Objective: To investigate evidence which explores the characters of the Nurse and Friar Lawrence.
Outcomes: To compare and contrast the attitudes of the Nurse and Friar Lawrence in Act 2.
Literacy objective:
When a word ends in ‘e’, you must always remove it when adding ‘-ing’.
Starter: Task: Write a sentence to compare these two pictures using a comparative or contrasting conjunction. Use the word bank below to help you. Elephant and a mouse with comparative connectives to help. Comparing and orange and an apple.
Going over the main plot of Friar Lawrence and the Nurse within Romeo and Juliet. Key terminology: Foreshadowing.
Think pair share activity on an A3 sheet to help compare and contrast the attitudes of Friar Lawrence and the Nurse. Using comparative connectives.
Venn diagram to compare and contrast different adjectives which might apply to FL or N.
Main task: To compare and contrast the attitudes on an A3 sheet. Models with analysis for a response for Friar Lawrence and the Nurse. Evidence and then exploding the quote. Then comparing whether it is similar or different. AO3 context challenge.
Assessment objectives to go over how they should respond. Task to compare and contrast by writing a paragraph - success criteria with AO1, AO2 and AO3 context challenge.
Half way through their independent 10 - stop - and read the model response from the teacher to see if they can improve their answer.
Post it plenary to put their post it on the 1-10 scale either 1 its tragic or 10 its exciting. Then discuss how they feel about the play so far.
Speaking and listening criteria for assessments at the end of term or half term. Key at the bottom of the pass/merit/dist criteria to easily highlight what pupils have done well WWW and their EBI in another highlighter.
Full lesson PowerPoint which goes through the reasons for using dialogue in your writing, the Golden Rules of dialogue. This leads on to the children reading the three extracts from Harry Potter (written out for you in the attached Word document) and a task sheet (again attached).
The pupils must: Identify characteristics of dialogue in the three extracts (why the dialogue is used e.g. does it reveal character relationships, move the story forward or build tension), explain how Rowling has showed this characteristic, find a quote and explain why Rowling may have chose this use of dialogue in the extract, e.g. at what point of the story is this dialogue occurring? WAGOLL (what a good one looks like) is also included in the PowerPoint.
Half lesson starter:
Teacher Standards:
S1 Engage the pupils in the starter activity and use multimedia (YouTube) to consolidate knowledge learnt.
S2 Construct and scaffold learning, consolidate knowledge regarding genre and develop this into a clearer understanding of Gothic Horror.
S3 Breaking down ideas logically to support development of learner’s knowledge.
Learning objective: To identify conventions of Gothic Horror genre.
Learning outcome: To be able to pick out these conventions from a YouTube clip (Sleepy Hollow).
Strategies:
Ensure pupils understand the conventions of gothic horror literature e.g. setting – remote locations, haunted houses, gothic architecture, dungeons, hidden rooms, dark towers, crypts.
Key concepts:
Gothic horror conventions (characters, setting and themes).
Questions:
What other characters can we think of which may fit into these typical categories? – Perhaps think about books you have read or films you have watched.
What can you spot in this setting? What is typical of the image on the board, what is the weather like? What time of year is this?
Lesson on analysing unseen poetry using SMILE technique, focusing on the 'L' - language. A3 worksheet to help pupils analyse the language of the poem Autumn by Alan Bold (I don't own this poem).
Objective: To investigate poetic devices in unseen poetry and explore the effects on the reader.
Outcomes: To respond to a question about the language used within an unseen poem.
Literacy objective:
An apostrophe must be used to show who or what owns the object or idea (possession).
Literacy objective starter task, and (this can be included if used with my previous GCSE Eduqas WJEC Intro to Poetry lesson) any extra time to complete the poetic device hunt. This slide can be removed, however.
Starter: What could 'SMILE' be? Structure, meaning, images, language, effect on reader. Handout to support and stick in books to refer back to.
Then pupils to read blind through the poem and think what is the poem about, share with partner and write their response around the poem. Repeated for the mood of the poem.
Pupils to then match-up poetic devices within the poem (some are underlined for differentiation support). Then pupils must find more content points.
Repeating think, partner, share to gather what might the effect be on the reader and if there is deeper meaning in any of the lines.
Model response to an analysis of two lines of the poem with a model paragraph. Pupils are to then follow by example and pick any two lines and write about the language to answer the question 'How is nature presented in Autumn?' for independent 10/15 time.
Plenary (post-its or in books): What have we learnt today/What would you like to improve on.
Carousel activity with A3 sheets, posters for around the room and PPT all included with PDF and publisher files for ease of use and so you can adapt these. Speaking and listening activity for Y8, can be differentiated up or down.
Objective: To explain who is to blame for the tragic events of Romeo and Juliet.
Outcomes: To present my reasons to the class for a speaking and listening activity.
Literacy objective:
Doubling the consonant shortens the vowel sound. E.g. Bate – batting, Ripe - ripping
Starter: Pupils write down phrases to do with Romeo and Juliet in a Venn diagram, this will help them with their speaking and listening paragraph later on in the lesson. At least 5 phrases for both Romeo and Juliet.
Then pupils use their A3 sheets to go in pairs around the room and take notes and give a rating out of 10 to how much they feel the character is to blame for the death of Romeo and Juliet. 1) Romeo, 2) Juliet, 3) The Montagues, 4) The Capulets, 5) Friar Lawrence, 6) The Nurse, 7) Mercutio, 8) Tybalt. A3 sheet is included in PDF and publisher file. 4 minutes on each station.
Pupils then write a paragraph (sentence starters included and challenge activity - ambitious vocabulary) explaining their reasons why they feel one character is the most to blame. Using A3 sheet to help.
Carousel posters around the room give reasons and questions afterward to encourage pupils to think for themselves. Then pupils, in register order, must read out their paragraphs one by on for the speaking and listening activity. (Challenge - adopt a serious tone, like you are trying to convince a jury). Then class together says who they think is to blame, and two pupils help to create a tally chart on the board to present our final verdict on who is the most to blame.
Plenary to put a post it describing their view of the play on the board, 1-10, 1 being 'tragic', 10 being 'exciting'. Then they can explain their verdict.
This can be stretched over two lessons or one, depending on length of time pupils have in class and ability.
KS3 year 8 low ability (can be adapted or used for any KS3 or KS4 class with differentiated questions).
The worksheet allows ways into the poem e.g. list all of the verbs within the poem (doing words), challenge to find personification throughout the poem.
Using collaborative work and individual work with think, pair, share activity boxes to chunk their way into the poem.
Discussing structure and reflecting the way Shelley references pairs within the poem.
Challenge to link to religion - coming from a short Shelley context discussion before the lesson.
This worked very well with my low ability Y8's.
Both publisher and pdf files for ease of use.
Objective: To identify the different features of broadsheet and tabloid newspapers.
Outcomes: To compare these features in a table.
This lesson goes through the differences between broadsheet and tabloid newspapers. Starter looks at two different front pages, one tabloid, one broadsheet. It then goes through the differences with the pupils. Sensational news and the public interest is also covered.
Main task is to read through a 'Broadsheet vs Tabloid' article. Then pupils will annotate these two articles e.g. language differences, differences in headline. They then fill out a table with Newspaper 1/Newspaper 2.
Plenary goes over headline count (how journalists count letters/numbers/symbols) and pupils can create a headline to match the count of 25.
Lesson could be differentiated up or down, with more or less complex stories.
GCSE AO2 lesson for the Eduqas WJEC exam board. Scaffolded lesson which builds up to an exam-style question 'How does the writer create tension in the extract?' A3 sheet has a support scaffolding task for finding devices e.g. metaphor, for pupils to write and example and the effect is has on the reader.
Full PowerPoint, A3 extract sheet with a support scaffolding task and literary device bingo. A3 sheet comes with Microsoft Publisher file and PDF version.
Lesson starts with literary device bingo, all bingo cards are different.
Then YouTube video is embedded for ease of use, horror film clip which builds tension.
Pupils create a mind map describing how the director builds tension, then read the extract and add to the mind map the techniques the writer has used to build tension e.g. powerful verbs, ambitious punctuation, cliffhanger etc.
Then pupils go through the extract on the A3 sheet with the scaffolded literary device activity - find an example, write the effect on the reader.
Pupils are to answer an exam question. Success criteria, connective bank and emotion word bank also included.
Peer assessment with success criteria for WWW/EBI.
Plenary to finish.
This lesson worked well with lower ability year 10 group, but was challenging and would work well with any set.
Objective:
To identify techniques used within the war poem Bayonet Charge.
Outcomes:
To apply our knowledge to discuss the attitudes and realities of the soldier.
Lesson analysing the poem Bayonet Charge by Ted Hughes. Starter to engage using an image, then a word sort activity to identify the key themes in the poem.
Main task after analysing and discussing is to write an overview of the poem.
Objective:
To analyse the language and structure of A Wife in London.
Outcomes:
To engage with the poem and write a letter to a friend describing the events from the perspective of the wife from A Wife in London.
Full lesson after studying 'A Wife in London', to practise using literary techniques and to write a letter either after the wife has received the message her husband has died in the Boer War, or after she has received his posthumous letter.
Two medium term plans for three aspects of transactional writing - newspapers, reports and reviews. Resources are all in my shop for the accompanying lessons.
Lesson exploring the different reacitons of Banquo and Macbeth in Act 2, Scene 1. I used a video clip in the lesson and printed off the Act for pupils to analyse. Quotes were then put into a venn diagram (included). Lesson worked well. Model paragraph included to stimulate responses from pupils.
Small sheet resource to support pupils in writing a letter of complaint to a theme park. Supports highest grades with use of a clear voice and taking on the persona of another.
A-Level revision of William Blake's 'London', the PowerPoint gives some detail to Blake's background, and then dives into detail regarding form and structure, lexis, syntax and context. It also gives the themes and imagery in the poem for the students to use in their revision. The slides are stanza by stanza, and some stanzas are split in two as there's a lot of information included.
(Full notes on the PowerPoint slides, you can edit this, use bullet points instead and talk the pupils through the poem, or leave it as it is. Clear explanations of terminology added.)
Full lesson on Narrative Structure for KS3. Includes PowerPoint going through the four stages of narrative structure (exposition, complication, climax and resolution - uses a short story about Homer Simpson to illustrate this). Crip sheet is attached to stick in children's books for a clear guide, without the need to make too many notes in class (differentiated resource - not needed for top sets etc). The pupils are then asked to plan a story, or re-plan their end of term assessment story, and start to write it out in full. List of success criteria added on the story page. There is also a 'hot seat question' section included in the PowerPoint, and a challenge task.
A range of stories for task 1 sourced, for children to identify the different narrative structures within the stories, and to complete the work sheet.
Learning Objective: To identify the structure of a story, and use this to improve the stories we have written this term.
Learning Outcome: To use the story we have been given to identify its narrative structure. To work in pairs to arrange a story into the correct order. To start to write a story using the techniques we have learnt so far.
This lesson explores the different reactions of Macbeth and Lady Macbeth after the murder of Duncan (Act 2, Scene 2). It gives a quick re-cap of the implications of regicide in Shakespearean England, then re-caps the attitude of Macbeth and Lady Macbeth (key words for stimulus - differentiation).
Then you'll read through Act 2, Scene 2 with your class (can't upload the copies I used for copyright reasons, my school uses Macbeth: GCP English for GCSE), [Act 2, Scene 2 is on pages 23-25]. The pupils then used the copies of Act 2, Scene 2 and highlighted the reactions of Macbeth and Lady Macbeth with different colours.
The pupils then split these into similar reactions and different reactions (added points on PowerPoint for stimulus - differentiation), with an extension question at the bottom.
Pupils can then pick one of their points and compare or contrast these (model paragraph included on PowerPoint).