This is a comprehensive grade 2 music theory course following the Trinity College London syllabus. Complete Grade 2 Course with exercises, answers and practice exam Contents: Notes, rests and ledger lines Treble and bass clefs Major and minor scales Degrees of the scale Accidentals Key signatures Time signatures Compositional devices Tonic triads & inversions Intervals The circle of 5ths Composing a melody to a given rhythm Foreign musical terms Writing sequences and ostinati Practice test Each chapter provides a step-by-step explanation of the theory, with lots of musical examples. Each chapter is followed by a series of practice exercises. All answers are provided, with the exception of the composition question, due to its subjective nature. Suitable for home-study, or for use with a music teacher (age 10-adult).

Covers the Grade 1 Music Theory Syllabuses for Trinity This is a comprehensive grade 1 music theory course following Trinity’s syllabus. Contents: The staff and notes in treble and bass clefs Names of notes/rests Accidentals Dotted notes Time Signatures Beaming Ties Tones and semitones Major scales, degrees of the scale Key signatures (C, G and F major) Intervals Tonic Triads Rhythm Dynamics Musical symbols Italian musical terms Practice test Each chapter provides a step-by-step explanation of the theory, with lots of musical examples. Each chapter is followed by a series of practice exercises. All answers are provided. Suitable for home-study, or for use with a music teacher (age 9-adult) Written by Victoria Williams BA (Hons) LmusTCL MISM

BACH CHORALES for the AmusTCL This PDF is aimed at anyone with an interest in writing solid four-part harmony, especially candidates taking exams such as the Trinity AmusTCL, which has an option to complete a chorale of roughly eight to ten bars in length. A sound understanding of four-part SATB harmony will help you to compose or arrange pieces for ensembles of any type or size. The basic principles behind chord progressions, voice-leading, chord-note choice, modulation techniques and “grammatically correct” part-writing are transferrable to works of any size or genre. At the end of the book you will find a selection of practice questions which you should do with the help of a piano while you are learning – it’s really important that you know the precise sound of whatever you are writing down in pencil. Contents of the Book: Chapter 1 – Notation Stems, Ties, Pauses, Vertical and Horizontal Alignment, Unisons and Seconds Chapter 2 – Melody, Voice Ranges, Spacing, Part Writing, Leading notes Chapter 3 – Rhythm, Note Values, Ties, Perpetuum Mobile Chapter 4 – Harmony, Harmonic Vocabulary, Allowed Inversions, Doubling, Omissions, Harmonic Rhythm (Frequency of Chord Changes), Progressions, Choice of Inversions, Final Cadences, Intermediary Cadences, Added 7th chords, Rules about Consecutives (Parallels), Exposed (Hidden) 5ths and Octaves, Modulation Chapter 5 – Decoration, Unaccented Passing Notes, Harmony Notes, Accented Passing Notes, Suspensions, Auxiliary notes Chapter 6 – Tackling an Exam Question, The AmusTCL Question, Completing the Lower Parts, Inventing the Last Phrase Chapter 7 – Exam Tips, How to Practise, Mistakes to Watch Out For, Getting Top Marks Practice Questions (7)

Complete course PDF for Grade 4 Music Theory, Trinity Syllabus. Includes exercises, practice test and model answers. The Trinity grade 4 syllabus includes: Unusual time signatures 5/8, 7/8 and 5/4, and the grouping of notes within them The alto clef, and transcription between the treble/bass/alto clefs Major and minor (harmonic and melodic) scales and key signatures of all major and minor keys up to and including three sharps/flats The chromatic scale All intervals (major/minor/perfect/augmented/diminished), not exceeding an octave Tonic, dominant and subdominant triads in all inversions Dominant 7th chords Chords in SATB The plagal cadence Compound, augmented and diminished intervals Transposing at the 4th/5th Writing a rhythm and setting words to a rhythm Foreign musical terms and symbols including recognising ornaments General knowledge about the some instruments and much more!

A complete course for Trinity Grade 5 Music Theory Candidates Lessons, exercises, practice test and all answers included. Trinity Grade 5 music theory covers: Double Sharps and Flats The Tenor Clef The Breve (Double Whole Note) Demisemiquavers (32nd Notes) Semiquaver (16th) Triplets Unusual Time Signatures: 4/2, 6/4 and 7/4 Major and Minor Scales Scales in the Tenor Clef Relative Major and Minor Keys Key Signature Patterns The Circle of 5ths Identifying Key Modulation Inverted Intervals Transposition by Any Interval Chords ii and ii-dim (Supertonic Triad) Imperfect Cadence SATB Accented Passing Notes Auxiliary Notes Binary Form Strophic Form Verse and Refrain Woodwind and Brass for the grade Musical Terms Ornaments Composition Setting Words to a Rhythm - Review 2-Part Compositions with Decoration and Chord Inversions

Updated for the ABRSM Online Exams This is a comprehensive grade 4 music theory course following the ABRSM’s syllabus. Contents: Double sharps & flats Enharmonics Key signatures Major, minor and chromatic scales Technical note names Intervals Triads & chords Breves (double whole notes) Double dotted notes Time signatures Duplets Rewriting in a new time signature Treble, bass and alto clefs Transposition Standard orchestral instruments Ornaments & foreign terms Practice exam Each chapter provides a step-by-step explanation of the theory, with lots of musical examples. Each chapter is followed by a series of practice exercises. All answers are provided. Suitable for home-study, or for use with your music teacher (age 10-adult). All MyMusicTheory products are gimmick-free and focus on what you need to know and how to learn it. We break tricky concepts down into easy-to-digest steps and give you lots of tips and strategies to help you figure it all out AND remember it. (Includes both UK and USA terminology)