A thematic exploration of Violence within Othello - focusing specifically on Act 4. Also, the power point starts with a little revision of characters and quotations from across the play. I found this a fun lesson.

A text I taught to year 7 (second set) which we all absolutely loved! There are so few lessons here in comparison to my other resource bundles because we often spent large amounts of time just reading the book. The video is pretty awesome - I take no credit for creating it, I downloaded it from youtube and converted it to a format I could use. May the crows find you willing and able.

I used these lessons with year 9 classes. They still adhere to the old AQA specification (they talk of bands). But, each lesson is a complete poem and will save you some work.

5 Lessons and supporting resources that assist with the revision of this particular unit of the AQA English Literature Examination. I cover the following poems (my students identified these ones as the toughies): The Prelude Exposure Remains The Emigree Kamikaze Each poem has a revision style lesson (it assumes prior knowledge of the poem on the part of the student, but they also make good starting points if you are cracking through the poems at a fair old pace). Each poem also has a revision card attached - we use these as tools in their own right, and I will be creating one for each of the poems soon enough. The unit finishes on a GCSE style question where they have to compare Ozymandias to one of the poems they have studied. Hopefully you’ll find this useful.

An 84 page long booklet that provides you with the following: A thematic table A section for each poem where you can find a copy of the poem, a notes page (complete with helpful guidance), generic revision and exam questions and a response page A comparative table A copy of the mark criteria I have also included the documents I used to make this just in case you want to make a different version yourself. Enjoy, and be poetic. ALTERATION: I’ve updated the resource now - found one or two typos. Also, I’ve added in a grid that allows for a variety of themes to be “graded” in terms of how present a theme is: I’ve found this to be an engaging way of getting the students to compare. Finally, I’ve added a small section at the end about the different types of poetic forms.

Material I generated for the old AQA style creative writing controlled assessments - it still resonates with the new AQA Paper 1 Section B style questions (inspired by images). You'll need a copy of the film and you'll need to alter the Learning Outcomes (they are all set against the old AQA English Language Coursework criteria).

A collection of resources designed to support the teaching of Macbeth at GCSE level. The lessons assume that the class will be “acting” out the play, using the summary as a stimulus for the acting out element. I interspersed this acting with numerous directions to read the text aloud; overall, the students enjoyed this combination of normal language and Shakespearean. It has always been my way to establish an initial understanding of a Shakespearean text before trying to wade through the language. Hopefully, this will prove a useful starting point.

A spreadsheet designed to track the academic progress of up to 30 A-Level drama students (you can do more, but you’d have to UNHIDE every hidden columns in order to make sure that the new cells work). I have included the 2018 and 2019 grade boundaries (as published by AQA), and left both the room and the capacity for the spreadsheet to be updated with 2020 and 2021 grade boundaries. The spreadsheet will tell you how many marks each student needs to achieve their target grade for each component of the course. The “Machine” calculates this on a section by section basis for each of the components. Additionally, there is room for up to 10 attempts for each of these components. The spreadsheet will then show you the BEST, AVERAGE and LAST marks each student achieved. Hopefully, this will make it easier for drama teachers to keep track of where their students are. NOTE: I’ve designed this with the best intentions, but if there is a “bug” or an improvement that you feel would be beneficial after purchase, then leave a note in the comments section and I will attend to it quick sharpish.

Attached is a spreadsheet that does an awful lot of work for you. To summarise, it does the following: Allows for easy collation of GCSE Literature marks on a paper by paper basis AND as a whole examination Allows for easy identification of various student demagraphics - EAL, PP and so on Allows you to measure progress against students best, average and last marks across both papers Works out "how many marks" until you hit target grades for individual students Colour codes grades and marks to allow for at a glance progress checks Once you buy this spreadsheet, you will not need to get another LITERATURE spreadsheet. The document contains instructions as to how to update the spreadsheet. Oh, and if you do get this, I suggest you LOCK the individual spreadsheets ASAP: the document is set up to allow you to do this and still enter the data, you just won't be able to accidentally delete any of the coding, thus removing any brain overloads that might ensue. Happy spread-sheeting!

A complete unit of work including source poems, videos and mp3 versions of poets reading their poems. Differentiated for higher, middle and lower ability classes (each lesson back ground has a slightly different colour for an easy visual guide), this is a unit of work I designed with my Head of Key Stage 3 hat on at my last school - an entire year group was successfully taught this unit. A real success.

I designed this for the old AQA specification. Now that the spec is obsolete, some of you might be thinking of turning those stacks and stacks of anthologies into resources for KS3 classes (we certainly are for year 9). As a result, you may find this booklet useful. The booklet is essentially a copy of the entire anthology where on the left hand side of a double page spread you have the text, and on the right hand side you have space for notes. Each story is ended with generic questions and has TWO exam questions for revision purposes. Perfect for planning lessons when you are taking an extended period of time off. Happy reading.

A series of lessons designed to make sure students have a clear understanding of the “basics” and the “developed” skills and techniques required for EACH of the possible text types they could meet in Section B of the English Language Paper 2 exam. Because my lot were taught A Christmas Carol (and I was trying to kill two birds with one stone by revising this at the same time…), the tasks are all focused on writing within the world of Scrooge. To that end, they may require some editing on the part of the user - hence the reduced price.

A lesson that models the process of building a high-end An Inspector Calls essay. Please note, the lesson assumes that the class has read the play and has attempted versions of the AQA English Literature questions already. Also, the lesson works best as an aspirational example: I concentrate on using sophisticated language to shape my points, and focus on integrating appropriate references. Please note I’ve deliberately left some academic “gaps” too - this model response is a high-quality response, but there are other avenues of academic insight that can be taken. Bottom line, to get the most out of this lesson, you’ll need to spend a little time going through it all first - hence the low price.

My year 11s were STILL struggling with how to frame a method, so I came up with this stand alone lesson. The idea is that, having reviewed the slide where the methods are explicitly identified, the students will see that a method and a quotation are not the same thing. This was a successful lesson. UPDATE: I repeated this process with a bottom set year 10 class where I was even more specific. This was also a successful lesson, so I’ve included it.

A reintroduction lesson that should be taught with the understanding that the students have read the text beforehand. Designed as an entry point into year 13; ideal for new teachers looking to get the measure of a new class (as in my case). I found this lesson particularly useful when combined with FAR marking the material surrounding the quotations. You should view this as a starting point - future lessons will get much more specific.