Colour coded and clearly presented, the Blooms questions for cutting, laminating and putting on your wall as both a teacher resource and a students resource. I find these particularly helpful to stretch and challenge students and allow them to gain a greater depth of understanding.
Uses b's so a slightly more challenging performance activity
Ideal for a group to use to create an arrangement of their own version of the song or for less able to groups to follow as a performance
Develops knowledge and skills on hooks and riffs and performance techniques
Can perform as written or create their own arrangement of the piece
Differentiated worksheet for students
Perform as a solo/pairs/groups
Practical introduction to rhythm (crotchets, quavers, minims, semi-quavers)
Differentiated opportunities within performances and composition
Develops rhythm, performance, composition and listening skills.
Encourages group work.
Introduction to writing musical notation.
1. Lesson by lesson instructions
2. Grade descriptors 9-1 for topic
3. Power point presentation with lesson objectives for each lesson
4. Student work booklet
Full scheme of work to teach Country and Western Music using The Good, The Bad and The Ugly
Can be taught on recorders, keyboards, percussion
1. 9-1 descriptors for The Good, The Bad and The Ugly assessment
2. Student work booklet including 4 listening activities/assessments - Rodeo, Ring of Fire, Magnificent 7 theme and Take Me Home with You Tube listening links
Starter activities
Information page,
3. Full Power point presentation for the topic
4. Country and Western Music wordsearch
5. Sibelius notated version of The Good, The Bad and The Ugly
Structure, Instruments, Harmony and Melody
Plus
Breakdown of the structure of the song clearly identifying each section and the musical features of each section.
A cut out and stick activity for students to do whilst listening to All Blues.
Develops knowledge on the structure and instruments.
Students should label each box with the appropriate section heading and then stick the instruments that are playing in to each section.
The grid should be enlarged to A3 so there is enough room to stick the appropriate instruments in to each box. This task can then be extended to include the harmony and key signature for each section