Teaching Art is a feast into a of colour, line, texture, space and shape. By encouraging a visual exploration in my learning I love developing a creative approach to learning in the classroom. By encouraging different techniques and an understanding of art I hope to help students appreciate visual learning more. I hope you enjoy my uploads and can use them. Please contact me if you require any further information.
Teaching Art is a feast into a of colour, line, texture, space and shape. By encouraging a visual exploration in my learning I love developing a creative approach to learning in the classroom. By encouraging different techniques and an understanding of art I hope to help students appreciate visual learning more. I hope you enjoy my uploads and can use them. Please contact me if you require any further information.
This is a slide presentation which explain how to make a fold out sketchbook and then gives tasks in each of the folds to do to make a creative sketchbook.
Students will need to follow the slides and be selective what they would like to do in each of their 16 blocks of their A2 paper.
The slide presentation has a lesson plan, a set of notes which need to be copied for the lesson and some collage sheets which need to be copied for students.
It is a good year 9 project and can link to Self-identity project or used for GCSE to make a small drawing sketchbook to pull out in their sketchbook.
Students enjoy making this interesting special fold out little booklet.
Lesson Objective:
1.Discover what it is to be creative and how to apply this by following the prompts on the slides.
2. Make a fold out sketchbook - by following the instructions.
3. Use ideas, thoughts, pictures and prompts to be creative, examples given on the slides.
4.Use collage and drawing techniques- examples shown in slides.
5. Learn about Keri Smith as a contemporary illustrator and Guerrilla artist and her ideas to prompt creativity
Some CREATIVE ACTIVITIES - Good homework project tasks as well to set.
Make a SMALL ART JOURNAL based on KERI SMITH’s "Wreck my Journal’
YOU COULD TRY complete A RECTANGLE OF YOUR A2 SHEET EACH DAY
These are some of the tasks…
Draw something interesting
Draw what makes me feel ‘calm’
Draw what is a ‘happy place’ and write words that make you happy
Draw the people I meet on a day
Frame collage and draw in the space a drawing
Do Zentangles (DOODLES)
Make visual thoughts – a ‘thought garden’ - draw in the collage of grass
Paste the ‘Blue frame’ and draw a beautiful scene in the frame
Draw on a shopping label, date and paste this.
Paste the television picture and then draw a picture in the TV.
Draw over the wall-paper (graffiti)
Paste the picture of the window frame and draw in the window
Draw to the sound of music and something that is loud.
Draw the family and friends I meet
Draw my hand and write down in the hand everything I touch for the day
Draw a pencil on a crushed piece of paper (Crush it) and paste this in
Transform the stone texture picture and turn it into something else.
…see other activities
HAVE FUN! AND ENJOY BEING CREATIVE
Lesson Outcome
Create a drawing booklet to take home for the summer
Show the ability to use ideas, pictures, thoughts to generate a drawing
Show an ability to collage and to combine this with drawings.
Presentation of drawing ideas in the booklet
Understanding of layering and juxtaposing concepts to generate ideas
Exercising and opening the mind to new ideas like Keri Smith.
Lesson Resources
A2 white cartridge paper
Pencil
Eraser and sharpeners
Pritt stick
Scissors
Evaluation: - see fin
Discuss students have achieved? Review creativity?
This is a lesson for year 7 who are learning to shade and to create a 3D form. This is the start of a Scheme of work (Powerpoint one) where students draw a pebble and then eventually make a tile in the shape of their pebble and design a relief surface based on Hundertwasser.
There are three powerpoints on Tes in a bundle linked to this unit of work or you can use it as a drawing exercise to learn to shade 3D forms.
This is a short example showing different steps to get a 3D sphere form and using tonal values to develop this form. There are exercises on markmaking and how to create a tonal value. There are the main breakdown of what is needed in a sphere in tones: Light, light grey, middle grey, dark grey and black with reflected light. There are examples of showing how to shade in the direction of the form.
Learning Objective was:
To create a presentation on an A3 sheet of your observation drawing studies showing volume drawing of pebble
To learn to draw 3D geometric shapes and firstly practise mark making and a range of tones in media: charcoal.
To develop observational drawing techniques.
This follows with Powerpoint Two and Three where students then begin to :
Present preparatory work on a page and to plan a design for clay tile.
Develop painting style like Hundertwasser (study the style of this artist) and use watercolours and understand what is a style in Art.
To complete a clay tile and paint design on tile.
This is part of a set 5 powerpoints on Cubism, painting skills and colour mixing and constructing a 3D sculpture.
This attached Powerpoint deals with the development of the 3D sculpture
Powerpoint 1
Using a drawing of face break this up into geometric shapes and compose an outcome to paint and analyse a cubist analytical painting and develop and understanding of Cubism
Powerpoint 2
Explore a mixing of colours, especially complementary colours and develop an understanding of contrasting colours
Powerpoint 3
Practice painting skills and applying paint smoothly
Powerpoint 4. Painting skills using a card
Poweerpoint 5.
Simplify and construct a 3D analytical sculpture from your painting and evaluate your putcome.
The powerpoint gives instructions and examples to show how to cut and join this. Firstly pasting on cardboard a copy of the painting and then cutting this up in shapes and building a construction of form as a 3D sculpture
This then becomes a construction of a 3D sculpture using cardboard to make a mobile or standing sculpture based on Cubism.
To paste painting onto Cardboard Ceareal box and to paint the back of the box
To finally construct with glue gun to form a hanging mobile.
Evaluation of project
This is a series of 5 powerpoints where students to learn to paint a Cubist painting using a celebrity picture and complementary colours.
Students to gain an understanding of Analytical Cubism and how to fragment a picture into geometric shapes and then learn to paint it in complementary colours.
Develop this into a 3D sculpture and make a construction mobile cutting a copy of the painting into shapes.
A short presentation highlighting the key facts and characteristics of the German Expressionism.
There are references to a number of artists, Edvard Munch, Oskar Kokoschka, Max Beckmann, Erich Heckel, Karl Schmidt-Rotluf, August Macke, Emil Nolde, Otto Mueller.
Expressionism was made up of Der Brucke Art movement and Der Blaue Reiter - there are also examples of these artists linked to Expressionism.
Der Blaue Reiter is Frans Marck and Wassily Kandinsky.
Key examples given with notes about the movement to be used as worksheets for students.
This is a powerpoint of some of Rauschenberg’s work so that GCSE students can explore transfer techniques while making an artist study of his work.
There are examples of how to do the transfer technique but also helpful question sheets for analysis of the artist for GCSE objective - ‘Develop ideas…’.
Lots of examples of Raushenberg are given and each child should be given one of his work to copy.
Students should then make their own Rauschenberg example using their own project topic and own photograph and practice the transfer technique and paint washes of Rauschenberg.
There is a detailed critical analysis - lots of questions for students to make a comprehensive artist study in their books.
This is a key stage 3 project where students do a polyprint on fabric using printing inks. This is a short 6 week project but could be developed to incorporate embellishments and sewing skills to fabric. I did this with year 8 and it took 6 weeks. Student enjoyed the outcome and it could have been made into a cushion for each student but we made a class fabric wall hanging. (There is a second Powerpoint in a Bundle which has all the pictures used for students to work from - A-Z of nature pictures)
Artists used: Angie Mitchell and Ernst Haeckel
Resources required
Polyprint blocks
Printing ink
Rollers
Tables to roll out on
Fabric square per child
Paper for test prints
Research sheet for drawings and artist research.
Project schedule 6 weeks
The resources for the students to work from. Each student chooses what they would like to draw.
The steps to take while making the print and examples of student’s outcome.
Students begin by researching Angie Mitchell and Ernst Haeckel and make up a sheet with these two artists and their drawings. The drawings they do of one of the pictures of the slide pictures of animals and bits of nature from A-Z. Students choose which animal or fish or plant they would like to draw. Students spend time doing a detailed drawing and design a border pattern for this work in black and white.
Success criteria of drawings
To use fine lines and to capture quality detail
To concentrate on negative and positive shapes
To develop a border pattern from nature around the drawing
To try to layer up your drawing with foreground and background shapes
The students drawings are then photo-copied and transferred to the polyprint block. Students use the photocopy to press through onto polyboard. The students are given a square and a strip of polyprintboard . Students first of all experiment printing on paper with their design and border. Students can do a black and white print or do a polyprint print of two colours overlaying their inks.
The slide presentation gives you also opportunities for reflection and evaluation of outcome at the end.
I have presented my artists in my book
I have compared the works of 2 nature artists
I have written a short paragraph on the style of artists
I have a careful line drawing of my subject
I have created my own artwork based on my research of subject colour
I have a plan for my print design and have written about relief printing
I have tested working with polyprints
Student outcome is a wall-hanging and we sewed all the students outcomes together to make a fabric collage of squares.
This is for your Year 10 GCSE group and gives a summary of the GCSE course in two sheets. It is a very helpful sheet summarising each objective and the requirements and the amount of pages that are needed in your sketchbook.
There is also the writing framework required for artist analysis - objective one. There is also a brief outline of the principles of design and what students need to look for. Also there are helpful questions to help students evaluate their outcomes.
A must for GCSE Art and Design!!
An visual reference to architectural features with reference to Classical Greek and Roman architectural features in Artworks, various building ornaments and different buildings.
There are lots of artists who have use classical architecture in their own art. Also lots of examples of artists and reference to examples of John Piper and his paintings on classical architecture and students could develop their watercolour techniques copying this artist. But there are a number of different artists to use to inspire students to develop their own technique.
Also, developing the style of John Piper in different techniques: for eg. wax painting, water-colour techniques.
**The resource includes: **
Examples of architectural artists
Examples of a student work collages of architecture Examples of student work of combining buildings into a collage
Resource sheets of architectural photographs of churches to use for studies
Resource sheets of different buildings ornamentations to use in collage
.
**Learning Objectives **
To develop a Classical Greek and Roman element in one’s work of art at KS3, KS 4 - GCSE Art and A-level Art
To study various examples of how artists have used these classical architectural elements in their works of Art
A look at various contemporary artists and how they have used the Classical elements and architectural features
To develop a collage combining photographs, painting and pen work.
Choose one of the artists and copy their style and collect examples of their work to use in your collage.
Take photographs of buildings in your local environment and use this in your collage.
**Self -Identity portrait project. **
This is lesson 1 where students take their own photo and then start to do a drawing of parts of the face. There are examples of face details and then there is an example of how to scale this up. There is a homework biro drawing task.
(In the Bundle there are other lessons to follow up on this drawing of task, where students have to interpret their face in various artist styles and culturally interpret their own identity. )
Lesson objectives
Objectives
To draw the proportions of the face in your book
To do a photo-shoot and take a photo to use for your portrait drawing where you scale up this picture.
To consolidate how to draw parts of the face.
To do a pencil tonal value
To practise mark-making with a pen
Through out the whole scheme the project
**success criterias **are:
To learn about the proportions of the face
To practise drawing various parts of the face
To draw a portrait drawing using the grid technique
To look at various examples of portrait drawings
To develop a tonal grid and to understand the light and dark planes in a face.
To understand how to do a grid drawing
Aim to make a small A5 booklet ‘A Beastie Booklet’ and to draw various gargoyles in different techniques and to evaluate their pages.
Aim to make a sculpture in clay of one of the their beastie designs.
The powerpoint also allows students to look at Monster inc and Lisandro Demarchi and to design their own creative beastie or medieval creature.
The powerpoint gives you lots of pictures of gargoyles and examples of student work and refers to different techniques students can do. It also gives a list what should be in the booklet.
There is also an instruction sheet with video links to make a clay pinch pot and how to join this to make animal shapes.
Finally there are examples of students display of their sculptures and booklets.
This is a project to present the work of William Morris in a sketchbook. focusing on lettering in the Arts and Crafts style, it also shows how to do an artist critical study and can be used at KS3 and GCSE.
Success Criteria
Make an elaborate heading for William Morris showing his emphasis on NATURE
Creatively present the pictures on his work
Answer the questions with full sentences describing the characteristics of William Morris.
Copy a detail of his work.
THE POWERPOINT SHOWS how to make a small frame try to draw an enlarge a part of an image of William Morris, that is, crop a section and draw what you see in a box on your page.
(The measurements for the box is 10x12 cm and it can be Portrait or Landscape).
The overall objectives are :
To understand what the elements of art are: line, shape, colour, texture, space, value and tone.This lesson you will be completing an artist study presentation on the work of William Morris and answering the questions and making a critical analysis of his work. We will be presenting examples of William Morris’s work and making a decorative presentation using the word William Morris for a title and presenting this creatively.
This is a project about design and can be used to gain a deeper understamding how positive and negative shapes work. This is about black and white designs using the Notan technique.
This is the balancing of light and dark shapes using a Japanese idea of design.
What is Notan? is the first part of poweerpoint where students develop an understanding of how to use light and dark shapes.
Activity Objective:
To make Notan compositions and learn about balancing light and dark shapes to make a composition.
Looking at Design artists who use Notan: Marimeko, Escher, William Morris
To understand what is the meaning of ‘NOTAN’ and art termsTo develop your own Notan design in your bookTo understand how various designers use the concept of Notan in their work.
Task 1
USING A SQUARE OF COLOURED PAPER or black paper to start
2.DRAW shapes in from the edges of each side of the square.
Draw in from edges
3.CUT OUT SHAPES FROM THE EDGES AND PASTE IN A MIRROR REFLECTION
Task 2
Try add a second layer of shapes in your design into the mirror reflection and reflect this back into design
Watch the video clip from 0.5 - see link in powerpoint
Terms in Art to define
Symmetrical
Asymmetrical
Notan
Balance
Harmony
Positive and Negative shapes
year 7
Diagnostic for year 7
Celtic letters
Paper mache plants
Clay Gargoyles
year 8
Cubism
Making Insects - paper craft
Modern Movements - collage and paint
Surrealism - painting project
A scheme of work starting with a pencil drawing, then a monoprint and the students interpret this in different artist styles.
Asian -British artist, Chila Burman and Frida Kahlo with a variety of different portrait artists to look at.
They use the monoprint and combine this with a Pop art collage
The students then take a photograph and then do a cultural drawing in felt tips interpreting this using cultural patterns.
I have also added a few other portrait powerpoints to use in the project.
Year 10 Art - a set of slides to give an overall course program for GCSE. Working through all the objectives - Develop, Explore, Record and Present
Under each objective a list of tasks with reflection sheet to write up progress as students work through the key areas of the course.
This is a scheme of work for students to use.
This is a lesson for self identity project after students complete the scaling up of their face in pencil.
Using a photocopy students then do a mono-print of their face and later interpret this into an artist style.
There are also some links to You tube clips of different ways to do the mono-print.
To do a set of three monoprints using one’s photograph to draw with
To do 1. a line drawing of one’s portrait carefully following the detail of portrait. Use one’s fingers to create some tonal areas
To do 2. a line drawing of ones portrait and then in the ghost print to draw into this surface and to print this
To do 3 a line drawing of a portrait but to lay a stencil on your ink block before you do the print.
Used for A-level students to develop their interest in ink-wash techniques by looking at the work of Renaissance artists. History of Art - Renaissance ink wash methods and outcomes.
A discussion with loads of examples of their work and how they formed their compositions and developed their drawings.
Also how to make home inks.
A summary of objectives and the requirements for students to continue to do homework based on these. A few lists of homework ideas and a summary of what is required.