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Mr D's drama store

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I have been working in education for the last twelve years across a variety of subjects but specialising in drama and the performing arts. I have uploaded a variety of schemes of work that will take around six hours to deliver and I hope you enjoy using them in your classroom as much as I have!

I have been working in education for the last twelve years across a variety of subjects but specialising in drama and the performing arts. I have uploaded a variety of schemes of work that will take around six hours to deliver and I hope you enjoy using them in your classroom as much as I have!
Private Peaceful scheme of work.
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Private Peaceful scheme of work.

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An excellent KS3 resource for drama on Private Peaceful by Michael Morpurgo with a complete and ready to go six lesson SOW which includes all additional worksheets. If you purchase this scheme of work you get access to seven lesson powerpoints with around 80 to 100 slides over the complete SOW that help students to access and succeed at the six core outcomes which are designed for this module. In this six lesson SOW students will learn about: Lesson one: In this lesson students learn to explore the novel of Private Peaceful by developing their knowledge of the First World War and students also create their first scene known as Thomas Peaceful’s first day at secondary school. Lesson two: In this lesson students learn to understand the relationship between the character of Thomas Peaceful and Mr Munnings through using theatrical skills such as sculptor and statue, role play and choral speaking and students also create their second scene known as the nightmare of Mr Munnings. Lesson three: In this lesson students learn to understand how propaganda posters encouraged young men to join up to the military during the First World War and students also create their third scene that demonstrates Thomas Peaceful signing up to become a solider in his local marketplace. Lesson four: In this lesson students learn to understand the process of conscription in the First World War through using tableaus, writing letters and role play and students also create their fourth scene that shows Thomas Peaceful’s reaction to joining up to fight in the First World War. Lesson five: In this lesson students learn to understand trench warfare from the First World War and students also create their final scene through role play known as the trench ready for their final performance on Private Peaceful. Lesson six: In this lesson students learn to rehearse one of their five scenes that represents Private Peaceful for their end of unit assessment in their next lesson. Lesson seven: In this lesson students complete a summative assessment on one of the five scenes that represents Private Peaceful for the end of unit assessment.
Introduction to devising drama scheme of work.
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Introduction to devising drama scheme of work.

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An excellent KS3 resource for drama on introduction to devising with a complete and ready to go twelve lesson SOW which includes all additional worksheets. If you purchase this scheme of work you get access to twelve lesson powerpoints with around 80 to 100 slides over the complete SOW that help students to access and succeed at the twelve core outcomes which are designed for this module. In this twelve lesson SOW students will learn about: Lesson one: In this lesson students learn to create a short performance from a picture stimulus that examines the key theme of riots and protests for this module. Lesson two: In this lesson students learn to create a short performance from a diary stimulus that examines the key theme of riots and protests for this module. Lesson three: In this lesson students learn to create a short performance from a poem stimulus that examines the key theme of riots and protests for this module. Lesson four: In this lesson students learn to create a short performance from a historical event stimulus that examines the key theme of riots and protests for this module. Lesson five: In this lesson students learn to create a short performance from a real-life event stimulus that examines the key theme of riots and protests for this module. Lesson six: In this lesson students select, rehearse and perform a devised performance based on one of the stimuli from this half term for an assessment piece in today’s lesson. Lesson seven: In this lesson students learn to begin the process of developing and researching their own stimuli in a computer room ready to share their ideas to the group next week. Lesson eight: In this lesson students learn to decide which stimulus they are going to develop into a group performance for this half term, start to develop their initial ideas for their devised piece and write their character profile for their main character. Lesson nine: In this lesson students learn to develop their devising ideas from their research lesson in the computer room into a practical piece of work using the dramatic narrative arch by particularly concentrating on the exposition, initial incident and the rising action of our piece. Lesson ten: In this lesson students learn to develop their devising ideas from their research lesson in the computer room into a practical piece of work using the dramatic narrative arch by particularly concentrating on the climax, falling action and the resolution of our piece. Lesson eleven: In this lesson students rehearse their devised piece for the final time by making sure that they have accurate timings, use of theatrical skills and believable character work while also writing their vision for their chosen stimulus in preparation for the performance assessment in the next lesson. Lesson twelve: In this lesson students complete a summative assessment on their devised project for their end of unit assessment on creating, performing and communicating skills.
Drama games and warm ups.
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Drama games and warm ups.

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A great powerpoint which contains ten different drama games and warm ups that can be used in a range of different scenarios to hook your students as they enter or even leave the drama studio. Drama games and warm ups contained in this powerpoint include: Activity one: Stuck in the mud. Activity two: The floor is lava. Activity three: The ten objects. Activity four: The living museum. Activity five: Grandmother’s footsteps. Activity six: Wink murder. Activity seven: The chieftain’s table. Activity eight: Getting to know you. Activity nine: Chair train. Activity ten: Law and order. All of these games have clear visual instructions for the students and teacher to follow and most contain sound effects to build the environment needed to play them within.
Applying the theory of theatre practitioners scheme of work.
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Applying the theory of theatre practitioners scheme of work.

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An excellent KS5 resource for A-level drama 7262 specification on applying the theory of theatre practitioners with a complete and ready to go twelve lesson SOW which includes all additional worksheets. If you purchase this scheme of work you get access to twelve lesson powerpoints with around 80 to 100 slides over the complete SOW that help students to access and succeed at the twelve core outcomes which are designed for this module. In this twelve lesson SOW students will learn about: Lesson one: In this lesson students learn to apply and understand key theories from Stanislavski such as belief and emotion memory, the feeling of truth and relaxation to create a convincing role within Stanislavski’s system. Lesson two: In this lesson students learn to apply and understand key theories from Stanislavski such as concentration, agility, observation, and accentuation to create a convincing role within Stanislavski’s system. Lesson three: In this lesson students learn to apply and understand key theories from Stanislavski such as the given circumstances and the magic if to create a convincing role within Stanislavski’s system. Lesson four: In this lesson students learn to understand key theories from Antonin Artaud such as uncomfortability, removal of language, working on extremes and breathing patterns to create a convincing role within the Theatre of Cruelty. Lesson five: In this lesson students learn to understand key theories from Antonin Artaud such as emotion lines, concrete language of symbols, Artaudian characterisation and soundscapes to create a convincing role within the Theatre of Cruelty. Lesson six: In this lesson students learn to devise a piece of theatre from a stimulus based on a mental asylum in the style of the Theatre of Cruelty. Lesson seven: In this lesson students learn to understand key theories from Boal’s arsenal of games and exercises such as blind cars, name and gesture, Colombian hypnosis and push not to win to create a convincing role within the Theatre of the Oppressed. Lesson eight: In this lesson students learn to understand key theories from Boal’s image theatre such as rhythm with chairs, complete the image, individual imagery and imagery of the oppressed to create a convincing role within the Theatre of the Oppressed. Lesson nine: In this lesson students learn to understand key theories from Boal’s forum theatre to create a convincing role within the Theatre of the Oppressed. Lesson ten: In this lesson students learn to create a baseline assessment in the style of our chosen theatre practitioner Stanislavski, Artaud, or Augusto Boal. Lesson eleven: In this lesson students learn to rehearse a piece of work in the style of your chosen theatre practitioner. Lesson twelve: In this lesson students complete a summative assessment on a piece of theatre in the style of our chosen theatre practitioner for a baseline assessment in today’s lesson.
Blackout scheme of work.
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Blackout scheme of work.

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An excellent KS3 resource for drama on the play Blackout by Davey Anderson with a complete and ready to go six lesson SOW which includes all additional worksheets. If you purchase this scheme of work, you get access to six lesson powerpoints with around 80 to 100 slides over the complete SOW that help students to access and succeed at the six core outcomes which are designed for this module. In this six lesson SOW students will learn about: Lesson one: In this lesson students learn to explore the key themes within Blackout through theatrical techniques such as tableau’s, soundscapes and flash forwards. Lesson two: In this lesson students learn to use physical theatre to explore the opening of the play Blackout. Lesson three: In this lesson students learn to bring scene three to life using choral speech, gestus and stage combat while examining the key theme of domestic abuse and whether this has affected James when it comes to the violent crime he has committed. Lesson four: In this lesson students learn to explore the theme of mental health deterioration in Blackout through tableau’s, gestures, stage combat and physical theatre techniques in scene eleven. Lesson five: In this lesson students learn to consider the role theatre can have in the reformation of offenders and to practically explore the penultimate scene using multirole. Lesson six: In this lesson students learn to rehearse, polish and assess our version of an extract from Blackout for a performance assessment in the problems with youth offending.
Johnny and the dead scheme of work.
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Johnny and the dead scheme of work.

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An excellent KS3 resource for drama on Johnny and the dead by Terry Pratchett with a complete and ready to go twelve lesson SOW which includes all additional worksheets. If you purchase this scheme of work, you get access to twelve lesson powerpoints with around 80 to 100 slides over the complete SOW that help students to access and succeed at the twelve core outcomes which are designed for this module. In this twelve lesson SOW students will learn about: Lesson one: In this lesson students learn to understand the relationship that is created between the actors and the audience at the start of the play Johnny and the Dead. Lesson two: In this lesson students learn to create a character from Johnny and the Dead using our physical and vocal skills to create effective characterisation for the audience. Lesson three: In this lesson students learn to create and understand the characters in scene three from Johnny and the Dead using our physical and vocal skills to create effective characterisation for the audience. Lesson four: In this lesson students learn to create an emotive piece of drama using thought tracking, slow motion, mime and music to demonstrate the pals battalions in the First World War. Lesson five: In this lesson students learn to use freeze frames, hot seating and role play to discover more information about Tommy Atkins and his experiences during the First World War. Lesson six: In this lesson students learn to create a performance to demonstrate what it was like to be a new recruit in the First World War to educate the audience about this time period. Lesson seven: In this lesson students learn to create a back story for the character of Mr Grimm using the dramatic techniques mime and narration. Lesson eight: In this lesson students learn to use persuasive drama techniques to advertise a brand new technology to the dead characters in Johnny and the Dead. Lesson nine: In this lesson students learn to examine the arguments for saving the cemetery from the perspective of the town council and from ‘United Amalgamated Consolidated Holdings’ using freeze frames, effective characterisation and hot seating. Lesson ten: In this lesson students learn to explore the end of the play using dramatic techniques such as freeze frames, effective characterisation and hot seating. Lesson eleven: In this lesson students learn to prepare an extract for a performance from Johnny and the Dead while using effective characterisation to communicate a character to the audience. Lesson twelve: In this lesson students complete a summative assessment on a court room drama to bring charges against the company ‘United Amalgamated Consolidated Holdings’ for their damage and illegal involvements in the cemetery.
Our day out scheme of work.
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Our day out scheme of work.

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An excellent KS3 resource for drama on Our day out by Willy Russell with a complete and ready to go six lesson SOW which includes all additional worksheets. If you purchase this scheme of work, you get access to six lesson powerpoints with around 80 to 100 slides over the complete SOW that help students to access and succeed at the six core outcomes which are designed for this module. In this six lesson SOW students will learn about: Lesson one: In this lesson students learn to demonstrate the differences between the two teaching characters of Mr Briggs and Mrs Kay in the play ‘Our Day Out’. Lesson two: In this lesson students learn to create and develop the sweet shop and the zoo scene in the play ‘Our Day Out’ to enable the action to be clear to an audience. Lesson three: In this lesson students learn to create and explore the events at Conway castle and down at the beach in ‘Our Day Out’ to enable the action to be clear to an audience. Lesson four: In this lesson students learn to demonstrate and explore the home and school life of the character of Carol from the play ‘Our Day Out’. Lesson five: In this lesson students learn to devise and rehearse their own play based on a school trip inspired by the play ‘Our Day Out’. Lesson six: In this lesson students complete a summative assessment on the play text ‘Our Day Out’ that examines their creating, performing and evaluating skills.
Gothic fairy tales via Mr Fox scheme of work.
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Gothic fairy tales via Mr Fox scheme of work.

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An excellent KS3 resource for drama on Gothic fairy tales via Mr Fox with a complete and ready to go six lesson SOW which includes all additional worksheets. If you purchase this scheme of work, you get access to six lesson powerpoints with around 80 to 100 slides over the complete SOW that help students to access and succeed at the six core outcomes which are designed for this module. In this six lesson SOW students will learn about: Lesson one: In this lesson students learn about the genre of English fairy tales by reading the story of Mr Fox creating tableaus, linking key props to characters, developing tapestries and role plays to summarise the play of Mr Fox. Lesson two: In this lesson students learn to develop their knowledge and understanding of Mr Fox by using tableau’s, hot seating and role play to investigate why he wants to commit such horrendous crimes around kidnapping and dismembering young women in his local community. Lesson three: In this lesson students learn to explore the horror that lies within the bloody chamber within Mr Fox’s mansion through tableau’s, role play and hot seating. Lesson four: In this lesson students learn to create a contemporary version of the serious messages contained with the English fairy tale of Mr Fox and the danger signs to be aware of when meeting new people and strangers for the first time. Lesson five: In this lesson students learn to breakdown the English fairy tale of Mr Fox into six scenes that they believe are the most important for the audience in preparation for their practical assessment next week. Lesson six: In this lesson students learn to rehearse, polish and assess their version of Mr Fox through our six scenes for their end of unit assessment on creating, performing and communicating skills.
The troubles in Northern Ireland via the identification poem scheme of work.
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The troubles in Northern Ireland via the identification poem scheme of work.

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An excellent KS3 resource for drama on the troubles in Northern Ireland via the identication poem with a complete and ready to go six lesson SOW which includes all additional worksheets. If you purchase this scheme of work, you get access to six lesson powerpoints with around 80 to 100 slides over the complete SOW that help students to access and succeed at the six core outcomes which are designed for this module. In this six lesson SOW students will learn about: Lesson one: In this lesson students learn to develop their knowledge and understanding of the identification poem by Roger McGough and apply theatrical skills such as freeze frames, captions and role play to bring a poetry stimulus to life through educating the audience about this time period during the troubles in Northern Ireland. Lesson two: In this lesson students learn to use the fourth stanza in the identification poem by Roger McGough to think about the way an individual can be viewed differently by different people and how this can affect our performance of this poem. Lesson three: In this lesson students learn to discover more about Stephen’s life and the possible reasons and outcomes of the explosion through freeze frames, hot seating and narration. Lesson four: In this lesson students learn to use their imaginations to create a scenario that we believe led to Stephen’s death through creating six scenes that explore the day of the explosion. Lesson five: In this lesson students learn to create a series of freeze frames that examine Stephen’s life, two flashbacks that look at the impact the bombing had on the local community and a piece of theatre in education that looks at the key messages around the troubles in Northern Ireland. Lesson six: In this lesson students complete a summative assessment on a piece of theatre in education that offers an alternative ending for the killing of Stephen in Omagh in Northern Ireland during the troubles for an end of unit assessment.
Blue remembered hills scheme of work.
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Blue remembered hills scheme of work.

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An excellent KS4 resource for GCSE drama AQA 8261 specification on texts in practice with a complete and ready to go twelve lesson SOW which includes all additional worksheets. If you purchase this scheme of work you get access to twelve lesson powerpoints with around 80 to 100 slides over the complete SOW that help students to access and succeed at the twelve core outcomes which are designed for this module. In this twelve lesson SOW students will learn about: Lesson one: In this lesson students learn to understand the characters and themes within ‘Blue Remembered Hills’ by Dennis Potter. Lesson two: In this lesson students learn to play children effectively by adapting our vocal and physical skills to replicate seven year olds. Lesson three: In this lesson students learn to perform a range of characters from Blue Remembered Hills within their performances. Lesson four: In this lesson students learn to bring to life a character from Blue Remembered Hill’s using effective vocal and physical skills in our performance. Lesson five: In this lesson students learn to use connotation, denotation and hot seating to effectively understand the character of Donald Duck from Blue Remembered Hills. Lesson six: In this lesson students learn to play a range of different characters effectively using our vocal and physical skills through freeze frames and role play. Lesson seven: In this lesson students learn to explore and rehearse scenes eight, ten, eleven and thirteen in today’s lesson to build our understanding and knowledge of the characters from Blue Remembered Hills. Lesson eight: In this lesson students learn to explore and rehearse scenes fifteen, sixteen, seventeen and eighteen in today’s lesson to build our understanding and knowledge of the characters from Blue Remembered Hills. Lesson nine: In this lesson students learn to explore and rehearse scenes twenty one, twenty two, twenty three and twenty four in today’s lesson to build our understanding and knowledge of the characters from Blue Remembered Hills. Lesson ten: In this lesson students learn to explore and rehearse scenes twenty five, twenty six, twenty seven, twenty eight and twenty nine in today’s lesson to build our understanding and knowledge of the characters from Blue Remembered Hills. Lesson eleven: In this lesson students learn to rehearse our two chosen extracts from Blue Remembered Hills to simulate a mock performance of the module for text’s in practice next year. Lesson twelve: In this lesson students complete a summative assessment on their use of vocal and physical skills, together with any appropriate theatrical skills, to bring the two chosen extracts from Blue Remembered Hills to life effectively on the stage for an assessment.
Revision lessons for section A, B and C of the written paper for GCSE drama AQA 8261 specification.
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Revision lessons for section A, B and C of the written paper for GCSE drama AQA 8261 specification.

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An excellent KS4 revision resource for GCSE drama AQA 8261 specification on section A, B and C with a complete and ready to go three lesson SOW which includes all additional worksheets. If you purchase this scheme of work you get access to three lesson powerpoints with around 80 to 100 slides over the complete SOW that help students to access and succeed at the three core outcomes which are designed for this module. In this three lesson SOW students will learn about: Lesson one: In this lesson students learn to consolidate information and revise for the written paper for section A. Lesson two: In this lesson students learn to consolidate information and revise for the written paper for section B. Lesson three: In this lesson students learn to consolidate information and revise for the written paper for section C. Please feel free to adapt as section B for me was Blood Brothers and section C was the Woman in Black.
Hard to swallow scheme of work.
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Hard to swallow scheme of work.

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An excellent KS4 resource for GCSE drama AQA 8261 specification on texts in practice with a complete and ready to go twelve lesson SOW which includes all additional worksheets. If you purchase this scheme of work you get access to twelve lesson powerpoints with around 80 to 100 slides over the complete SOW that help students to access and succeed at the twelve core outcomes which are designed for this module. In this twelve lesson SOW students will learn about: Lesson one: In this lesson students learn to introduce and understand the play Hard to Swallow by looking at the different issues that affect young people today with a particular focus on eating disorders. Lesson two: In this lesson students learn to develop and explore a piece of drama that is based on eating disorders through freeze frames, thought tracking and role play. Lesson three: In this lesson students learn to understand eating disorders and how they affect people using Mark Wheeler’s Hard to swallow as an exemplar. Lesson four: In this lesson students learn to understand the characters of Maureen and John Dunbar and how their relationship has affected Catherine. Lesson five: In this lesson students learn to understand Catherine’s relationship with her parents through the use of a flashback and physical theatre. Lesson six: In this lesson students learn to explore the naturalism in scenes five and six from Hard to Swallow. Lesson seven: In this lesson students learn to explore the naturalism and stylisation in scenes seven, nine and ten from Hard to swallow. Lesson eight: In this lesson students learn to understand Catherine’s relationship with her immediate family through the use of physical theatre and through section twelve. Lesson nine: In this lesson students learn to develop and explore the epilogue of Hard to swallow and take an issue from Mark Wheeler’s play and devise a performance based from it. Lesson ten: In this lesson students learn to select and rehearse an extract for a mock assessment from Hard to swallow. Lesson eleven: In this lesson students complete a summative assessment on their selected extracts for their final performance of Hard to swallow. Lesson twelve: In this lesson students to complete a research project into the impact of eating disorders.
Blood Brothers for GCSE drama AQA 8261 specification section B scheme of work.
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Blood Brothers for GCSE drama AQA 8261 specification section B scheme of work.

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An excellent KS4 resource for GCSE drama AQA 8261 specification on Blood Brothers with a complete and ready to go twelve lesson SOW which includes all additional worksheets. If you purchase this scheme of work you get access to twelve lesson powerpoints with around 80 to 100 slides over the complete SOW that help students to access and succeed at the twelve core outcomes which are designed for this module. In this twevle lesson SOW students will learn about: Lesson one: In this lesson students learn to read and understand act one of Blood Brothers and work co-operatively as a team to analyse a crime scene in preparation for act two of Blood Brothers next week. Lesson two: In this lesson students learn to read and understand act two of Blood Brothers and adapt our vocal and physical skills to play different characters from different social classes within the play. Lesson three: In this lesson students learn to create effective dramatic tension on stage and show this in a performance. Lesson four: In this lesson students learn the techniques that are needed to play a child effectively in a performance inspired by Blood Brothers. Lesson five: In this lesson students learn to identify the genre, style and structure that Blood Brothers is written within and how do we practice a four mark question from the written exam. Lesson six: In this lesson students learn to understand the social, cultural, historical and political context of the play Blood Brothers. Lesson seven: In this lesson students learn to identify key moments within Blood Brothers where context can be seen clearly for the audience. Lesson eight: In this lesson students learn to use non-verbal communication skills to create tension effectively, for a question 6.03 on the written exam, between the characters of Mickey and Linda within your performance. Lesson nine: In this lesson students learn to use vocal and physical skills to create a dramatic climax, for a question 6.03 on the written exam, during the final scene of Blood Brothers. Lesson ten: In this lesson students learn to use their vocal and physical skills, together with any appropriate theatrical skills, to bring their two chosen extracts from Blood Brothers to life effectively on the stage. Lesson eleven: In this lesson students learn to understand the requirements of a Section B question on the set text of Blood Brothers for the written paper. Lesson twelve: In this lesson students learn to create a revision powerpoint on the play Blood Brothers, by Willy Russell, for our Section B written paper examination.
Theatre roles and staging configurations for GCSE drama AQA 8261 specification section A.
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Theatre roles and staging configurations for GCSE drama AQA 8261 specification section A.

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An excellent KS4 resource for GCSE drama AQA 8261 specification on theatre roles and staging configurations with a complete and ready to go two lesson SOW which includes all additional worksheets. If you purchase this scheme of work you get access to two lesson powerpoints with around 80 to 100 slides over the complete SOW that help students to access and succeed at the two core outcomes which are designed for this module. In this two lesson SOW students will learn about: Lesson one: In this lesson students learn to revise for section A of the written paper ready for our written paper. Lesson two: In this lesson students learn to answer and understand the requirements of a section A question from the written paper.
Drama assessment cards for practical work.
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Drama assessment cards for practical work.

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These drama assessment cards are used to mark formative or summative assessments at KS3 when you have large groups of students. Just cut them and apply them to your assessment to remember the level you have given the pupils before applying a grade. If a bronze card is issued for example I am looking to award a level 1 to 3. If a silver card is issued I am looking to award a level 4 to 6. If a gold card is issued I am looking to award a level 7 to 8. If an exceptional card is issued I am looking to award a level 9. In this download their are three sets of assessment cards for example one set for assessment objective one making drama, one set for assessment objective two performing drama and one set for assessment objective three communicating, analysing and evaluating drama.