These documents will hopefully prove invaluable to anyone looking to set a new Marking and Feedback policy at their school - or indeed to see what a forward-thinking and feedback-focused marking policy looks like. The policy outlines a commitment to ‘feedback’ over ‘marking’, while still using terminology that teachers, leaders and inspectors are happy with. The way in which it is worded allows all stakeholders to firmly grasp the rationale behind the policy, which is the idea that any marking/feedback done should be useful in moving learning forward, rather than simply being something that is done to satisfy leadership and/or Ofsted. The book check proforma that accompanies it allows staff to understand the parameters of what is expected of them but is very much developmental in its wording. It was designed within a healthy Teaching and Learning whole-school environment and ethos and has managed to cut workload along with ensuring feedback is more valuable and impactful in our school and I really hope it can in yours too…! Thanks for taking a look :)

This is a very straightforward 2-sided worksheet that I created to fit nicely into a single 1 hour lesson with my GCSE students. They had already been introduced to the novel and its context, and we read through the passage (lines 1-20 of the novel - included on side 1 of the worksheet with line numbers and footnotes) as a class and then I set them off on the worksheet. The worksheet is in two parts - Section A is questions on lines 1-5 (and they increase in difficulty from easy - medium challenge) and Section B is questions on lines 6-20 (and they increase in difficulty from medium to high challenge). The final task is to answer a GCSE question (and has plenty of sentence starters to allow students to complete this independently, bringing together their answers to previous questions to help them write their paragraphs. It worked well - all of the questions have obvious answers to an English teacher who has read the novel. It was just ideal for one lesson and allowed students to get on and work while I circulated and checked answers and gave support to students as and when necessary. Thanks for taking a look :)

This lesson was designed for my Year 10 students to study just before they started to read Othello for their GCSE. Before diving into the play proper with its difficult-to-access language I felt it would be really beneficial for them to study a summary of the plot of Act 1, so that they know who the main characters are and what their role in the play’s exposition and rising action might be. I found that my students were definitely more ready to tackle reading Act 1 of the play having done this lesson. The main thrust of the lesson revolves around reading the summary that is included as a hidden slide for printing, and using this to create an 8 part storyboard. The point of this is to both solidify the storyline of Act 1 in their minds, along with the characters that feature, along with providing them with something they can refer back to throughout their study of Act 1. For students who finish their storyboard quicker than others, there are extension questions designed to extend students thinking. It was really successful and students definitely appreciated the ‘why’ behind this lesson. The lesson has been designed with dual coding purposes in mind in order to reduce cognitive load, and in addition there are removable coloured overlays on each slide to aid those students with Irlen Sydrome or dyslexia. The lesson ends with an introduction to how typically Shakespeare structured his tragedies and they are encouraged to ‘spot’ features from Act 1 that are in line with this tragedic arc. Thanks for taking a look :)

This lesson was designed for my Year 10 class and was designed to set the scene for their study of Shakespeare’s Othello. Before embarking upon reading the play itself, this lesson can ground their understanding of who Othello, Iago and Desdemona are, and cement an understanding of the role of each character in students’ minds. This lesson provides students with all the contextual knowledge about the storyline of the play, which coupled with prior knowledge of Elizabethan England, provides a powerful introduction to the Tragedy of Othello. The main lesson task, done after a low stakes quiz starter and a look at the relative locations of Venice and Cyprus (and why they are important to the play), centres around students using their knowledge of the characters, which the teacher talks through one by one (info on slides) and adds exposition to, to fill in an info sheet (included as a hidden slide for printing) - but crucially and more importantly, begin to engage in the debate around which characters are tragic villains and which are victims, with Othello deliberately left until last in this debate, given the ambiguous nature of his role in the play. The lesson is made with the principles of dual coding in mind to reduce students’ cognitive load (which my students genuinely seem to appreciate) and there is a removable and editable coloured overlay to each slide to help those students with dyslexia or Irlen syndrome who feel they benefit from it. Thanks for taking a look :)

This lesson was designed for my GCSE English Lit students who were about to embark on their study of Othello. The lesson isn’t Othello specific though, it is more a brief overview of the cultural and social changes that were going on during Shakespeare’s own times - and prompting students through a variety of tasks to think about how this changing society ended up influencing Shakespeare’s writing and being reflected in his plays. E.g. Renaissance themes, Golden Age of Elizabethan England, increased prosperity including a video (embedded) looking at the emergence of the new merchant class - and the effect this had on what kind of audience Shakespeare came to write for. Also the number of theatres springing up in Elizabethan London is also looked at - along with prompt questions which students can answer in written form or verbally regarding the effect that increasing demand had on the number of plays Shakespeare wrote. At the beginning and the end of the lesson is a short quickfire quiz which is designed to get students thinking about the lesson content. The lesson was really designed with the idea of ‘world-building’ in mind i.e. getting the students to develop a really vivid picture of what Elizabethan England was like and the changes it was undergoing, in order to have excellent grounding to refer back to studying any Shakespeare play, enabling them to place much of Shakespeare’s idoms etc into context. Thanks for taking a look :)

This lesson can be used as a stand alone lesson at the beginning of a unit of study on any of Shakespeare’s plays. It is designed to engage students with the ‘why’ of studying Shakespeare, in the hope that this increases engagement and knowledge retention when studying his plays themselves. It begins by running through some main reasons why Shakespeare’s plays have stood the test of time, e.g. his use of language, his characterisation and plot etc. After discussion of each of these, students are prompted to summarise what they have just discussed and learned with sentence starters. A comprehension, included within the PowerPoint file to be printed off, can then be tackled with KS4 students, and if teaching KS3 I just used the second half of this comprehension which is easier to understand. Questions designed to extend students thinking and develop their explanations as to why Shakespeare is still important to us today are then posed which students can write answers to in their books. The lesson is designed to fit neatly into an hour and coloured overlays are included on each slide to aid students with Irlen Syndrome or Dyslexia who might benefit from them. The colour of these can be easily changed or they can be deleted if not needed. The lesson slides are also done in a way that is designed to reduce cognitive load and proves popular with our students as a way of presenting information with clarity. Thanks for taking a look :)

This lesson is designed to fit neatly into an hour. It could equally be used as an assembly and can easily be shortened by taking out the discussion and written tasks that are included within the Powerpoint at pertinent points. It takes students step by step through the process of becoming an MP. It is meant to be both informative and aspirational - while at the same time pointing out some of the pitfalls present in the process. The lesson is fully dual coded and therefore information is presented throughout in a way that reduces cognitive load for pupils. There is also a coloured overlay on each slide to aid any pupils with dyslexia or Irlen’s who find this useful. Although, this can easily be deleted from each slide if it isn’t necessary for your pupils. There are quotations throughout from relevant literature and also from winning Members of Parliament and losing candidates. The rigour, length and cost of the process of becoming an MP is laid bare and students are constantly prompted with questions on screen regarding the time and financial costs versus the reward involved. This can also lead to questions surrounding whether our MPs are paid too much or too little, and whether candidates receive the support they need for the system to be truly fair. Thanks for taking a look and I hope this resource proves as useful for your students as it did for ours :-)

This letter successfully landed me an interview for a Head of RE at a faith school (The official title of the role was Curriculum Leader for Religious Studies). The school was large and there was a significant TLR attached to the role. This letter is designed to be used for informative purposes and as a guide to the things you would be able to write and say in your own letter of application for a similar role. There may well be things you can’t take from my letter since they may not be true for you, but the spirit of this resource is very much to provide a template and an inspiration for you to write your own letter. Just as we know it’s helpful to provide our pupils with a model for exam questions they need to answer, so too I have always found it helpful to have something for me to model my own letters of application on. There isn’t anything within this letter which identifies the school that was being applied to, and when I mention ‘your school’ in the text, it would be wise to replace this phrasing in your letter with the school’s own name. Where there is experience I have written about which you yourself have not had, it may be worth thinking of examples from your own practice that you can write about in a similar style which match the person specification of the role you are applying for. For reference, the letter of application is nearly two pages in length. Thanks for taking a look and good luck in your job search - hopefully this will make the process a tiny bit less stressful :)

This lesson focuses on two key aspects of Roman Society: The paterfamilias and the patron-client system. The first half of the powerpoint focuses on the paterfamilias and the second half focuses on the patron-client system. All the information pupils need for GCSE Classical Civilisation: Roman City Life is contained in here, although anyone not studying the GCSE will get all the information they need from this lesson too. The final part of the powerpoint focuses on which of the two things played a greater role in the functioning on Roman society and why. The powerpoint would ideally b delivered over two hours, although could be delivered in a single hour if you cut out some of the written tasks which are included so students can synthesise their learning and demonstrate their levels of understanding. The resource is fully dual coded which we have found helps reduce the cognitive load for our students, allowing them to focus and retain knowledge more easily. There is also a coloured overlay on each slide (which can easily be deleted if you don’t need it) to aid learners with dyslexia / Irlen’s. Video clips are also embedded within the resource to help elucidate the two pertinent roles in Roman Society that the lesson focuses on. Thanks for taking a look :)

This lesson was designed for my GCSE Classical Civilisation class for their Myth & Religion Unit. It’s fully dual coded to reduce cognitive load, increase engagement and aid knowledge retention. There are two handouts included as hidden slides for printing and each slide has a coloured overlay to help pupils with dyslexia / Irlen’s - which can be removed if you don’t need or want it. The lesson picks up from where the last one (Hercules’ fight with Achelous) left off. It tells the story through Ovid of how Hercules came to meet Nessus on his way back to Tiryns with Deianira. Students are then presented with a short passage from Ovid which they stick in their book, highlight and answer questions on (verbally or written - depending on how you want to run the lesson). This is important as Nessus gives Deianira the cloak that will eventually kill Hercules - as is told in the next part of the lesson. Students are again presented with a (longer) passage from Ovid’s Metamorphoses which describes the lead up to Hercules’ death, and the death itself, in great detail. Students are to highlight key information on their copy and use it to answer some written questions that gradually increase in the level of challenge posed - in order to stretch their thinking and allowing them to demonstrate the full extent of their understanding. Finally, students are asked whether this is a fitting end to a hero such as Hercules, and what his death says about the relationships between the Olympian gods themselves. Thanks for taking a look - it’s a really straightforward lesson which will fit into an hour if the first comprehension is done verbally, or can be stretched over two hours if the first comprehension is written (like the second) and you include the optional plenary at the end involving an obituary for Hercules :)

This lesson was designed my students studying OCR GCSE Classical Civilisation Myth and Religion. It’s fully dual coded to reduce cognitive load, enhance engagement and aid knowledge retention - we’ve found our students really like this style and they find it helps them access the content more readily. The lesson starts with a video reminding them why Hercules is famous, before launching into the story of Hercules and his fight with Achelous over princess Deianira of Aitolia. Primary source work is included throughout as students are presented with passages from Ovid’s Metamorphoses and are prompted with challenging questions associated with them. They can answer these verbally or in their books depending on the type of class you have and students you teach. The lesson will fit quite neatly into 1 hour and it finishes with a video where students are encouraged to listen to the original text from Ovid being read aloud, and use this to add more detail to their answers, followed finally by some peer assessment. There are coloured overlays on all the slides to help any students with Irlen’s / Dyslexia but these can easily be deleted if you don’t need them. Thanks so much for taking a look :-)

The lesson starts with an embedded TEDed video recounting the 12 Labours of Hercules so the students are reminded of why he was so famous in the ancient world. This is followed by discussion on why Hercules ‘ended up’ as part of Roman religion (Hercules’ journey through Italy and Aeneas’ subsequent discovery of the cult after escaping from Troy is given as the backdrop for this). Students are then introduced to the reasons why the Temple of Hercules Victor is located where it is in Rome, and passages from Virgil and Livy are included (as hidden slides for printing to be handed out) where students are encouraged to pick out various aspects of the Cult of Hercules and describe its key features for themselves. The lesson ends by looking at how the Cult of Hercules established itself over time in Ancient Rome and students discuss what Rome’s obsession with Hercules says about themselves and their own identity. This lesson was designed for my students who are studying the OCR GCSE Classical Civilisation Myth and Religion Unit. All the knowledge pupils need for their exam is contained within the lesson, which itself is fully dual-coded which we have found really helps to reduce cognitive load, allowing students to focus on what they need to, aiding knowledge retention. There is also a coloured overlay on each slide to help students with Dyslexia / Irlen’s (which can easily be deleted if you don’t need it). Thanks for taking a look :)

This lesson was designed for my students who are studying OCR’s GCSE Classical Civilisation Myth and Religion Unit. It’s fully dual coded, which my students are big fans of as we’ve found it reduces cognitive load and aids knowledge retention - it eliminates excess ‘noise’ on the screen / board so that pupils know what they need to focus on. The lesson starts by going into the background of why Hercules is called Hercules and not Heracles by the Romans, followed by the reason why Hercules was important to the Romans, how he found himself in Italy during his 12 Labours etc. A handout is then provided with passages from Virgil’s Aeneid on it from which pupils create an 8 part story board to cement their knowledge of the chronology of the story. The handout and storyboard template are both included as hidden slides for easy printing. A series of questions designed to stretch students’ thinking are then posed - these can be answered verbally as a class, or can be answered individually by students and peer-assessed. Finally, pupils are encouraged to link the Hercules and Cacus legend with the Romans’ own identity and how they viewed themselves. There is a coloured overlay on each slide for pupils struggling with Dyslexia/ Irlen’s - but this can easily be deleted if it isn’t needed. Thanks for taking a look :)

I used this lesson with my students for their OCR Classical Civilisation 9-1 GCSE unit ‘Myth and Religion’. It covers what they need to know about Heracles apart from his twelve labours (which are covered in this lesson: https://www.tes.com/teaching-resource/resource-12658219 ) The lesson begins with a look at what Olympia was and why it was important to the Greeks. There is a video embedded and pupils are asked to describe what they can see in the reconstruction of Olympia on screen. Heracles’ link to Olympia is then emphasised through a quick recap of his fifth labour, the Augean Stables, and the concept of metopes is introduced and where they are located on the Olympian Zeus temple. Pupils are then presented with a discussion of the three aims of the sculptor in representing each of Heracles’ labours and are invited to make a reasoned judgement as to what they believe the sculptor’s primary aim was and explain why. There is then a brief digression into the ‘other’ story of how the Olympic games were founded (Pelops, Hippodamia and Oinomaos) and pupils are shown where and how these events were depicted on the Temple of Zeus at Olympia. The final task in this lesson that is designed to fit into an hour is one where pupils conclude which story of the origin of the Olympic Games is more likely to their mind, based on the literary and archaeological evidence. Short exam practice questions are used as a plenary so that you as the teacher can assess what knowledge they’ve retained from the lesson. The whole lesson is dual coded - something my students really enjoy as it facilitates a reduction in cognitive load and allows them to focus on exactly what needs to be focused on, by eliminating excess ‘noise’ from what is being presented. This in turn we have found aids knowledge retention and allows them to link back to prior learning more readily, meaning they are making bigger learning gains from lesson to lesson. A coloured overaly is included on each slide which can be easily deleted if you do not want or need it, but we have found these help our pupils with dyslexia / Irlen’s to engage more easily. Thanks for taking a look :)

This lesson goes into detail about each of Heracles’ 12 Labours; what happened during them and after each one. The lesson is dual coded where possible to ensure students can easily access the key information they need in what can be an otherwise information heavy lesson. This lesson resource guides pupils to learn about Heracles’ Twelve Labours in first an independent way,and then in a collaborative way to mixup T&L strategies to ensure engagement throughout from all students. Handouts with info on each Labour is included with quotes from primary sources (but not too much - to ensure accessibility) and a commentary for each one too. I have also included the information on each Labour on separate slides in case you’d rather go through them one by one as a class on the whiteboard. Pupils use this information to fill in an A3 sheet (included as a hidden slide to be printed off) and then have their learning cemented by the inclusion of a variety of video clips that summarise the Labours in 4 different parts. Throughout there are study questions and stretch and challenge activities to ensure the most able students are catered for. The summative assessment task at the end is an exam question, but there is also a newspaper task activity with a template included (again as a hidden slide for printing) which worked well with my students as a homework task. I did this lesson with my students in 2 x 1 hour lessons and the feedback I got from it was really good - they certainly retained the knowledge they needed for their Classical Civilisation GCSE exam. There is also a transparent cover on each slide to help pupils with dyslexia/Irlen’s which can be easily deleted or the colour can be changed to suit your pupils. Thanks for taking a look :)

I created this lesson for my OCR GCSE 9-1 Classical Civilisation class. It’s dual coded throughout to reduce excess ‘noise’ to ensure students know what to focus on and when, in order to aid high quality knowledge retention. The lesson is meant to complement the counterpart ‘Journeying to the Underworld’ GCSE lesson for the ancient Greeks: https://www.tes.com/teaching-resource/homeric-hymn-to-demeter-journeying-to-the-underworld-in-ancient-greece-12655537 The lesson starts by introducing Ovid and Roman beliefs about the Underworld. Background is then given to students on who Orpheus is and why he is so famous in classical myth. Students are encouraged to summarise his importance themselves before moving on to a reading task. The exam-specified version of Metamorphoses by Ovid is included as a hidden slide to be printed out for pupils, who will go through it as a class and pick out words they might struggle with to aid literacy-building and to ensure the text is accessible to all. Students are then instructed to read through it again themselves and pick out key parts and summarise each part themselves (can be verbal, written or drawn). before attempting some exam questions so you can gain some clarity on where they are in terms of how much they have retained from the lesson. The lesson finishes with a really good 5 minute video that summarises the story for pupils. A final storyboard task is included should you want to extend the lesson beyond the one hour mark, or to be set as an engaging homework that helps make their learning stick. Each slide has a pale yellow overlay to aid students with dyslexia / Irlen’s but this can be removed easily by deleting it, or its colour can be easily changed to suit your pupils’ needs. Thanks for looking :)

This lesson was designed with the 9-1 OCR GCSE Classical Civilisation spec in mind. It covers everything pupils need to know about the events portrayed in the Homeric Hymn to Demeter, and aims to solidify both their knowledge of the events of the poem, and to draw out quality analysis through the inclusion of study questions, handouts (included as hidden slides for printing) and a video. The resource is fully dual coded to reduce excess ‘noise’ - something my students are really keen on as it is clear at every point in the lessons, what the key information is that they should be focusing on. The use of dual coding also aids knowledge retention and allows pupils of all abilities to access this otherwise difficult poem. When I taught this it fit quite neatly into 2 x 1 hour lessons, with the first lesson focusing on knowing the story of Hades’ abduction of Persephone and the roles various other characters play (i.e. Hermes, Hades, Demeter, Helios, Hecate et al.) through to the poem’s resolution. A copy of the poem is included if you wish to use it with pupils, however key quotes with analysis are picked out on a separate handout (included as a hidden slide for printing) to aid the story-telling task in that forms the focus of the rest of the first lesson. The second hour focuses more on analysis of the characters and their relationships with one-another - including the complex relationships and power (im)balance between humans and the gods. Study questions are included along with an exam question at the end in order that you as the teacher can assess the extent of their learning. Thanks for taking a look :)

This lesson was designed for my pupils studying OCR Classical Civilisation 9-1 GCSE. It provides an excellent in-depth look at the Roman Domus / Villa - the household and home of wealthy Romans / Roman Patricians. The lesson is dual coded and there is an emphasis in reducing excess ‘noise’ in the PowerPoint file - allowing pupils to easily access the content without distraction. There is also a yellow overlay on each slide to aid any pupils with irlens / dyslexia (this can easily be removed though by clicking on the overlay on each slide and pressing ‘delete’). The lesson begins with a look at a map of Pompeii to allow pupils to see the prevalence of the Domus in a Roman city and then pupils are given a handout (included as a slide to be printed off) of a typical domus floor plan with a key and pupils must colour code both. Once pupils thus have an understanding of the uses of the rooms in a typical domus and what they were called, there is a handout (again, included as a slide) to be printed off of extra info where pupils are encouraged to highlight key points and use to make extra notes to supplement their work up to this point. There is then a short 3 minute video embedded in the next slide which summarises what pupils should have learnt up to this point. Having established the key features of a typical domus, pupils are then presented with the floor plans of three important Roman villas in Herculaneum and Pompeii: The House of the Wooden Partition The House of Menander The House of Octavius Quartio Pupils are prompted to compare the floorplans and key features of these houses to their ‘typical’ domus floorplan and pick out similarities and differences. A group task then ensues where pupils fill in their fact file sheets on each house using more detailed information included in the proceeding slides (designed to be printed out - but you can go through the info on the board, or alternatively read the information for each house aloud and ask students to make notes as you read - I did it slightly differently with my two groups). Finally, the PowerPoint ends with OCR GCSE Classical Civilisation exam questions so pupils’ learning and understanding can be assessed. Thanks for taking a look :-)

This lesson is designed with OCR’s GCSE Classical Civilisation unit: Myth and Religion The lesson is comprehensive in its inclusion of everything the GCSE specification requires: How wealth and status affected burial in Ancient Rome Preparation of the body Funerary procession Burial of the body Festivals for the dead and ancestors Also, primary sources such as Pliny and Ovid are included and clearly signposted for students. Thinking questions (to be answered verbally or in written form are included) as are exam questions at the end, in addition to a short video where Mary Beard looks at Roman tombs lining the road into Rome. Everything my students needed to know is included and they seemed to really enjoy it and engage with it. It’s presented using the principles of dual coding to reduce cognitive load - ensuring that excess ‘noise’ on the PowerPoint does not prove a barrier to knowledge acquisition and retention. Thanks for taking a look :)