3 brand new practice papers for Eduqas GCSE Music. They include the new set works, Bach’s Badinerie and Africa by Toto. YouTube links provided for all questions. All answers provided. If there are any issues, please contact Misscreativecurriculum@gmail.com and I will be only too pleased to help or address any issues.

PLEASE NOTE THIS RESOURCE HAS BEEN UPDATED AS THE BRAHMS STRING QUARTET LINK HAD EXPIRED/ALTERED. THIS NOW CONTAINS THE CORRECT TIMING FOR THIS QUESTION. IF YOU HAVE ALREADY BOUGHT THE RESOURCE AND WANT THE UPDATED COPY, PLEASE EMAIL ME MISSCREATIVECURRICULUM@GMAIL.COM A series of 10 questions including the following pieces: Schumann – Symphony No. 2 Op.61 Dvorak Violin Trio Op.74 Schumann – Traumerei Op.15 Tchaikovsky Symphony No. 5, 2nd Movement Schumann – Der Dichter Spricht Op. 15 Brahms – String Quartet No. 3 in B Flat, Op.67-2 Andante Grieg Lyric Pieces Book 1, Op.12-3 Watchman’s Song Brahms – String Quartet No.1 in C minor, Op.51, No 1 – Romanze Clara Schumann – Piano Trio Op.17 Andante Samuel Coleridge-Taylor – Ballade for violin and Piano in C minor Op.73 Each question is worth 10 marks and focuses on: chord recognition correcting errors in pitch and rhythm melodic dication WJEC focuses on general western classical music in the Romantic period, whereas EDUQAS only focuses on the symphony. However it is excellent preparation for the exam. WORD and PDF files included, as well as question only booklet, and question and answer booklet.

The newly created listening practice papers, with the newest set works (Anitra’s Dance and Everything Must Go) have now been translated into Welsh. 3 full exam papers - 8 exam question in each based on the 4 areas of study.

Brand new resource. Contains 7 exam-style questions for the new WJEC set work, Everything Must Go, by the Manic Street Preachers. Youtube links to the recording All answers provided

3 full GCSE style question papers, featuring the new set works, Anitra’s Dance and Everything Must GO. 8 questions per paper, based on typical WJEC questions. There is a mark scheme included at the end.

A resource, focusing on the different styles of Schwartz. There are 4 exam style questions (with answers) worth 10 marks each. The featured pieces are: Day by Day (from Godspell) Children of Eden (from Children of Eden) Corner of the Sky (from Pippin) Defying Gravity (from Wicked) In addition, there is preparation for the essay question on each of the pieces. A vital part of the exam preparation is learning about the different styles and influences of Schwartz.

A resource, focusing on the different styles of Schwartz. There are 4 exam style questions (with answers) worth 10 marks each. The featured pieces are: Day by Day (from Godspell) Children of Eden (from Children of Eden) Corner of the Sky (from Pippin) Defying Gravity (from Wicked) In addition, there is preparation for the essay question on each of the pieces. A vital part of the exam preparation is learning about the different styles and influences of Schwartz.

A resource, focusing on the different styles of Schwartz. There are 4 exam style questions (with answers) worth 10 marks each. The featured pieces are: Day by Day (from Godspell) Children of Eden (from Children of Eden) Corner of the Sky (from Pippin) Defying Gravity (from Wicked) In addition, there is preparation for the essay question on each of the pieces. A vital part of the exam preparation is learning about the different styles and influences of Schwartz.

This resource gives an overview of the work of Sondheim. It discusses his characteristic musical style, with recommended works to focus on. Additionally there are 4 SAMS, based on the type of questions that students will come across in their exam. A great deal of research has gone into creating these questions. Answers are provided at the end of the booklet, although these answers are by no means exhaustive. I know that all of the expert teachers out there will no doubt find extra answers to some of the questions I have set. Pieces include: The Ballad of Sweeney Todd Poor Thing These Are My Friends Green Finch and Linnet Bird Screenshots included of extra musical extracts, for teaching purposes, if required.

This resource gives an overview of the work of Sondheim. It discusses his characteristic musical style, with recommended works to focus on. Additionally there are 4 SAMS, based on the type of questions that students will come across in their exam. A great deal of research has gone into creating these questions. Answers are provided at the end of the booklet, although these answers are by no means exhaustive. I know that all of the expert teachers out there will no doubt find extra answers to some of the questions I have set. Pieces include: The Ballad of Sweeney Todd Poor Thing These Are My Friends Green Finch and Linnet Bird Screenshots included of extra musical extracts, for teaching purposes, if required.

This resource gives an overview of the work of Sondheim, with particular reference to** Sweeney Todd**. It discusses his characteristic musical style, with recommended works to focus on. Additionally there are 4 SAMS, based on the type of questions that students will come across in their exam. A great deal of research has gone into creating these questions. Answers are provided at the end of the booklet, although these answers are by no means exhaustive. I know that all of the expert teachers out there will no doubt find extra answers to some of the questions I have set. Pieces include: The Ballad of Sweeney Todd Poor Thing These Are My Friends Green Finch and Linnet Bird Screenshots included of extra musical extracts, for teaching purposes, if required.

The Coraline Expressive Arts Scheme of Learning has been created with the intention of covering the following disciplines: Art Media Drama Music This powerpoint includes: Ideas for activities to develop subject specific skills Youtube videos and tutorials Colourful, eye-catching slides It is envisaged that the subject specialist would add to the content and desired outcomes, however, a general expressive arts teacher would be able to teach the content and feel confident in doing so. ART Develop a working knowledge of the colour wheel and develop watercolour techniques Develop skill in single line self portrait drawing Develop creativity in using mixed media Learn about Van Gogh and his style Adapt and develop his style in recreating an existing image MEDIA Analyse a poster, using subject specific terminology Discuss Music In Film Analyse an animated scene Develop creativity through drama hot seating Develop photography and editing skills DRAMA Develop characterisation Develop devising Develop mise en scene Develop improvisation Developing choral speaking http://scriptsforschooltheatre.blogspot.com/2015/02/coraline.html (lots of available scripts with different character combinations) MUSIC Develop focused listening skills and discussion skills Composed a creepy house theme Compose a quirky character theme, using Chrome Music Lab Learn about the composing techniques related to magical music

This resource is designed to provide extra evidence of pupil achievement in Area of Study 1 - Musical Forms and Devices. Originally designed for EDUQAS, each question is worth 12 marks - WJEC is worth 9 marks each, so some adjustments might need to be made Bach – Minuet in G major BMV Anh 114 Music for the Royal Fireworks - Minuet 1, Handel March in D (from Anna Magdalena Notebook) – Bach Andante from Surprise Symphony - Haydn Trepak, from The Nutcracker - Tchaikovsky The Fairy Queen – Purcell Prelude to L’Arlesienne - Bizet

The resource is designed to provide evidence of pupil work in Area of Study 1 - Musical Forms and Devices. Each question is worth 12 marks, as in the EDUQAS exam paper. There are 7 questions in total, covering the different forms examined. Bach – Minuet in G major BMV Anh 114 Music for the Royal Fireworks - Minuet 1, Handel March in D (from Anna Magdalena Notebook) – Bach Andante from Surprise Symphony - Haydn Trepak, from The Nutcracker - Tchaikovsky The Fairy Queen – Purcell Prelude to L’Arlesienne - Bizet

This resource (originally written for EDUQAS) contains 10 pieces of film music. All questions are based on past paper questions. As it is based on EDUQAS, there are 12 marks per piece (WJEC awards 9 marks per question), however it has the benefit of extending the higher achievers. WE ARE ALL IN THE SAME POSITION THIS YEAR OF ONLY HAVING 2 PAST PAPERS ON WHICH TO BASE OUR EVIDENCE FOR CENTRE ASSESSED GRADES. This resource will help your judgements, certainly in Area of Study 2. String Quartet Op 76, No 3 (2nd movt) – Haydn The Last Night of the World – Schonberg Jazz Ensemble Alexander Hamilton – opening number Seasons of Love Beethoven chamber music Swing Low Sweet Chariot – BB King Hallelujah Chorus Ar Hyd Y Nos – welsh folk Defying Gravity - musical

10 pieces of Ensemble music from Area of Study 2 - questions all based on typical GCSE questions in exam paper. Pieces include: String Quartet Op 76, No 3 (2nd movt) – Haydn The Last Night of the World – Schonberg Jazz Ensemble Alexander Hamilton – opening number Seasons of Love Beethoven chamber music Swing Low Sweet Chariot – BB King Hallelujah Chorus Ar Hyd Y Nos – welsh folk Defying Gravity - musical All the listening tests are designed to test varying abilities. The final question in some of the pieces tends to be an extended answer which will test the more able students. All questions are marked out of 12. There are a couple of different types of questions Filling in the blanks (melody and rhythm) and adding onto a score – pupils can listen 4 times to these questions, with a minute preparation time, 30 seconds in between playings and 3 minutes completion time at the end. Extended answer – pupils can listen 3 times with a 30 second gap in between playings and 6 minutes completion time at the end. General musicianship questions – pupils can listen 3 times to these questions with a 30 second pause between playings and 2 minutes completion time at the end. Please note that the answers to the extended writing questions are NOT exhaustive. All reasonable answers should be considered, so please use your professional judgement. If you have any issues or queries, please email misscreativecurriculum@gmail.com

This resource (originally written for EDUQAS) contains 10 pieces of film music. All questions are based on past paper questions. As it is based on EDUQAS, there are 12 marks per piece (WJEC awards 9 marks per question), however it has the benefit of extending the higher achievers. WE ARE ALL IN THE SAME POSITION THIS YEAR OF ONLY HAVING 2 PAST PAPERS ON WHICH TO BASE OUR EVIDENCE FOR CENTRE ASSESSED GRADES. This resource will help your judgements, certainly in Area of Study 3. Dances With Wolves Theme from The Mission Rupert Bear, from The English Patient Theme from Batman Snowpiercer X Men Apocalypse Theme from Godzilla Hatikvah (The Hope) from Munich A Fateful Meeting/Central Park, from King Kong Conan the Barbarian

10 pieces of film music - questions all based on typical GCSE questions in exam paper. Pieces include: Dances With Wolves Theme from The Mission Rupert Bear, from The English Patient Theme from Batman Snowpiercer X Men Apocalypse Theme from Godzilla Hatikvah (The Hope) from Munich A Fateful Meeting/Central Park, from King Kong Conan the Barbarian All the listening tests are designed to test varying abilities. The final question in some of the pieces tends to be an extended answer which will test the more able students. All questions are marked out of 12. There are a couple of different types of questions Filling in the blanks (melody and rhythm) and adding onto a score – pupils can listen 4 times to these questions, with a minute preparation time, 30 seconds in between playings and 3 minutes completion time at the end. Extended answer – pupils can listen 3 times with a 30 second gap in between playings and 6 minutes completion time at the end. General musicianship questions – pupils can listen 3 times to these questions with a 30 second pause between playings and 2 minutes completion time at the end. Please note that the answers to the extended writing questions are NOT exhaustive. All reasonable answers should be considered, so please use your professional judgement. Please email misscreativecurriculum@gmail.com if you have any issues or queries, and I will be only too pleased to help.

Snowpiercer - a study of Minimalism. Lots of Year 9 pupils might be watching Snowpiercer on Netflix even though it’s a 15+. Knowing the series, the title of the learning scheme may pique their interest!! It is suitable in terms of ability for Years 8 and 9 I think. All of this work can be used for remote learning, tweaked in the way you want (telling them where to upload their work etc) and focuses on: listening and analysing minimalist music performing a minimalist piece (Metamorphosis) on Chrome Music Lab shared piano (in 4s or 2s), Arranging a piece of minimalism on Chrome Music Lab (in collaboration - I have started 2 pieces for them), Composing their own train themes, Fact files and Further listening. No need for any other music platforms apart from Chrome Music Lab. All free as long as pupils have a computer! It does not just focus on Snowpiercer. as there is work in there by other composers, but the title is aimed at pupil engagement in these difficult times.

In-house created resource, making the most of the tremendous following that sea shanties currently have on TikTok. Activities include: Singing Keyboard/instrumental performing Arranging with Chrome Music Lab Listening and historical background Songs are supported by YouTube, TikTok and Spotify links All sheet music provided for keybaord and instrumental performing Arranging with Chrome Music Lab supported by fun “collab” activities and clear explanations.