Radar assessment grids which have been tried and tested for key stage 3 music lessons.
Each radar links to a set scheme of work (which can be found within the resources for HMBEnglishresources1984).
The statements are linked to a 1-9 grade and the original ideas have also been added so you can adapt any of the statements to suit your schemes of learning.
The radars can be used in conjunction with the follow schemes of work.
https://www.tes.com/teaching-resource/classical-music-ks3-scheme-of-work-11455998
https://www.tes.com/teaching-resource/key-stage-3-film-music-scheme-of-work-11459117
https://www.tes.com/teaching-resource/pop-music-stand-by-me-differentiated-scheme-of-work-and-instrumental-parts-11425325
https://www.tes.com/teaching-resource/gcse-music-pop-music-composition-11743886
https://www.tes.com/teaching-resource/world-music-scheme-of-work-11743958
https://www.tes.com/teaching-resource/blues-music-scheme-of-work-11743949
https://www.tes.com/teaching-resource/key-stage-3-film-music-scheme-of-work-and-resources-performing-composing-arranging-and-listening-11459123
A scheme of learning with differentiated success criteria for each lesson and ideas for differentiated homework. 2 possible homeworks are also attached.
This is based on Eduqas GCSE chamber music.
Differentiated resources which aid students in developing the texture of an original idea. This was originally used over 3 lessons with a sixth form class but could also be used with GCSE students.
Students must firstly define texture development methods (definitions provided). They must then identify how this looks by using musical examples.
The gold task then asks students to apply at least one method to their own composition.
All worksheets are in word so they can be further adapted in order to differentiate for your students.
Differentiated resources which aid students in developing the melody of an original idea. This was originally used over 3 lessons with a sixth form class but could also be used with GCSE students.
Students must firstly define melodic development methods (definitions provided). They must then identify how this looks by using musical examples.
The gold task then asks students to apply at least one method to their own composition.
All worksheets are in word so they can be further adapted in order to differentiate for your students.
Differentiated resources which aid students in developing the rhythm of an original idea. This was originally used over 3 lessons with a sixth form class but could also be used with GCSE students.
Students must firstly define rhythmic development methods (definitions provided). They must then identify how this looks by using musical examples.
The gold task then asks students to apply at least one method to their own composition.
All worksheets are in word so they can be further adapted in order to differentiate for your students.
Differentiated resources which aid students in developing the harmony of an original idea. This was originally used over 3 lessons with a sixth form class but could also be used with GCSE students.
Students must firstly define harmonic development methods (definitions provided). They must then identify how this looks by using musical examples.
The gold task then asks students to apply at least one method to their own composition.
All worksheets are in word so they can be further adapted in order to differentiate for your students.
A 12 page help guide for GCSE music students to guide then through composing a theme and variation piece.
This focusses on how to develop the melody, texture, rhythm, metre and harmony.
Musical examples are given for each musical development method.
8 Revision posters/flashcards which cover all 8 of the set works for the Edexcel Music GCSE:
Bach, Beethovem, Queen, Purcell, Star Wars, Wicked, Afro Celt, Samba
Each poster summarises the key features of melody, instrumentation, structure, texture, harmony/tonality and rhythm and tempo. As well as key features there are also links to context and bar numbers with evidence.
These are ideal for students to use as revision.
30 quick fire questions for Bach section B
30 quick fire questions for Africa (verse 2 and chorus 2)
Easy to use for homework and last minute revision for the exam.
A pack of A* style listening questions based on popular music for the AQA GCSE examination.
Answers and a powerpoint are also available.
This is also available as part of a bundle with B-C and A grade style questions for the same excerpts.
The instrumental parts and tab for all 4 lines of the minuet (with and without note names so they can be used for all abilities).
A Scheme of learning is attached that it could be used with.
Differentiated resources which aid students in developing the harmony, rhythm, melody and texture of an original idea. Each set of resources was originally used over 3 lessons with a sixth form class but could also be used with GCSE students.
Students must firstly define development methods for each of harmony, rhythm, melody and texture (definitions provided). They must then identify how this looks by using musical examples.
The gold task then asks students to apply at least one method to their own composition.
All worksheets are in word so they can be further adapted in order to differentiate for your students.
An overall list of development methods is also provided to be used either as a quick test or a summary.
A list of wider listening pieces for each area of study for Edexcel GCSE Music (15 for all with you tube links except Fusions where there are 10). A focus sheet where students must research the context and listen to key musical elements in the piece of music.
A differentiated success criteria is also attached - can be used for up to 50 pieces of homework across the 2 years.
Differentiated film music motifs for the piano both 1 and 2 hands (with and without notes). Guitar tab also provided for some. Motifs are either in the horror, fantasy or romantic genre. There is also powerpoint slides which include instructions and push your thinking ideas.
Sibelius files are also provided.
Differentiated listening questions are also provided in the genres listed above.
Analysis of some motifs is provided with musical language to stretch the most able.
Resources for 2 lessons or 1 lesson and a homework based on music for ensemble (musical theatre).
Students must define terminology associated with musical theatre and then categorise this onto a summary sheet (answers on the pp).
There are also 4 listening questions with answers with you tube links on the pp. 2 of these are based on the longer answers and firstly ask students to make notes on each section (a hint sheet is available) and then put this into continuous prose to be marked according to a SAMS mark scheme.
Differentiated tasks are including for all stages of the lesson.
A complete analysis of the minuet of the Eine Kleine Nachtmusik set work from Eduqas GCSE Music. This is at least 3 full lessons with differentiated tasks and worksheets which ensures students annotate their scores correctly. There is also a summary lesson to test their learning at the end of the analysis and performance.
For the performance parts please see the free resources on my page.
3 sets of lessons which revise Chamber music, Musical theatre and Jazz and blues music under the Music for ensemble category.
Students must revise key words and categorise them into a revision grid. Powerpoints are provided for each lesson with differentiation embedded.
There are listening questions for each style of music and musical theatre and jazz and blues also provide longer answer questions and options to plan these answers and a hint sheet to support lower ability students.
A resource which compares the set work of Bach to 2 other pieces in preparation for the essay question (question 9). The scores for the unfamiliar pieces are attached. The links to audio are on the pp along with ideas and plans for each of the 2 questions. This could take 2 lessons (along with writing the essays) or be the preparation for an assessment or homework.
There is also a summary grid for the Bach as a revision tool with 2 boxes based on the context of Baroque and the Concerto Grosso.
There is differentiated success criteria which shows students how to access higher bands.