEF ANALYSIS OF METAPHOR. PUPILS THEN ASKED TO WRITE THEIR OWN METAPHOR POEM OF BRITISHNESS.

34 slides of activities to pick out key scenes, themes, characters and methods of Volume 1. These activities focus on chapters 1-18 of the novel and look at the theme of marriage, social status and key characters. Other focuses are critical interpretations such as marxist theory. Austen’s methods (dramatic irony, comedy, character foils, juxtaposition, pathetic fallacy, free indirect discourse etc) along with key moments in the plot. Very useful for teachers going through the novel for the first time to facilitate note taking for future revision purposes.

A group work based project which could be useful for the end of term. This is a series of activities requiring students to research an animal charity of their choice and create an advertising campaign to promote awareness and funds for it. There are four main tasks: create a poster, a radio advert, a leaflet and a presentation. Supporting resources are included. Should last a couple of weeks or so.

AIMED AT LOW TO MIDDLE ABILITY Y9, 10 AND 11, THIS RESOURCE CONTAINS A SHORT SUMMARY OF ALL POWER AND CONFLICT ANTHOLOGY POEMS, WITH KEY IDEAS. EACH SLIDE FOLLOWS THE SAME FORMAT AND IS DESIGNED TO BE AN UNCOMPLICATED REVISION TOOL FOR THE LESS ABLE GCSE ENGLISH LITERATURE STUDENT. USEFUL REVISION GUIDE FOR THE ENGLISH LITERATURE EXAM.

Wondering what quotations to suggest your students learn for their exam? Here are fifteen carefully chosen quotations. Some include the ‘obvious’ ones but others are chosen to show the examiner that your students can select more judiciously. They can be edited if you wish and printed out to be stuck on walls for revision or on classroom walls. Each slide comes with an explanation of the quote with key terminology to help students understand its relevance. There are also suggested exam questions which each quotation might be useful for answering. There are similar resources on An Inspector Calls, Macbeth and Blood Brothers available in my shop.

THIS COMPLETE LESSON LOOKS AT PERSONIFICATION, MOOD AND RHYME SCHEME. INCLUDES POEM. AIMED AT HA KS3.

Around 15 lessons on a range of women's poetry of the First World War. A wide selection of poems taken from the anthology 'Scars Upon My Heart' - lessons and poems included. Aimed at A Level English Literature students but could stretch able pupils at GCSE.

2 X LESSONS Students will look at Victorian society and the rise in crime rates that triggered the rise of the police force. They are then introduced to Jack the Ripper and encouraged to think how the context of the time actually enabled Jack the Ripper to commit his crimes so successfully / why the police were unable to catch him. Plenary tasks asks why detective fiction may have been popular at this time. Students look at the history of detective fiction, beginning with Poe / Murders at the Rue de Morgue. A focus on the character of the detective and detective conventions, testing knowledge by applying knowledge of conventions to extracts from The Sherlock Holmes Tale ‘The Adventure of the Sussex Vampire.’ Then, students look at images of Holmes study (Sherlock Holmes museum) and deduce ideas about his character. Lesson ends with fun observational skills competition where students spot the hidden animals in the pictures.

Using Anthony Horowitz’s retelling of this myth (copy not provided), there are several activities looking at the different sections of this myth. This is the tale of Perseus and how he slays Medusa. Please see my ‘shop’ for further resources. As an optional starter task, you could create a ‘Pandora’s Box’ of objects related to the Gorgon’s Head myth, for students to use to predict what will happen. I have used toy snakes, pebbles, Halloween eyeballs etc. Students then use inference skills to create an impression of King Polydectes, draw the gorgons using the given extract, list four things they have learned about them (in the style of Language Paper 1 Q1) with answers supplied for easy self assessment. After this, students can research Athena on computers or phones. Students then analyse the writer’s use of language to describe Medusa’s cave using an evidence table which supplies suggested answers for easy assessment. Finally, draw Athena’s shield to include Medusa’s head and play the interactive whiteboard game ‘Gorgon’s Head’ to sum up learning.

THIS IS PART ONE OF MY DECLARATION SCHEME AIMED AT KS3. I USUALLY TEACH IT TO Y8 OR Y9 AND STUDENTS LOVE IT! IT'S A FAB DYSTOPIAN STORY THAT RELATES WELL TO OUR WORLD TODAY. THIS PART CONTAINS TEN LESSONS, INCLUDING 2 INTRODUCTORY LESSONS TO DYSTOPIAN FICTION. PART TWO IS ALSO AVAILABLE IN MY 'SHOP'.

A complete lesson looking at Gothic conventions, with particular focus on conventions of setting. Pupils identify techniques used in a range of example gothic setting descriptive sentences linked to a given gothic setting image. Using lesson knowledge so far, pupils create their own description of a gothic setting using a choice or combination of given gothic setting images.

Part One of a 17 lesson unit based on an anthology of extracts (included). Staff CPD handbook also included, plus knowledge organiser which links to quizzing in certain lessons. Contains a lesson on the origins of storytelling, an introductory unit lesson plus 7 further one hour lessons based on the following extracts: The Serpent’s Deception - Old Testament Humankind - Ovid, Chaos Frankenstein - Shelley Dracula - Stoker The Divine Comedy - Dante PART TWO is also available. The intention of this unit is to provide students with some knowledge of how stories originated, came to be written down and how some of those same stories have been retold and developed over time, such as Horowitz’s re-telling of a popular Greek myth, in our unit. Students should understand that there does not have to be one single version of a ‘story.’ Some may have originally been made up to explain mysteries about the world and to enable humans to understand their place within it. Stories are constantly evolving and shaped by their social and historical influences. We can see, for example, that the concept of the Underworld has been around for centuries. Students will study the Underworld described in the Renaissance period by Dante, as a way of teaching his readers to live purer lives on Earth, but we can also enjoy its imaginative appearance in Rick Riordan’s modern ‘Percy Jackson’ tales. We can introduce the concept that, historically, the female figure has been presented as temptress and the cause of human suffering, an idea developed in ‘the Serpent’s Deception’ and Homer’s ‘Odyssey’, or later subverted in Le Morte d’Arthur, where the female is weak and in need of a chivalrous male to save her. We can see stories as a reaction to the beliefs and fears of society at the time. Shelley’s Frankenstein can be interpreted as a reaction to society’s distrust of the advancement of scientific experimentation. Running through all these stories is a series of symbols that capture a society’s values, beliefs and fears. Through the identification of symbolism in these stories, such as the snake in Serpent’s Deception, Daphne & Phoebus and Le Morte d’Arthur, it is hoped that our Y7s can learn to become confident in spotting symbols in future stories they read and have the confidence to critically evaluate the significance of them, in relation to their own contextual experience and a knowledge of literature throughout the ages.

This lesson looks at how to approach English Language Paper 1 Q4, step by step, using an extract from the Lion, the Witch and the Wardrobe (where Lucy discovers Narnia for the first time). Students examine the wording of the question, work to find evidence to use in their response and discuss why the writer has used particular methods. Final task is to have a go at responding to the extract. Perfect for revision activities.

An introductory or revision task where small groups of pupils take it in turns to memorise the images and quotations on the poster. The aim is to reproduce it in their groups and use it as a talking point.

A LESSON LOOKING AT POSSIBLE EXAM QUESTIONS. ACTIVITIES INCLUDE A FOCUS ON MRS JOHNSTONE AND MRS LYONS (CUT AND STICK, TEAM COMPETITION) AS CHARACTERS WHO HIGHLIGHT THE DIFFERENT SOCIAL CLASSES SHOWN IN THE PLAY. GOOD PREPARATION FOR THE LITERATURE EXAM.