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Teacher of English, Reading Co-Ordinator & Strategic Lead Ambassador for RFP.

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Teacher of English, Reading Co-Ordinator & Strategic Lead Ambassador for RFP.
Alice in Wonderland: Inferences
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Alice in Wonderland: Inferences

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A three-lesson sequence exploring Alice in Wonderland and the ability to make inferences on character. The lesson explores annotation skills, reading strategies, inference skills, and crafting analytical responses.
Comparing P&C Poetry WAGOLLs
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Comparing P&C Poetry WAGOLLs

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Useful resources to demonstrate comparing Remains and Exposure, and Remains and Bayonet Charge, with supporting dual-coded images and a breakdown of structure analytical paragraphs. Aimed at LA/MA. Highlight WWW and EBI (such as: lack of development on certain points/not re-reading for spelling mistakes, etc)
Language Paper 1, Question 5 Feedback (2)
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Language Paper 1, Question 5 Feedback (2)

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A lesson exploring tips and tricks to help ‘ace’ Language Paper 1, Question 5. Based on the 2019 past paper: The Sound of Thunder. Including a follow up lesson to consolidate learning. Q4 detailed deconstruction is also available. All resources are formatted at the back of the PowerPoint.
Fairy Tale: Character, setting, and narrative
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Fairy Tale: Character, setting, and narrative

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Lesson Seven: Freytag’s Narrative Structure This lesson, students will develop their understanding of Freytag’s narrative structure by exploring ‘Aschenputtel’ by The Brothers Grimm. Developing on from last week’s study of famous subversions of fairy tales, students will now move onto the structure of these texts and how this will be utilised in their end of term assessment. Lesson Eight: Fairy Tale Settings Using Shrek as a stimulus and pastiche of the genre, students will explore typical settings in fairy tales. To assess progress, students will complete a short baseline writing task of a setting description, which can be used in their end of term writing during the exposition. Lesson Nine: Archetypal Characters Building on from settings, students will explore archetypal characters in fairy tales and how writers and pop-culture challenge these stereotypes. Students will debate why it is important that we have visible challenges to stereotypes in wider society. Following on from this, students will once again develop their writing by crafting a brief paragraph on a character. Weekly Overview: This week, students will begin to craft settings and character descriptions which can be incorporated into their own assessment response at the end of term. Furthermore, we continue to explore how and why writers subvert character, setting, and plot.
Fairy Tales: The Brothers Grimm / Charles Perault
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Fairy Tales: The Brothers Grimm / Charles Perault

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Lesson Four: Evaluating Fairy Tales Students will develop an understanding and appreciation of how writers successfully use description in their writing by exploring crafting of writing in ‘The Ickabog’. To begin with, the lesson recaps and identifies important subject terminology. Teachers should set a quiz on any misconceptions. Lesson Five: Famous Fairy Tale Subversions As students have developed an understanding of fairy tales in week one, supported with their homework tasks, this week explores fairy tales and how famous writers have subverted them in the past. This lesson explores The Brothers Grimm and Charles Perault. Lesson Six: Crafting Fairy Tale Descriptions To identify early progress, students will describe a typical fairy tale setting using the knowledge developed from the previous lessons studying The Brothers Grimm and Charles Perault. Weekly Overview: By the end of the week, students should be able to plan a description based on fairy tale conventions and begin to subvert expectations in the style of The Brothers Grimm and Charles Perault.
Fairy Tale Introduction & Conventions
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Fairy Tale Introduction & Conventions

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A two-part, fully resourced lesson introducing students to fairy tales, including conventions. Lesson Two: What are fairy tales Students will gain an initial understanding of the genre to support their homework research, which will include conventions and key-terms to be utilised throughout the topic. Students should be informed of their assessment task and informed of the skills they will need to develop over the course of this term. Lesson Three: Fairy tale conventions Students will explore and identify the conventions in fairy tales. This lesson should link, yet differentiate the conventions in Fantasy fiction (Term 5 SOL). Week Overview: By the end of the week, students need an understanding of what makes a fairy tale, common conventions, different types of fairy tales, and the oral origins of the genre.
Fairy Tale: Writing our Own
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Fairy Tale: Writing our Own

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Students will craft their subverted fairy tale this week for their end of term assessment. Throughout this week, students will plan, craft, and evaluate their writing by utilising the skills and knowledge developed over the past 6 weeks.
Fairy Tales: Exploring Deeper Meaning
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Fairy Tales: Exploring Deeper Meaning

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Lesson Ten: Allegories Students will explore allegories in fairy tales. For LA students, this can be supported with Aesop’s fables. Students will explore an article exploring why fairy tales are used to challenge issues in society. Lesson Eleven: Personification and Symbolism Continuing to unlock deeper meanings in fairy tales, students will explore the use of challenging devices. This lesson will explore ‘The Snow Queen’, where students will identify, analyse, and evaluate (HA) the use of personification and symbolism. Lesson Twelve: Subverting Fairy Tales For this lesson, students should compare an original fairy tale with The Brothers Grimm version (e.g., Cinderella and Aschenputtel). After comparing the two and identifying differences, students will practise how they can subvert a traditional fairy tale (Three Little Pigs) with class modelling. Weekly Overview: To develop their ability to craft allegorical and sophisticated subverted fairy tales, students will explore HA techniques to develop their understanding of deeper meaning in literature.
Fairy Tales: Subverting Character, structure, and sentences
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Fairy Tales: Subverting Character, structure, and sentences

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Lesson Thirteen: Vladimir Propp and Crafting Characters (Exposition) Students will be introduced to Propp characters and identifying these in fairy tales. Students will differentiate between heroes and villains. Lesson Fourteen: Linear/Circular Narratives and Crafting Settings (Exposition) This lesson, students will explore linear and circular narratives, including a close reading of ‘The Tell-Tale Heart’. Students will then begin to plan how they can subvert narrative structures in their assessment next week. Lesson Fifteen: Advanced Features Continuing to explore crafting of narrative, students will explore how they can build better sentences, utilise a range of punctuation, craft their vocabulary choices for effect, and incorporate high-level features in their writing.
Fairy Tale Scheme of Learning
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Fairy Tale Scheme of Learning

6 Resources
This SOL is focused on developing writing skills through the following: Genre · Develop a secure understanding of Fantasy fiction and fairy tale conventions · Develop a secure understanding of the history of Fantasy fiction and fairy tales · Develop a secure understanding of the purpose of Fantasy fiction and fairy tales Character · Develop a secure understanding of archetypes (both narrative and character) · Develop a comprehensive understanding of elements of characterisation: personality, motivation, narrative arcs, dialogue, interactions, relationships, and overall actions · Develop a comprehensive understanding of fairy tale settings across literature Skills · Identifying narrative points using Freytag’s narrative structure · Plan narrative points using Freytag’s narrative structure · Subvert typical narrative structures for effect · Utilise fairy tale vocabulary for effect · Identify archetypal and Propp character types · Craft and subvert archetypal and Propp character types · Craft exposition using engaging narrative hooks and subverting expectations
Crime Fiction: Writing and Reading
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Crime Fiction: Writing and Reading

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A four-part sequence exploring reading and writing skills in crime fiction: Crafting a setting description Exploring locked room mystery Making inferences on Helen Stoner Reflecting and re-drafting
Power and Conflict Scheme
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Power and Conflict Scheme

11 Resources
This comprehensive scheme of learning is designed to explore the Power and Conflict poetry cluster from the AQA GCSE English Literature specification. Grounded in academic reading research, each lesson helps students engage critically with the poems while developing their analytical and comparative writing skills. All resources are fully formatted, ready to be used in the classroom, and adaptable to suit a range of learner needs. Key Components: Academic Reading Approach: Each lesson incorporates academic reading techniques, encouraging students to actively engage with the texts through annotating, questioning, and re-reading. This method fosters deeper comprehension and critical thinking about the poems and their thematic connections. Guided Close Reading: Structured lessons guide students through close readings of each poem, focusing on language, form, structure, and historical context to develop a nuanced understanding of the poet’s message and intent. Poem-by-Poem Breakdown: The scheme covers all the poems in the Power and Conflict cluster, such as “Ozymandias,” “Remains,” “The Charge of the Light Brigade,” and “Exposure.” Each poem is introduced through its context and historical background, followed by a detailed exploration of its key themes, imagery, and poetic techniques. Key Themes and Comparisons: Lessons are designed to emphasize thematic links between the poems, encouraging students to make connections between ideas such as the effects of war, the abuse of power, and the fragility of human experience. Scaffolding Analytical Writing: Each lesson includes scaffolded tasks to help students structure effective comparative responses, a key skill for the exam. Model Paragraphs: Sample responses and model paragraphs are provided to demonstrate how to structure analytical essays, use subject-specific vocabulary, and incorporate quotations seamlessly. Comparison Skills: Students will practice comparing poems, focusing on how different poets present similar themes through different perspectives, using comparative grids, graphic organizers, and sentence starters. Engaging Learning Tasks: Group Discussions: Structured group discussions and debate tasks encourage collaborative learning, allowing students to develop their own interpretations of the poems while listening to diverse perspectives. Creative Writing: Students will engage in creative tasks such as writing poetry in response to the themes explored in the cluster or adopting the perspective of a character within a poem. Visual Analysis: Lessons incorporate visual aids, such as artwork or media clips, to help students visualize the historical context and themes presented in the poems. Assessment and Progress Tracking: Formative Assessments: Each lesson includes built-in formative assessments, such as quick quizzes, annotated extracts, and peer-assessed work, allowing teachers to monitor students’ understanding and progress. Summative Essay: At the end of the unit, students will complete a summative essay, comparing two poems from the cluster, using the analysis and comparison skills developed throughout the scheme. Contextual Understanding: The scheme integrates historical, cultural, and biographical context to help students understand the circumstances that influenced each poet. Students will explore how context impacts a poem’s meaning, such as the significance of the British Empire in “Kamikaze” or the psychological effects of war in “War Photographer.” Fully Formatted Resources: All resources are fully designed and formatted, ready for immediate use. This includes lesson slides, handouts, contextual information sheets, comparison grids, and exam-style question prompts.