Seaside Assembly Key Stage I - based on Unit 4 Geography: Going to the Seaside and *Unit 3 History: What were seaside holidays like in the past? Cast of 30: Teacher, Class plus 'helpers' - in case of Grandpa Brown, not entirely clear who is helping who! Duration: Around 15 - 20 minutes including music suggestions. This assembly takes us from the classroom, onto the coach, to the seaside - and back again! Granny and Grandpa Brown provide us with some insights into 'trips to the seaside in their time'. And there is the usual smattering of great songs ... and extremely bad jokes! If you're planning a trip to the seaside, jump on board this one for some useful tips! Sample Text: Child 17 (boy): Sharks! (Some of the girls start screaming) Teacher: Stop! Enough, boys! (To girls) They’re just teasing! Nothing for you to worry about! And you won’t be going anywhere near the sea anyway. Why is that? Child 18: Coz it’s too cold, this time of year, Sir? Child 19: Coz you forgot your swimming trunks, Sir? Teacher: (Impatiently) No, no. Nothing like that! Think ‘safety’, children! Child 20: There could be nasty strong currents, sir! Grandpa Brown: Currants? Mmm! And raisins? Oh, yes please. I am feeling a little peckish! Teacher: (Clutching head in exasperation) No, currents as in moving water! (To Child 20) You’re right! We have to be careful not to go in the water Child 21: Because of sharks? (Girls start screaming again) Teacher: No, no, no! No sharks! We’ll be staying on the beach

Dinosaurs Rock Assembly or Class Play Ever wondered which dinosaur was the *biggest, the smallest, the most heavily armoured, the brightest, the fastest, the deadliest, the weirdest ..... Read on and find out! Cast of 30 - easily adaptable up or down Duration - around 10 minutes not including music Also available, set of guided reading dinosaur scripts Sample Text Music 2 - We Will Rock You - Queen (Enter Seismosaurus, Mamenchisaurus, Giganotosaurus, Spinosaurus, and Carcharodontosaurus) (Everyone shaking in seats) Narrator: What's happening? Is it an earthquake? Seismosaurus: Sorry! That would be me! I'll try not to move - all 120 feet of me! They don't call me ‘earth-shaking lizard' for nothing! Mamenchisaurus: But when you've got necks as long as us, you really don't need to move that far! My neck alone was 46 feet long! Gigantosaurus: And I, Gigantosaurus, was the daddy of the meat-eaters! All 8,000 kilograms of me! Carcharondontaurus: And I sure had a mean pair of ‘choppers' - no prizes for guessing where my name ‘shark-tooth lizard' came from! Spinosaurus: Well, take a look at my jaws! I, Spinosaurus, was called spiny lizard because of these spines on my back, but nobody was going to argue with these (snapping crocodile-like jaws, open and shut) For optional poetry addition see The Dinosaurs That Time Forgot by David Harmer and Paul Cookson. Writer, Sue Russell, has included information from recent discovery of 'the largest' as per Telegraph article "Giant of giants rises from the desert" May 18 2014

Risk and Danger Assembly Perhaps first thing I should point out is that this assembly poses absolutely zero risk to the general public! And I include audience and cast in that statement! Cast of 30, duration around 10 - 15 minutes not including music suggestions: 1. Dangerous – Michael Jackson 2. Take a Chance – Abba 3. Superstition – Stevie Wonder 4. I Will Survive – Gloria Gaynor 5. Oops I did it Again – Britney Spears This script maintains an element of fun throughout what is quite a serious theme. The Narrator certainly thinks so, armed with Health & Safety Directive! But it also looks at the lives of some of our greatest heroes - and how they had to forsake 'risk assessment' (did they have that in Horatio Nelson's day?!) in favour of sheer valour. Some great quotes - thank you Sir Winston Churchill and Sir Woody Allen, among others. Oh and of course the great Julius Caesar for providing some much needed action! Following is feedback from customer who requested I write this script: ‘Love, love, love it thank you so much! I highly recommend Sue's Plays class assemblies. They are clever, witty and the children have so much fun performing them! Sue wrote a fabulous class assembly to meet my specific title and got it to me within one day. I was overwhelmed with Sue's quick response and attention to detail. Thank you, Phil.’ Feedback like this keeps me writing - HUGE thank you to Phil! Sample Text: Narrator: And you all have statues of yourselves in London, am I right? (All nod) Richard the Lionheart: But we didn’t all die comfortably in our beds! Narrator: (Sighing) I just knew I could hear a but coming! Horatio Nelson: But don’t you see? (Passes telescope from ‘bad’ eye to good) Ah that’s better! What was I saying? Sir Thomas More: I think you were trying to say, none of us could have achieved what we did in our lifetimes, without taking some risks. Narrator: (Aghast) Risks? You mean, you took more than one? Mary Queen of Scots: (Impatiently) Of course we did! You can’t go through life all wrapped up in cotton wool Boadicea: Even if it means you do come to a somewhat sticky end! Narrator: Ooh! Not on this stage, please! (Julius Caesar stumbles onto the stage, with ‘dagger in his chest’) Julius Caesar: Et tu, Brute! (Julius Caesar collapses in a heap) (Tumultuous applause from the whole cast) Narrator: (Tutting) So much for 'Famous last words'! (Exit everyone except Narrator, moping his brow) Narrator: Oh dear! And after all that risk assessment I did earlier today – and I still manage to get carnage on the

Little Red Riding Hood Play cast of 6 – an alternative version of the Brothers Grimm version of the Fairy Tale This is one of a set of 'alternative' fairy tales based on those written by Brothers Grimm - but re-written, just as they did! These include Rumpelstiltskin, Rapunzel, Hansel and Gretel and Cinderella - all very alternative! This alternative Little Red Riding Hood play can be used for performance or as a guided reading text. Cast of 6, reading time approximately 10 - 15 minutes Purchase includes: Synopsis of original fairy tale, play script, teaching input, discussion and suggested follow up activities. Cinderella, Snow White and Sleeping Beauty scripts are also available as assemblies, cast size 30 (easily adaptable up or down) Sample Text Little Red Riding Hood: But Grandma, what big ears you’ve got! Narrator: All the better to hear you with! (Aside) Oh! This is even better than I thought! I’m an absolute natural. I can hear that phone ringing now ‘Would you be available to star in the West End next week? We’ve heard such glowing reports about ..’ Little Red Riding Hood: Hey! Wait a minute! Narrator: No! No! What about the teeth? Little Red Riding Hood: Oh! OK. Now you come to mention it, they do need a bit of a clean! Narrator: No! No! Stick to the script! Little Red Riding Hood: Oh you mean, ‘But Grandma, what big teeth you’ve got’? Narrator: (Growling) All the better to eat you with! Little Red Riding Hood: (Nonchalantly) Yeah, right! Narrator: Hey! You’re meant to scream and run away! Little Red Riding Hood: Oh really? Narrator: Can’t you see, I’m not your grandma but a wicked wolf, come to eat you? Little Red Riding Hood: Well, the wolf in the woods seemed harmless enough; and (Little Red Riding Hood removes Narrator’s mask) I’ve been to enough bad school plays to realise you’re not the real thing! (Enter Wolf, growling savagely) Wolf: Whereas I am! (Little Red Riding Hood screams) (Enter Grandmother) Grandmother: Oh really, Little Red Riding Hood! Do you have to make all this noise? Little Red Riding Hood: But there’s a wolf in here! Can’t you see? And anyway, aren’t you meant to be unwell? Grandmother: Oh that’s just your mother, making a fuss as usual. Nothing wrong with me! Wolf: Well, that’s where I’m afraid we disagree! Grandmother: (Indignantly) Pardon? Narrator: Yes, I’m with the wolf on this one!

Robin Hood Assembly or Class Play Cast of 30 - easily adaptable up or down. Duration - around 15 minutes reading time. This does not include *music suggestions/dance routines which could potentially double the length of the performance. So, are those Merry Men about to have their smiles turned upside down? Never! Not even in the face of those brutish Guards? Double never! Not when you've got some neat tricks/moves up the sleeves of your tunic! See how good triumphs over evil without any blood being shed - it is a family show! *Sample Playlist • Bad – Michael Jackson • I Need a Hero – Bonnie Tyler • Everybody was Kung Fu Fighting – Carl Douglas • Happy – Pharrell Williams Sample Text Narrator: Hey! You might think you’re a hero! Peasant 1: But you haven’t done anything yet! Narrator: Right! All that dancing and prancing! Peasant 2: You need to demonstrate to us that you’re a hero! Narrator: No more theatrics! Peasant 3: Prove yourself! Narrator: Stop all this lovey dovey stuff – that can wait til later! Peasant 4: It’s our futures you need to change! Peasant 5: Show us you’re the man you say you are! Peasant 6: Take on those baddies! Peasant 7: Be our hero! Robin Hood: Hey! Steady on! I may be pretty good with this bow and arrow Maid Marion: (Sighing) The best, or so I’ve heard! Robin Hood: But taking on the whole of Prince John’s crowd? Whoa! That’s a tall order! (Enter Little John, squaring up to his great height) Little John: Well, I, Little John, am more than up to the challenge! (Enter rest of Merry Men) Friar Tuck: And you can count me, Friar Tuck, in! Alan-a-Dale: And me, Alan-a-Dale! Will Scarlet: And me, Will Scarlet! Much the Miller’s Son: And me, Much the Miller’s Son! Narrator: (Clutching head) Oh wow! That’s some fighting force you have there, Robin! An overweight man of the church, a minstrel, an ex-soldier and a miller’s son! Peasant 1: (Sarcastically) Wonderful! Peasant 2: More than enough to take on Prince John’s men! Peasant 3: They won’t know what’s hit them! Peasant 4: The friar’s belly Peasant 5: The minstrel’s lute Peasant 6: The ex-soldier’s rusting sword Peasant 7: Or the miller’s son’s bag of flour! Peasant 1: Some army! Come on, folks. Let’s leave this lot to their fantasies! (Exit Peasants, muttering sadly) (Enter Prince John, Sheriff of Nottingham and Sir Guy of Gisborne plus Guards) Sir Guy of Gisborne: (To Robin Hood) Aha! The villain himself! Seize him, guards! (Guards seize Robin Hood) Maid Marion: Why you cowards! Seven against one! I’d hardly say that was fair! Sheriff of Nottingham: (Laughing) But hadn’t you heard, sweet lady? Nothing is fair around here!

Royal Wedding Assembly Harry and Meghan Duration: around 10 minutes (not including music suggestions) A cast of 30. The content of this production focuses on Harry's ancestors and leaves one wondering if Meghan has been fully 'prepped' on the royal family - with all its highs (Alfred the Great?) and lows (toss-up between King John and Richard III maybe!). Maybe it’s just as well she isn't fully acquainted with her predecessors - or she might think twice about that walk down the aisle! Script comes with a complete listing of the English Monarchy Duration: around 10 minutes (not including music suggestions) Narrator: Good morning and welcome to our assembly on The Royal Wedding. Now, we all know what a busy time this is for the royal couple – especially for Meghan. With all that looking for the right dress, booking the hairdresser, finding the best flower lady …. My, has she got her work cut out! So, we thought - there’s no way this royal bride will find time to read up about the family she is marrying into. That’s why we took it on ourselves to do the hard work for her! Don’t you think she’ll be pleased? I mean, who knows what Harry might not have said about his ancestors? And don’t we all agree, a girl does have the right to know - certainly before she takes that long walk down the aisle? So, for those of you, along with Meghan, interested in the royal family, start listening now! You’ll be amazed at what you’ll learn! This morning we’ll kick off with the present day royal family - the House of Windsor. Starting with Child 1: (Holding up picture of Harry) Harry! Narrator: Ah! The bridegroom himself! Let’s hear it! Child 2: Harry is the second son of (holds up picture) Charles, the Prince of Wales – now married to Camilla. Child 3: (Holding up picture) Harry’s mother, Diana, Princess of Wales, was tragically killed in a road accident in 1997. Child 4: (Holding up picture) Harry has an older brother, William. It was only a few years ago that Harry was best man at William’s wedding. William married Catherine Middleton 29th April 2011 at Westminster Abbey; whereas Harry and Meghan will be ‘tying the knot’ at St. George’s Chapel, Windsor Castle in May 2018. Child 5: Harry and William have a rather important grandma – the Queen! Child 6: Queen Elizabeth the second is married to the Duke of Edinburgh and has four children Child 7: Prince Charles, Harry’s dad Child 8: Prince Andrew, the Duke of York Child 9: Prince Edward, the Earl of Wessex Child 10: And a daughter, Princess Anne, the Princess Royal. Narrator: All fine representatives of the monarchy – but was it always thus? We looked at some examples of good and bad monarchs and drew our own conclusions! Starting with Child 11: Alfred the Great!

Awesome Animal World Record Breakers Assembly This script was written for KS II but can be simplified for KSI. A separate script for KSI will shortly be available Cast of 30 Cast size can be easily adjusted up or down by the adding on or taking off the suggested list of animals. Duration Around 20 minutes not including music suggestions As with cast size, this can be altered according to the number of animals and amount of information given on each. This script covers the biggest, the smallest, the fiercest, the fastest, the smartest, the longest-living ..... a truly awesome cast! KS I script shortly available Sample Text: Narrator: (Jumping back in alarm) Wow! I didn’t see you fly in! Komodo Dragon: (Patiently) That’s because I didn’t! I’m a Komodo dragon from South East Asia. And, just for the record, I neither fly nor breathe fire! Narrator: But you look pretty fearsome, for all that! Komodo Dragon: Well, I am the world’s largest lizard and I do have some pretty unpleasant poison and bacteria in my saliva! Narrator: Ugh! Not a nice way to die! I think we’ll have you just sitting nice and quietly back here, where you came from! (Narrator leads dragon back to his place) Music 4 Chariots of Fire (Enter Ostrich, running gracefully in time to the music) (Narrator holds up hand for ostrich to stop) Narrator: Er excuse me! I hate to interrupt your morning exercise Ostrich: Oh, I can go way faster than that! I’m just warming up! Apart from being the world’s biggest bird, I am also the fastest runner – for a bird, that is! Seventy km an hour! Narrator: Wow! That’s fast (pauses) considering your size! Ostrich: I also lay the largest eggs and have the biggest eyes to watch over them! (Enter Goliath bird-eater spider – whole cast shrieks and cowers in fright) Goliath Bird-Eater Spider: Just as well you don’t live anywhere near me! Ostrich: (Haughtily) South America is a long way from my African home (pauses) but seriously? One stamp from me and you’re history!

Fairer World Assembly or Class Play Cast of 30 (easily adaptable up or down) Narrator plus Protestors 1 - 29 Duration Around 20 minutes including music and/or poetry suggestions. This script deals exclusively with fairness as a social and economic issue. Mention is made in the script of Children’s Rights. For a full ‘account’ of these see Children’s Rights Assembly. Sample Text Protestor 17: Those suffragettes might have got women the vote but there is still a long way to go before women have equal rights with men. Protestor 18: And what about the disabled? They are also still treated differently from the rest of us. A closer study should be made of their rights! Protestor 19: And what about the elderly? Do they always have as much say as they should? Protestor 20: (Stamping foot) And us children! We have rights too! Narrator: (Hurriedly) Oh I don’t think anyone would argue with that! Protestor 21: Is it really so much to ask? That all people be given the same chance in life? Protestor 22: That everybody has the same opportunities? Narrator: Aha! And that is where education is so important! Protestor 23: Good education for all so we can all achieve our full potential. Protestor 24: And it’s just as important that we keep ourselves informed, via the news and media, about the rest of the world. Protestor 25: Some countries do not have the wealth and resources that we have. Protestor 26: Developing countries or countries of the Third World need our help – now! Protestor 27: We have more than enough for ourselves – so we should be prepared to share our good fortune with others less fortunate than ourselves. Another script entitled Fairer and More Sustainable World Assembly combines fairness and protecting the environment. It is 'The Environment Assembly' plus a segment from the Fairer World Assembly i.e. a combined script. For full coverage of social issues/justice, I would suggest making Fairer World a separate purchase. Other scripts available are as follows: Assemblies/Class Plays on: • Bullying and how to deal with it • British Values • Children’s Rights (as mentioned above) • Mutual Respect • numerous other PSHE scripts – in both assembly/class play and guided reading format plus • Our Planet (available as class play and as a set of guided reading scripts) • Environment Assembly

Midsummer Nights Dream Alternative Version III This alternative ‘nightmare’ version of Midsummer Night's Dream runs at approximately 50 minutes, has a cast of 25, and a 'wicked' choice of music! This is the third in a series of scripts written by playwright Sue Russell - the first was for a small summer camp group (of 10), the second for an expanded cast (of 17), and this third for a cast of 25. Suitable for children and adults alike - let's hope your director has an easier time of it than mine (alias long suffering teacher!) Theseus: Are you referring to our night's entertainment, my dear? Hippolyta: If you can call it that! From what I've heard .. Theseus: (Interrupting) Ah, never judge a book by its cover! Teacher: (Raising his copy of Midsummer Night's Dream, above the covers) Indeed. You can say that again! Still, nothing's going to spoil anything tonight. Just as long as I stay awake to the end! (Bottom, bouncing onto the stage) Bottom: And we'll sure make sure that there's no falling asleep during our amazing performance! (Joined by Quince, Flute, Snout, Starveling and Snug) Bottom: Or should I say, my amazing performance! Quince: Now, now, Bottom! Remember what I said to you about team spirit! Bottom: (Tutting) Makes it sound more like a game of soccer! I prefer to think of myself as following in the footsteps of Brad Pitt, rather than David Beckham! Lysander: (Laughing) I'm sure either gentleman would be equally honored - to know who was following him! Demetrius: Of course! (Pointing at Bottom) What a fine figure of a man! Hermia: (Crossing her brow with her hand) I grow weak, just looking at him! Helena: (Pretending to faint) Such a man! Such a vision of .... Theseus: (Impatiently) Yes, yes. Could we leave the amateur dramatics to these 6 players please? Hippolyta: (Groaning) Something tells me, this is going to be one long night!

Battle of Hastings Assembly or Class Play This script was written by Sue Russell in celebration of The Battle of Hastings' 950th anniversary. What have the most famous cartoon strip in history, a masterpiece of needlework, a distinctly odd bishop, some dodgy family connections, warring Anglo Saxons and Normans, and an arrow in the eye have in common? Correct! They're all part of that famous drama - you know the one, 1066 and all that?! Cast of 30 - easily adapted up or down Duration around 10 - 15 minutes (not including music) Sample Text: Embroiderer 2: Hours and hours of needle in, needle out! Embroiderer 3: (Sarcastically) Wow! Life can’t, surely, get much more exciting than this! Bishop of Bayeux: O dear, dear, dear, dear! I can see something drastic needs to happen round here! How are we going to get you excited about your work? (Enter Edward) Edward: Easy! Let’s just introduce them to some of the characters they are working on! Let them see what we were actually like in the flesh! Bishop of Bayeux: Ah! A splendid idea! And you are? Edward: King Edward the III of England or Edward the Confessor! I’m (Edward walks along work of six Embroiderers, peering down, trying to see himself; he stops abruptly at Embroiderer 4) Edward: Ah yes! Here I am! Dying! Bishop of Bayeux: (Sarcastically) Oh wonderful! Well, that really livens things up for us! Thank you so much! Edward: Oh dear! I didn’t mean to put a dampener on things! (Edward goes back to the line of Embroiderers and this time stops at Embroiderer 1) Edward: Ah now, that’s better! That’s when I’m still king! Alive and kicking! (Edward falls about laughing at his own joke) (Whole cast groans) Bishop of Bayeux: (Aside) Oh dear! I think I preferred him dead!

Macbeth - Villain or Victim? Shakespeare tragedy turned comedy? With a little help from McBinny, McGinnie and McNinnie (3 witches) Sue Russell 'turns things around' - following the original plot, but with countless laughs along the way! Duration: Around 15 minutes (not including music suggestions) Cast size: 27 Sample text: (Enter Lady Macbeth, reading a letter, letting out intermittent exclamations of joy and shock) Lady Macbeth: (Reading from letter) “they vanisht” … (Pauses) Witches, eh? My husband always did keep questionable company! (Reads) “missives from the king” … “Thane of Cawdor” .. “Hail, king that shalt be!” … (Pauses to reflect on what she’s just read) Well, well, well! It seems my husband has more going for him than I thought! Thane of Cawdor now, and soon to be king, no less! How’s that for quick promotion! Just as well he has an ‘iron maiden’ at his side! One who, unlike him, is not burdened with ‘human kindness’.(Aside) I shall make it my business to move matters along, as I see fit! (Enter messenger) Messenger: Excuse me, Ma’am. I am sent to inform you - The king comes here tonight. Lady Macbeth: At such short notice? And my lord? Messenger: He comes too! Lady Macbeth: (Dismissing messenger with a flick of her hand) Fair enough! And fare you well! (Exit messenger, bowing) Lady Macbeth: The raven himself is hoarse that croaks the fatal entrance of Duncan under my battlements. (Adopts warrior ‘posture’, bracing muscles and performing pretend sword fight) Farewell, Lady Macbeth! Hello warrior woman! (Macbeth enters, interrupting Lady Macbeth ‘in action’. Lady Macbeth ‘recollects’ herself, returning to former graceful ‘lady’) Macbeth: (Bowing) My lady? Lady Macbeth: (Spluttering) Who? What? Ah, tis you, my love! Fancy creeping up on me like that! You gave me quite a turn! Macbeth: It looked like you were having ‘a bit of a turn’ yourself! Are you sure you’re all right? You look a little … agitated!

Eurovision Song Contest Assembly or Class Play updated to 2018 Maybe this year – a few more points for Grande Bretagne?! It's that time of year again! Get ready for the funniest show on earth! (Does anyone really take it seriously?!) This assembly gives a quick chronological run through past winners ... and losers! How can, for example, the UK get it so right ... and yet so desperately wrong! A light hearted coverage of all UK winning songs (and runners up) plus such greats as Abba. The song list is memorable - for all the right reasons! Cast size 30 - easily adaptable up or down. Duration: 15 - 30 minutes (depending on number of songs chosen) Sample Text Music 8 Waterloo – Abba (Whole cast plus ‘Abba representative sings song) Narrator: Wow! What a hit that was! It certainly launched Abba into a glittering rock career! Rock Star (‘Cliff’) (Grumbling) And as if it wasn’t bad enough - our beautiful Olivia Newton John being pipped to the post. Then it happens again the following year – this time to my mates The Shadows! Music 9 Let Me Be the One – The Shadows (Whole cast singing brief excerpt from song) (Judge charging back onto stage) Narrator: (Testily) You again! Judge: But they didn’t win! I thought this line up was meant to be just for winners! Narrator: (Outraged) What? And miss some of the best music? Never! (Turning to cast) Are we agreed? Whole Cast: (Blowing kisses at Narrator) Oh yes! Peace and happiness! We love you! Music 10 Save Your Kisses for Me – Brotherhood of Man (Whole cast plus Narrator sing this song) Narrator: (Sighing) Ah! 1976! Another great win for the United Kingdom!

Mutual Respect Assembly - Key Stage II Cast of 30 - easily adaptable up or down Duration: 10 - 15 minutes reading time (not including songs/music suggestions) Another class play on 'Respect' is available for Key Stage I children. Sample Text: (Whole team do ‘high-fives’) Narrator: Good to see team spirit! Child 1: Oh we have plenty of that! We put in so many hours together Child 2: We sure earn each other’s respect! (Exit ‘Olympians’) Narrator: And that is so important! Just imagine if (Enter ‘Footballers 1 - 4’: Child 3, 4, 5 & 6) Music 5 Football Anthem – or theme music to Match of the Day (Footballers kick ball around, in bored, listless manner before dropping to the ground, for a break) (Enter Coach – Child 7, blowing whistle; all four footballers jump to their feet) Coach: Hey! Slacking off already? I don’t think so! Child 3: Oops! Sorry coach! Coach: You will be! Child 4: We were just Child 7: (Interrupting angrily) Yes, I could see! I repeat, slacking off! Not on my watch, you don’t! Now, that will be ten extra laps of the pitch for you! Off you go! (Exit Footballers, grumbling) Narrator: Oh dear! That seemed a bit harsh! Child 7: Oh? And you think if I’d strolled on and said, ‘Oh that’s fine. Don’t mind me! Just keep doing what you’re doing’ – that they’d have one jot of respect for me? Narrator: Well, er .. Child 7: Of course they wouldn’t. It’s not my job to pamper them. It is to make them better players. To give them pride in themselves! Nothing like a bit of discipline to achieve that! Narrator: Oh I couldn’t agree more! I’m all for discipline. Child 7: And respect! Narrator: Oh yes, that as well! Child 7: Nothing like a bit of healthy respect for your team, the opposition and yourself! Narrator: Wow! That’s a lotta respect! Child 7: You can never have too much respect, believe me!

Awe and Wonder Assembly This KS II class play is on awe and wonder – and there’s plenty of that about in the awesome world of nature! Scoring a ‘WOW!’ proves a bit of a challenge for this particular set of children – it seems to take a lot to impress the ‘awe-full-not’ teacher who is taking the assembly! Cast of 30 (easily adaptable up or down) Duration - around 15 minutes not including music suggestions This script is the first in a series of Awe and Wonder Assemblies – the second one being on Man Made Wonders – loosely based on the Seven Wonders of the World but probably with a lot more thrown in! There will be ‘parallel’ simpler scripts for Key Stage I children on this theme. Sample Text Narrator: So. Let us make sure this assembly is (pauses) awesome! What have you got for me? Child 12: Well, we thought we’d start with all the most awesome places in the world. Child 13: Aside from our school, of course! Narrator: (Smiling) Of course! Child 14: So, what about (Each child in turn holds up a picture of the place they are describing) Child 14: This great lump of rock! Narrator: Great lump of rock? What’s so awesome about that? Child 14: (Indignantly, to Child 10) What were you saying about adults? This lump of rock just happens to be Uluru – otherwise known as Ayer’s Rock, in Australia. Narrator: Well, it does have a pretty amazing colour. Child 14: Red sandstone! Formed six hundred million years ago! Narrator: Wow! (Whole cast cheers) Child 10: Wow! We got a wow! Narrator: Well, I’m not that hard to impress! Child 14: Difficult not to be impressed by the world’s biggest monolith – that’s a single rock, by the way! Narrator: Yes, yes. I knew that! Child 14: And that it’s some nine kilometres in circumference? Narrator: Hmm. Of course! I am a teacher, you know! Child 15: Well. What about this. The Grand Canyon! Narrator: More rocks? Child 15: (Indignantly) Yes but these rocks form one of the deepest gorges on Earth!

Love Is .... Assembly This class play on Love looks at what love means to each of us. Although it was written for Key Stage I (5 – 7 year olds) it can easily be adapted for use at Key Stage II (7 – 11 year olds) - the playlist of 10 suggested songs will be enjoyed by all ages. For scripts specific to Valentine’s Day, check out Sue Russell’s alternative Romeo and Juliet scripts. Cast of 25 - easily adapted up or down. Duration - around 15 - 20 mins (potential of doubling this with all music choices) Sample Text: (Enter Child 10, carrying a puppy) Music 7 Puppy Love – Donny Osmond Narrator: Ahh! (Gestures for everyone else to go ‘Ahhh!’) Who can resist a puppy? (Exit Child 10 plus puppy) (Enter Child 11, skipping) Narrator: Wow! Great skipping! You obviously love it! Child 11: And it’s good for me! (Exit Child 11, smiling happily) Narrator: Yes, any form of exercise is good for you! (Enter Child 12) Music 8 Can’t Stop the Feeling – Justin Timberlake (Whole cast singing and dancing) Narrator: And why do you love dancing so much? Child 12: How can you not love dancing? (Exit Child 12 smiling) Narrator: (Trying a few moves) Well, it is good exercise! (Enter Child 13, eating large bar of chocolate) Music 9 Sugar Sugar - The Archies Narrator: Hmm. I’m not sure this is quite so good for you! Child 13: Oh, but I just love chocolate! Who doesn’t? (Exit Child 13) Narrator: (Rubbing tummy) Mmmm. Beginning to feel a bit hungry! (Enter Child 14, reading ‘The Very Hungry Caterpillar’)

Pancake Day Assembly or Class Play Cast of 30. Duration 15 - 20 minutes. Maybe a case of too many cooks in the kitchen? And whoever said flipping a pancake was easy? Definitely time somebody in the kitchen gave up something for Lent - could the belly size of that Master Chef, Monsieur Bon Appetit, be a clue? This is a light-hearted assembly based on Shrove Tuesday - otherwise known as Pancake Day or Mardi Gras - Fat Tuesday! Sample Text: Narrator: Hmm! But the whole point of Shrove Tuesday Chef 13: Is that it’s the last day before Lent! Chef 14: Which is all about giving up things. Narrator: And how long does Lent last? Chef 15: Well, traditionally it’s forty days Chef 16: Between Ash Wednesday and Maundy Thursday Chef 17: Or around six weeks leading up to Easter. Narrator: OK. So going back to Shrove Tuesday, why the pancakes? Chef 18: Well, I guess they’re a way of using up things like eggs, milk and sugar before this time of fasting? Narrator: (Clapping) Ah! You guess right! Congratulations! So, what are we waiting for? (Enter Master Chef) Master Chef: Or shouldn’t that be, who are we waiting for? Don’t tell me you’ve forgotten Moi? Narrator: Ah! You must be Master Chef: Monsieur Bon Appetit! Narrator: A fine name Master Chef: For a fine chef! The best! Moi? Je suis magnifique! Narrator: (Aside) And so very humble! (To Master Chef) Monsieur, we are delighted you could join us today! Master Chef: Mon plaisir! (Looking around) So, where is mon cuisine? (Everyone looks around in confusion) Narrator: Er, I think it might be helpful if you could try and stick to English. Master Chef: (Huffily) As you wish! So, where is my pan? Where are my ingredients? Where Narrator: (Interrupting) Oh don’t worry! We’ve got all that sorted! Look! You have an army of chefs to help you! Master Chef: (Muttering to audience) Hmph! Ever heard the expression ‘Too many cooks spoil the broth’? Narrator: Sorry, we didn’t quite catch that! Master Chef: Oh don’t worry! Just saying what a delightful set of helpers I have here today! So, let us start. (Enter Chefs 19 - 28 with ‘kitchen props’; chefs proceed to prepare pancakes under watchful eye of Master Chef, who stands over and checks their every move, occasionally stepping in to show them how it is done ‘properly’)

Lent Assembly or Class Play So, what are you giving up this Lent? As usual, our poor narrator has dubious task of coaxing sensible - make that, any - sort of response out of his reluctant cast! And as for even thinking about giving up chocolate - well, let's just say, the devil knows better! Although there is the usual high quotient of humour in this play, the subject matter is serious - and there is a clear explanation covering what Lent is all about. Duration: approximately 10 minutes reading time - longer with inclusion of mixture of beautiful and comical music. Written for cast of 30 - easily adaptable up or down. Sample Text Child 5: Lent covers a period of forty weekdays – that’s approximately six weeks but not including Sundays. Child 6: During this time Christians traditionally devoted themselves to fasting, abstinence and penitence. Child 7: In other words, leading a less extravagant lifestyle and reflecting on how they could improve themselves. Child 8: You mean, recognising their faults and doing something about it? Child 7: That’s right. Child 9: Hmm. Fair enough. But going without food for forty days? I’m not sure about that one! Child 6: Nah! You remember I used the word ‘traditionally’? Well, Christians have become a lot more relaxed about fasting these days. Most people today just give up something like, well, chocolate for example! Child 10: (Exclaiming indignantly) Chocolate? Going without chocolate for forty days? Are you serious? Narrator: Oh come on! Surely you could survive without chocolate for forty days? Child 10: (Emphatically) I don’t think so! Narrator: Forty hours? Child 10: No! Narrator: Forty minutes! Child 10: (Hesitantly) Hmm, maybe Narrator: (Impatiently) Forty seconds? Child 10: (Triumphantly) Done! Narrator: So let’s talk about what this Lent is all about. (To Child 10) And then we might have some ideas about what to do with you! Why, for example, does Lent last for forty days? Child 11: This was the period of time Jesus spent in the wilderness, fasting and praying, before beginning his public ministry. Child 12: The wilderness? Sounds like a pretty scary place to be! Child 13: It was! Let’s see just how scary it was and how Jesus dealt with it!

Adam and Eve in the Garden of Eden Assembly Class Play for 7 – 11 year olds: Key Stage II This is the second in the Biblical Banter series – a script that has been written in 2 versions, for both younger (5 – 7 year olds) and older (7 – 11 year olds) children – both versions available separately off the website. Please note – this script is for the older age group. The writer, Sue Russell, has to date written three other scripts in this series, including The Creation, Noah’s Ark and Jonah and the Whale. Duration: Around 10 minutes reading time - double this for inclusion of songs/music. Cast of 30 - though this could be reduced right down to 5, as explained in Production Notes (only 7 actual speakers - rest part of Animal Kingdom, Circle of Life, routine) Interesting choice of music - including Barbie Doll and Something Wrong in Paradise ..... not forgetting, of course, ..... Temptation! Sample Text: Music 2 Temptation – Heaven 17 Serpent: Good day to you! So (hissing) nice ..sss sssssss to meet you! Adam: A pleasure to meet you too. (Looking up into the branches of the Tree of Knowledge). So is this where you hang out? Serpent: Oh yessssssss. Nice ..sssssssss, issssssssn’t it? God: Hmm. Very pleasant. But of course this tree is quite different from every other tree in the garden. Eve: Oh really? And why is that? God: (To Adam) You mean you haven’t told her yet? Adam: Oh, I was just getting round to it! God: (Angrily) Just getting round to it? You need to get round to things around here a lot quicker than that …. Or you’re going to get into all sorts of trouble. Monkey: (Aside) What was I saying? Eve: So, what is it with this tree? God: This tree just happens to be the Tree of Knowledge – of good and evil. Eve: Ooh. I don’t like the sound of that last bit. God: It’s not a ‘bit’ you have to worry about … (pauses) but a bite! One bite of one of these apples … (pauses) and you’re dead .. or as good as! Eve: Dead? God: Correct. Kerput! They are forbidden! Forbidden fruit, get it? (Adam puts his arm reassuringly around Eve) Adam: But don’t you worry your sweet pretty head, Evie! There are plenty of other apples and fruit to eat from, in this garden!

Jonah and the Whale Assembly Class play for 7 – 11 year olds - Key Stage II This is one of the Biblical Banter series. The writer, Sue Russell, has to date written three other scripts in this series, including The Creation, Adam and Eve in the Garden of Eden and Noah’s Ark. Cast of 30 - easily adaptable up or down. Duration: Speaking time around 15 minutes. This does not include a great playlist of 10 songs which could potentially double time of performance to 30 mins at least! Sample Text: (Sound of thunder and lightning) Captain: Whoah! What was that? Sailor 2: Sounded like thunder and lightning to me! Sailor 3: Oh oh! That’s not good! Jonah: (Nervously) What do you mean? Sailor 4: He means, there’s a storm approaching! Jonah: Oh, that’s all right! I’ve brought an umbrella! (All sailors laugh) Sailor 5: Er, you’re going to need a little more than an umbrella if this storm takes a hold! (Boat starts rocking furiously, as sound of raging wind gathers momentum) Sailor 6: Whoa! Hold on everyone! Sailor 7: We’re in for a rough one! Jonah: (Holding his stomach) Oh dear, I’m beginning to feel a bit queasy! Sailor 8: You’ll be feeling more than that if you don’t get a move on and help! (Everyone rushes around trying to tie things down; storm continues to get worse and worse) Sailor 1: My! This is some storm! Sailor 2: We’ve never had one like this before! Sailor 3: Something tells me someone on board has brought with them more than a little bad luck! (All sailors round on Jonah) Jonah: Who? Me? Captain: Tell me again why you wanted to join my crew on this trip? Jonah: (Spluttering) I, er, well, it’s like this Captain: Come on man, spit it out! What’s your real story? Jonah: (Sighing) OK. I suppose you deserve the truth. You see, I was running! Sailor 4: Running? Sailor 5: Away from what? Jonah: Away from my God. (All Sailors groan and clutch their heads) Captain: Well, that explains it! Had I known, I’d never have allowed you on board my ship!

Educate Against Hate Assembly This script is suitable for secondary school children – possibly for upper end primary; but I think given the subject matter it is perhaps appropriate for a more mature age. The main focus is that of promoting the bigger picture in schools to our children so that they are not taken in by the 'smaller picture' and/or swayed by the dogmatic views of extremists. I would like to stress that this script is not intended as a ‘piece of politics’ but as a message of common sense. Cast Size 30 - easily adaptable up or down. Duration Around 10 to 15 minutes. Sample Text: Child 21: But how do people get so hoodwinked into listening to this stuff? How can they not see what is going on? How can they be so misguided? Child 22: Because they are vulnerable. That is why these extremists choose them. They pick on people who have not had the education to question what is put before them. The extremists know this. They know full well that faced with a bit of rational questioning they would be shown up for what they are. Child 23: Complete and utter frauds. Narrator: That is why education is so important. Hopefully if you give children the bigger picture, they will see what is wrong with this smaller one that is being offered. Child 24: You will never remove evil from the world completely. Child 25: There will always be those who seek to exploit the weak, who trade on others’ unhappiness. Child 26: Which is why we must stay strong and protect those who need protecting from these evil people. Narrator: That is our job as educators. To give children the big picture and provide them with coping mechanisms when things look bad. Child 27: Yeah. You can’t go through life in permanent sunshine. Child 28: And some do undoubtedly have a much tougher time than others. Child 29: But bowing to evil, to the demands of extremists? Child 30: That is not the answer. Narrator: We have to show a united front (pauses) knowing that good, through education, will prevail over evil in the end.