This is a three-part resource for students undertaking the NSW HSC Standard English Module B: Close Study of a Text. A generic essay plan shows students how to compose an essay suitable for Stage 6, progressing them from the simpler PEEL/TEAL models of Stage 4 and 5. A sample essay for the prescribed text, M.T. Anderson’s novel Feed, answers a sample question for this module. There is also a second copy of the essay, marked up to show how it follows the plan, and with five short questions which require students to engage critically with the essay and its form.

This is a three-part resource for students undertaking the NSW HSC Advanced English Module A: Textual Conversations. A generic essay plan shows students how to compose an essay suitable for Stage 6, progressing them from the simpler PEEL/TEAL models of Stage 4 and 5. A sample essay for the prescribed text-pairing of Plath’s and Hughes’ poetry answering the question: Later texts rarely agree with their textual mentors; the conversation is always a challenge, a rebuttal to what has gone before. To what extent is this statement true of the texts you have studied in this module? There is also a second copy of the essay, marked up to show how it follows the plan, and with five short questions which require students to engage critically with the essay and its form

This resource comprises two different sample answers to the 2019 HSC Advanced English Module C question, which gave candidates a short paragraph from a novel and asked them to continue the piece. Candidates had to evoke a particular emotional response from readers, and could continue in an imaginative, persuasive, or discursive mode. The first sample answer shows how the prompt paragraph could be continued in an imaginative/discursive vein, drawing on techniques from both modes and evoking a response of shock from the reader. The second sample answer shows how the prompt could be continued in an imaginative/persuasive vein, also drawing on techniques from both modes and evoking a response of amusement and surprise from the reader. While the first answer continues the passage on the same level of fictiveness, the second answer treats the passage as a framed text and explicitly analyses it within the response. Check out more creative writing resources at https://thecraftofwriting.org/

HSC Module C: The Craft of Writing offers students complex texts from which to draw for their own writing. Because of their complex construction and ideas, students can be at a loss for ‘ways in’ to the text, and teachers can often struggle to break down these complex texts in the time available. Along with the complete text of the story, this product contains questions and handouts for Franz Kafka’s ‘Metamorphosis’. It is designed to be taught over 3-6 lessons, and includes an introduction to absurdism, and to discursive writing, as well as questions which require students to write imaginatively and discursively.

Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson. [Use this with our FREE Introduction to Short Stories two-page handout.]https://www.tes.com/teaching-resource/resource-12564488) Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference. Activities correspond to Bloom’s taxonomy of lower- to higher-order tasks. A comprehension question checks knowledge and understanding Application questions ask students to apply their knowledge of literary or rhetorical technique Analytical questions interrogate the story’s effect, mood, and construction-strategies. Creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively. Mansfield’s acute social commentary has been successfully used with a Stage 5 / Year 10 class ( 15 years).

An understanding of the early period of the English language is novel and exciting for junior high schoolers. This unit of work introduces them to the Anglo-Saxon period and provides a gentle, easy and fun overview of what English language and literature once looked and sounded like. The focus text is Michael Morpurgo’s Beowulf, an excellent version of the heroic poem retold for children and young adult readers. The unit strives to remind students and teachers of all cultural and language backgrounds of their contribution and membership of the worldwide Anglophone community. Written as a combined unit of work and worksheets, teachers only need to purchase Morpurgo’s Beowulf to teach this unit! The unit includes lessons on: Our Language Family Runes, Gods, and the Northern Heritage Kennings, Riddle Poems, and Gnomic Poetry The First Hero: Michael Morpurgo’s Beowulf (focus text) The Hero’s Journey: Overcoming the Monster The End of Old English Where is Old English today? Practice assessment task Assessment task suitable for ages 11-13

Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson. Use this with our FREE Introduction to Short Stories two-page handout. Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference. There are four activities, corresponding to Bloom’s taxonomy of lower- to higher-order tasks. A comprehension question checks knowledge and understanding A close reading task assists development of textual analysis A writing at length task involves considering the story’s effect, mood, or technical strategies. A choice of two creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively. This twist in the tale moral short story, ‘The Necklace’, Guy de Maupassant is around 3000 words and has been successfully used with a Year 10 class (ages 15-16)

Fitzgerald’s novel about ‘careless people’ and avarice in the modern era is an established favourite for senior students. Ten senior-level essay questions offer a choice of arguments about character, theme, language, and context, and a sample essay discusses whether we can think of the novel as a tragedy.

Ray Bradbury’s seminal novel is a perennial favourite for middle schoolers. These research tasks round out students’ knowledge of some of the important symbols and references in the novel: The Atomic Bomb Memory Phoenix Railroads Rivers The tasks can be given completed during the reading, as extension work for Gifted and Talented students, or as closure to a unit of study. Each task comprises four sections, following Bloom’s taxonomy, and requires students to complete: a piece of contextual research, a close reading of a nominated passage, a free-form writing at length, and a creative piece.

HSC Module C: The Craft of Writing offers students complex texts from which to draw for their own writing. Because of their complex construction and ideas, students can be at a loss for ‘ways in’ to the text, and teachers can often struggle to break down these complex texts in the time available. This teacher’s version of Diving Bell’s ‘Ways Into’ for Module C provides the answers to the student worksheet (also available). These comprehensive answers help teachers to lead classes through complex texts in the brief time available. With the ‘Ways Into’ Module C both teachers and students should be clear on the content, meaning, construction-strategies, and ways to use Kim Cheng Boey’s autogiographical poem ‘Stamp Collecting’. NOTE: the final question, addressing ways to appropriate the text for the student’s own work, is undone since it invites an individual, creative response.

This extensive set (21 pages) of student worksheets breaks Campion’s biopic of John Keats into four sections for easy viewing in class. It contains 44 high-order thinking questions which require students to engage with the text-as-film, and to consider it as Campion’s own reading of Keats’ poetry. A final question asks them to write at length evaluating Campion’s presentation of Keats’ poetry and his relationship with Fanny Brawne.

‘This is where it begins’, by the Philippino-Australian poet Merlinda Bobis, is a set text for HSC Standard English study. This set of notes gives a full analysis of the poem with a relevant image and a handy grab-box explaining the poem’s significance and poetic techniques. A simple, one-stop analysis of this complex poem which students can work through in class or take home for private study.

This comprehensive set of study notes includes a solid, step-by-step commentary on the text, relevant contextual detail, and pull-boxes giving examples of criticism in ‘Essay Language’ (allowing teachers to show differentiation of tone, register and modality). There’s also a sample essay to this question: Self-discovery often involves uncovering things hidden and reconsidering things known. How is this perspective explored in The Awakening and ONE other related text? The sample essay uses The Awakening and Jane Campion’s film The Piano. Remember- if you’re going to print copies, please buy a licence for each copy. Items are priced to make this possible for all schools. Thanks for supporting our work.

A close reading of Eliot’s famous poem, giving analysis of the work and a discussion of the culture and context from which Eliot wrote.

‘Late Ferry’, by the Australian poet Robert Gray, is a familiar poem for senior study. This set of notes gives a full analysis of the poem with a relevant image and a handy grab-box explaining poetic techniques, and related texts which complement the poem for students who must study it in concert with one other text. Important points are in red. A simple, one-stop analysis of this complex poem which students can work through in class or take home for private study.

This short unit of work for students in the final year of primary or first years of middle school accompanies Guus Kuijer’s short novel ‘The Book of Everything’. Chapter by chapter questions provide activities which will allow students to read, research, and discuss issues such as childhood fear, WWII and its aftermath, religious intolerance, and parental anger. A great modern short novel to accompany works like The Diary of Anne Frank, and with a male protagonist, provides a reading experience which will draw in boys too. The unit of work concludes with a short assessment task and accompanying criteria for easy marking.

Short stories are a vital part of English literature. These short story studies can be used to build a short story unit, to supplement other texts, or as a standby lesson. Use this with our FREE Introduction to Short Stories two-page handout. Each classic story is copyright free in Australia, the U.K. and U.S. Paragraphs are numbered for ease of reference. There are four activities, corresponding to Bloom’s taxonomy of lower- to higher-order tasks. A comprehension question checks knowledge and understanding A close reading task assists development of textual analysis A writing at length task involves considering the story’s effect, mood, or technical strategies. A choice of two creative writing tasks use an aspect of the story as a springboard to write creatively, discursively, or persuasively. This comic short story, ‘Gabriel-Ernest’, by Saki, is around 2500 words and has been successfully used with a Year 9/10 class ( 15-16 years).

Memorized essays betray a lack of confidence and an unwillingness to commit to authentic answers. Examiners have always advised students to prepare ‘talking points’ instead - a selection of ideas that they can draw on and which convey solid analysis and interpretation of the text. These talking points can be used by teachers, to focus discussion on higher-level or less-noticed features of the text and context. They also form effective student revision materials for formal assessment. Each point is supported by a piece of evidence from the text, and there are sufficient points to generate solid responses to almost any essay question. The Talking Points also model how students can articulate more complex thoughts about the text, and adduce evidence in natural and well-integrated writing.

This set of notes for ‘24 Poems’ by the Australian poet Robert Gray gives a full analysis of the poem with a relevant image and a handy grab-box explaining the poem’s significance and poetic techniques. A simple, one-stop analysis of this complex poem which students can work through in class or take home for private study. NOTE: Gray published two versions of this poem. One is in Coast Road and the other is a later version, in his Collected Poems. They differ in several stanzas. The analysis provided here is for the version in Collected Poems. HSC students should be aware of this. A new version of these notes, reflecting the Coast Road version, will be available soon.

Bundle Description TALKING POINTS: Memorized essays betray a lack of confidence and an unwillingness to commit to authentic answers. Examiners have always advised students to prepare ‘talking points’ instead - a selection of ideas that they can draw on and which convey solid analysis and interpretation of the text. These talking points can be used by teachers, to focus discussion on higher-level or less-noticed features of the text and context. They also form effective student revision materials for formal assessment. Each point is supported by a piece of evidence from the text, and there are sufficient points to generate solid responses to almost any essay question. The Talking Points also model how students can articulate more complex thoughts about the text, and adduce evidence in natural and well-integrated writing. SAMPLE ESSAY: This is a three-part resource for students undertaking the NSW HSC Standard English Module B: Close Study of a Text. A generic essay plan shows students how to compose an essay suitable for Stage 6, progressing them from the simpler PEEL/TEAL models of Stage 4 and 5. A sample essay for the prescribed text, The Truman Show, answers the 2019 HSC question: Literature reinforces or challenges our understanding of ordinary situations. Discuss this statement, making detailed reference to your prescribed text. There is also a second copy of the essay, marked up to show how it follows the plan, and with five short questions which require students to engage critically with the essay and its form.