This resource includes two articles on the topic of ‘Elephants’.
The powerpoint guides pupils to:
Consider what is meant by the terms ‘viewpoint’ and ‘perspective’ and begin identifying from the texts
Scaffolded paragraph as a first attempt.
Model answers for EACH level in the mark scheme, for pupils to read and sort next to the correct level descriptor.
Tasks to identify the differences between the model answers, getting pupils to identify what is needed to get their responses into the next ‘level’ on the mark scheme.
Finishing with another scaffolded paragraph (to monitor progress), and a peer assessment task to engage with others work, as well as the mark scheme.
PLEASE NOTE: I cannot take credit for the extracts, and apologies I cannot remember where I sourced them from (please do contact me if they are yours!).
ALSO: This powerpoint is not set out into specific lessons however, I have used this PP with my year 11s (first time through the paper) and it took a weeks worth of lessons, to give you a guide.
Worksheets created to analyse the poem ‘Poppies’ by Jane Weir. Focus is on meaning and understanding, exploring the key imagery with lots of prompts and scaffolding to guide pupils. This has been created for LA pupils, where I am trying to steer away from simply identifying techniques and move further into WHY specific techniques/words have been used and what imagery it suggests.
Resource includes:
PRE-READING tasks: Context/Summary/Glossary page
READING tasks: Each stanza broken down with tasks to explore the imagery and a challenge task to complete.
POST-READING tasks: Deeper thinking questions; Lang techniques task; Themes based task; Essay style question.
A practice / mock AQA Lang Paper 2 exam exploring the tradition of using black face paint as a disguise in Morris dancing. This paper enables pupils to engage with recent events and the renewed focus on systemic racism in our society following growing publicity and support for the Black Lives Matter movement. My aim of this paper is to address and create discussion about issues of racism in Britain, but from an unconventional / less obvious example.
Section A: Reading
Source A presents a ‘celebratory’ account of morris dancing in the 19th c. whereas Source B presents a critical and conflicted view in 21st c. Britain, exploring whether the tradition of using black face paint as a disguise in Morris dancing is now outdated and deemed racist.
Section B of the paper continues with the controversial theme of ‘blackface’ with the statement: “From television shows such as ‘Little Britain’, and ‘The Mighty Boosh’, to traditional English Morris dancers: whatever their justification, black face is always wrong”
PLEASE NOTE: Source B has been purposefully and carefully selected as it presents both the criticisms of black face paint as well as information of the traditional meaning and reasoning behind it. Thus, this should allow pupils to explore the spectrum of the issue and provides some background information to help guide the pupils’ responses.
Included in this purchase are the two sources and the question paper, in addition to a powerpoint presentation that includes example/model answers for questions 2-4, for pupils to mark against ‘student friendly’ skill descriptors, suitable for DIRT activities.
Source A: A newspaper cutting describing a performance of Morris dancing (traditional English dance), 1886.
Source B: A newspaper article reporting the criticism of Morris dancers by a London journalist, 31st December 2019.
A set of 3 (potentially 4) lessons you could easily set as cover (as I have done so!) if a teacher is likely to be absent for a few days.
Lesson 1: Implying information based on the image of a door.
Lesson 2: Describing approaching the door (rising action / building tension)
Lesson 3: The other side of the door (climax)
Lesson 4 (optional): Neat write up of their 3 part description of the door ‘for display’
The lessons indicate that the writing should IMPLY, not state (i.e. my take on ‘show, don’t tell’), whereby certain rules are included such as 'you cannot use the word ‘door’.
Lessons include examples / models; scaffolding and success criteria; peer assessment tasks.
Whole lesson on ‘Caged Bird’ by Maya Angelou with resources, exploring the imagery and extended metaphor. There’s also an element of looking beyond the initial ‘top layer’ meaning, and pupils are guided towards the extended metaphor. Can also be used with the focus of the role of context informing our responses, whereby pupils consider how understanding context of the poet enables pupils to identify the deeper meanings and the extended metaphor.
Included is a storyboard of the poem, with some instructions on how you could use for Yr 11 revision: pupils to put them in order, from memory see if they can write a quotation from the poem for each of the images, pupils then to check back with the actual poem and add any quotations where needed, then begin to identify and analyse language.
I have also used the story board to teach first time round, especially with lower ability pupils to help them visualise the poem better.
Also included, is a storyboard image sort & language identifying task which is an A3 sheet. It consists of a copy of the poem, with space for the images to be sorted and stuck in and a table which gets pupils to identify key language techniques in the poem. The table can easily be adapted to add more advanced level techniques for idenitification, but as it currently stands is suitable for low to mid ability.
A selection of activities and resources to aid the teaching and revision of Remains by Simon Armitage, a poem in the Power and Conflict Anthology for AQA GCSE