A 46-slide PowerPoint that provides a short course in narrative and descriptive writing for GCSE. It is aimed at middle-ability KS4 and is oriented towards AQA English Language 8700, Paper 1, Question 5. The PowerPoint covers: The writing AO’s, unpacked and turned into 7 ‘yes’ or ‘no’ questions The structures of 8700 Papers 1 & 2 The difference between narrative and descriptive writing Descriptive techniques organised into the acronym MRS VAN SOAPS Descriptive writing success criteria Sample descriptive writing tasks (students choose 1 of 2) A teacher-written response (presented as an extract from a full response) Peer assessment Short story structure (Freytag’s Pyramid) Exploring Freytag’s Pyramid in relation to ‘A Christmas Carol’ Sample narrative writing tasks with planning activity Narrative writing success criteria Showing and telling in fiction 4 showing tasks with sample responses DIRT tasks Narrative choice: 1st or 3rd person with picture prompt activity Self-assessment Final writing tasks (descriptive or narrative) Peer assessment Reflection opportunity. This resource incorporates others that have previously been on sale in my shop, either in their current form or slightly tweaked. If you already have these but wish to purchase this unit of work, please contact me at and we’ll try to work something out. Resources also sold separately: https://www.tes.com/teaching-resource/descriptive-writing-techniques-match-up-activity-11749389 https://www.tes.com/teaching-resource/descriptive-writing-techniques-summary-mat-11747011 https://www.tes.com/teaching-resource/short-story-planning-flow-chart-11747165 These files were last saved in Office 2016.

A PowerPoint that demonstrates the structure of GCSE Language Paper 2, Section A (AQA 8700/2) and the skills that examiners are looking for. Source A: An anonymous prison diary, published in the Victorian magazine ‘Household Words’ in the early 1850s. Source A is contained in ‘Rollercoasters: 19th-Century Fiction and Non-Fiction’, an anthology of 19th Century extracts available to purchase online (ISBN: 978-0198357407). Please be aware that in order to to access Source A, you will need to obtain a copy of the anthology. It is currently priced at around £9.75-£9.99 from major online booksellers. Source B: An extract from ‘My Prison Diary’, by Jeffrey Archer, published in 2002. A link to the extract is contained on Slide 9. The extract reads from, ‘I don’t know why I’m surprised to encounter a fresh-faced young GP…’ down to ‘After all, there’s nothing else to do’. This PowerPoint covers Section A only but there are sample answers included for each question, 1-4. If you can obtain a copy of the 8700/2 mark scheme, you may wish to encourage learners to mark the sample responses. Appropriate for middle-upper ability learners.

A 30-slide PowerPoint that aims to teach the concept of structure in fiction and how to respond to Paper 1, Question 3 (AQA 8700). The PowerPoint covers: An entry task based on a quotation from Stephen King The meaning of structure in fiction texts The difference between language and structure Key structural devices including: dialogue, repetition, first sentence/last sentence/narrative standpoint, sequence of events, focus, foreshadowing, foregrounding, analepsis, prolepsis, motif, zoom in, zoom out, cyclical structure, cohesion, symbolism and internal/external contrast. Students cut up a grid of terms and match the terms to their explanations. Some of these are self-explanatory. This activity should be done in pairs, although students should have their own copies for revision purposes. A sample response in relation to a Question 3 focusing on an extract from ‘The Hound of the Baskervilles’. Success criteria included. Freytag’s Pyramid of Dramatic Structure. Students add detail to a relevant diagram. Application of Freytag’s Pyramind in relation to the story of Little Red Riding Hood Application of Freytag’s Pyramid in relation to Paper 1, Question 3 Sample questions for students to complete. Two extracts provided are from ‘A Christmas Carol’ and ‘Jekyll and Hyde’. Sample responses to the Jekyll/Carol questions. Student read and judge against the success critera. An opportunity for peer assessment of their own responses Self-reflection. Given the emphasis on clear explanation of structural features, students should be working at or towards level 3 on the relevantAQA mark scheme. These files were last saved in Office 2016.

A 63-slide PowerPoint that explores Act Two of ‘An Inspector Calls’. It covers: Revision of some of the key ideas from Act One Two separate keywords activities for Act Two (worksheets included) A sequencing of Gerald’s affair task Three differentiated questions to encourage analysis of Gerald’s affair: a) in terms of his relationship with Sheila; b) In terms of the patriarchal society of the Edwardian Era; c) In term of Marxist theory (worksheet + sample answers for B and C included) Daisy’s Diary creative writing task Notes on the contextual background of the Brumley Women’s Charity Organisation e.g. noblesse oblige and the deserving and undeserving poor A quotation hunt based on some of the key ideas in early Act Two The Literature Assessment Objectives and an example analysis paragraph based on a Sybil quotation Inference-making activity based on a range of things Sybil says in Act Two True or False statements relating to Eva Smith’s application for charity A ‘why do you think’ series of statements relating to Eva Smith’s application for charity (suggested answers included) A final extended-response question: How does Priestley present Sybil Birling in Act Two? (high level sample answer included) A 20-question quiz on Act Two. Review This unit of work follows on from: https://www.tes.com/teaching-resource/-an-inspector-calls-act-one-unit-of-work-11839609 It can exist independently but it assumes some pre-teaching of contextual ideas including Marxist Theory and capitalism v socialism.

A PowerPoint that demonstrates the structure of GCSE Language Paper 2, Section A (AQA 8700/2) and the skills that examiners are looking for. Source A is a Guardian article entitled ‘Filthy water poisons the people of Dhaka’s festering slums’ (Link provided on slide) Source B is an extract from Henry Mayhew’s ‘A Visit to the Cholera Districts in Bermondsey’, published in 1849. This PowerPoint covers Section A only but there are sample answers included for each question, 1-4. If you can obtain a copy of the 8700/2 mark scheme, you may wish to encourage learners to mark the sample responses. Appropriate for middle-upper ability learners.

A 36-slide powerpoint based on the Sergeant’s speech in Act 1 in which honour is a key theme and Macbeth is introduced. The PowerPoint covers: The meaning of the word honour Using the word honour as a noun and a verb and honourably as an adverb AO3 Contextual information in relation to honour An animated modern translation of the extract The question at hand The requirements of a Level 3 response + a sample answer with feedback The requirements of a Level 5 response + a sample answer with feedback The requirements of a Level 7+ response + sample answer with feedback I believe the responses are of the standard required for the specified levels - they may be slightly higher in places - but if you have any comments on the above please email me. The address is at the ‘top’ of my shop. The cover image illustrates an extract from the 7+ response.

A PowerPoint that demonstrates the structure of GCSE Language Paper 2, Section A (AQA 8700/2) and the skills that examiners are looking for. Source A is an extract from ‘The Seven Curses of London’ by James Greenwood. (19th Century Non-Fiction) Source B is a Guardian article entitled ‘On the Streets of Binge Britain’. (Link provided on slide) This PowerPoint covers Section A only but there are sample answers included for each question, 1-4. If you can obtain a copy of the 8700/2 mark scheme, you may wish to encourage learners to mark the sample responses. Appropriate for middle-upper ability learners.

A 124-slide PowerPoint that provides the full text of ‘Macbeth’, Act One, translated and annotated. The PPT uses layered text boxes with translations appearing first in blue, followed by analysis and critical commentary in different colours. The annotations include: AO3 detailed contextual background information and its relationship with the text (e.g. features of Greek tragedy, biblical allusions, cultural expectations of women, fear of witches etc.) Analysis of writer’s methods Analysis of effects of structural devices. There are a series of comprehension and analysis activities to work through and the PPT will indicate when these should be undertaken. With the appropriate school licence, this could be uploaded onto a network and accessed by students for revision. NB: on the cover image, the translations may be hidden under additional text boxes. However, they do exist! UPDATE: Guide to Meter replaced with more straightforward explanation.

A 9-10 week unit of work aimed at upper ability Year 8 learners. The activities are based on a range of extracts that focus on popular female literary characters. Links are provided to the relevant extracts which are from: ‘Great Expectations’ (sample answer included) ‘The Hunger Games’ ‘Gone With the Wind’ (sample answer included) ‘Wuthering Heights’ There are also activities that focus on Roald Dahl’s Miss Trunchbull (from ‘Matilda’) and Mrs Pratchett (From ‘Boy’). Lastly, learners read and explore ‘The Lady of Shalott’ (Tennyson). The assessment tasks focus on two different extracts from ‘The Hunger Games’. This unit of work uses AQA 8700/1-style questions but could be adapted with other exam boards in mind.

A highly simplifed re-writing of Act Three of ‘Romeo and Juliet’ in modern English. There are 8 pages at font size 14. Written for a Year 9 nurture group.

A highly simplifed re-writing of Act One of ‘Romeo and Juliet’ in modern English. There are just over 6 pages at font size 14. Written for a Year 9 nurture group.

A 57-slide PPT that provides a walk-through of Section A only for both papers for 8700/1 + 8700/2. Paper 1 focuses on an extract from ‘The Kite Runner’ by Khaled Hosseini (ISBN 978-1408824856). Please ensure that you can obtain a copy of the ‘The Kite Runner’ before purchasing this resource. Paper 2 focuses on two extracts: an article from ‘The Guardian’ on Ian Mikardo High School (link provided) and an extract from a Dickens’ article on a London pauper school (provided). There are sample answers for each paper and guidance for each question. Please also be aware that some of the resources are sold separately on SD English: https://www.tes.com/teaching-resource/aqa-8700-paper-2-schools-comparison-11880097 https://www.tes.com/teaching-resource/word-classification-table-11746996

A highly simplifed re-writing of Act Four of ‘Romeo and Juliet’ in modern English. There are just over 4 pages at font size 14. Written for a Year 9 nurture group.

A learning mat that summarises the basic layout of an article and an essay and the structure of a full paragraph. Sold separately here but will eventually become part of a KS3 unti of work on article writing, all being well. Suited to higher ability KS3.

A PPT that enables an exploration of Shelley’s ‘Ozymandias’. As with many of my other Power and Conflict lessons, the emphasis is on independent learning, so you might wish to ask learners to work in pairs or groups for the activities. The content is aimed at upper ability groups. This lesson comes with a detailed context sheet and a modern translation of the poem.

A 217-slide PowerPoint that aims to teach article writing at KS3. Learners read a range of broadsheet and tabloid texts on the theme of crime and punishment and complete reading and writing activities based on each. The article questions set are oriented towards AQA 8700 Paper 2, Question 5 but could be adapted for other boards. Links to each article and report are provided. The whole unit covers about 8-10 weeks and was written with a high ability year 8 group in mind. This resource includes a ZIP file containing 44 files including the core PowerPoint. If there are download issues, please email me at SD English using the email address provided in my shop front.

A PowerPoint that enables an exploration of ‘The Emigree’ by Carol Rumens. Learners begin with an entry task that encourages them to think about some relevant vocabulary and then explore the poem’s context in terms of Rumens’ interest in the poetry of Anna Akhmatova and Osip Mandelstam. A series of questions are provided to prompt annotation of the poem - this could be done in small groups or pairs. Learners should them complete the comparison table, thinking about how ‘The Emigree’ shares similar ideas with ‘Kamikaze’. There is an opportunity to explore a related poem as an unseen poetry task. For this, you will need copies of ‘I am not one who left their land’ by Anna Akhmatova. This lesson is aimed at upper ability learners and is likely to take about two hours approx.

A full lesson on the extract from ‘The Prelude’ in the AQA Power and Conflict Anthology. The entry task is a short multiple choice quiz entitled ‘How Romantic Are You?’. The aim of this is for students to identify how closely their own ideas tie-in with those of the Romantic poets. Students then use a detailed context sheet to create a mind map of contextual influences on the poet Wordsworth. This is followed by an annotated copy of the extract and two questions on the poem: one just on the extract itself and one comparison question. I have provided a WAGOLL for the question on the poem itself. Finally, students peer assess their responses using success criteria. The whole PPT is likely to take more than an hour - probably more like 2 - and it aimed at higher ability learners.

A PPT that enables the exploration of ‘Tissue’ in the Power and Conflict anthology. Each student will need a copy of the poem e.g. in their anthologies. You will need an interactive whiteboard or a screen that can be written on with the PPT as a background. Students match up the poem’s more difficult vocab with their definitions. An extension task looks at three of these words in more depth. There is some basic contextual information. Students could make notes on this. The aim then is that students work in pairs or small groups to annotate the poem using a series of prompts and questions. These are contained in the file entitled ‘Tissue Stanza Questions’. Slides 9-19 provide space for students to write their answers on the board. You could have students coming up in their groups to present their ideas to the rest of the class.