A useful little tool. It allows you to RAGB(red, amber, green, blue) your students understanding/annotations of the 15 Power and Conflict poems in the AQA anthology. Also, it provides you with a poem by poem breakdown of your classes understanding/quality of annotations so you can see where the gaps are all the clearer. The spreadsheet is set up for a class of up to 40, but the coding can easily be altered to allow for a whole year group.

Designed to be taught in support of a Year 9 class doing a GCSE-style task on Of Mice and Men. These powerpoints make good activities as part of a lesson, or they can be printed off as individual worksheets. The worksheet element contains a RAG rating system and some generic targets, suited for peer or self assessment.

This uses a format I’ve used elsewhere. The lessons are designed to support the teaching of conflict poetry from WW1. The goal is that the students sharpen their reading skills and get a boost in their English lessons where the poet is the subject of focus.

A lesson I put together to assist with the teaching of The Tollund Man. Pay attention to the notes element of the power point. I source a lot of information from a lot of different places here. Also, the essay questions at the end tee up nicely into a lesson focusing on comparison.

SPAG lessons can get a little flat at times. These are the worksheets I’ve designed to use with my own SPAG group. It is designed to be taught in tandem with a Dystopian Fiction SoW that ends with a reading assessment. Specifically, these lessons focus on an extract taken from Michael Grant’s “Gone” - all extracts taken from the first chapter. The aim is to develop an increased understanding of each text through the asking of more and more complex questions. The tasks can be sat as part of a lesson (I reckon they’ll take most groups between 10-30 minutes depending on the groups setting), or make ideal homework and/or extension tasks. At the moment, the resources are set up to be taught to lower set year 7 students. But, it won’t be too hard to change the tasks to more suitable ones for any set. UPDATE: I’ve included some versions that are more suited to be printed out. They have some basic RAG feedback grids on the back with some generic targets.

My introduction unit for A-Level Language and Literature. It assumes that the academic voices of the students needs sharpening somewhat. I source a lot of stuff from various corners of the net and use it in the power points - pay particular attention to the notes element of the power points by the way. I also include a “model essay” the purpose of which is to get the students to move away from their formulaic essay structures that they have used in their GCSEs. Think of this as a starting point that may need a little shaping to suit the needs of your class.

A summer spent playing word games with my kids lead me to this idea. The idea is that the students are supplied with a grid of letters. They use these letters to build words which cause damage to a cartoon monster. The bigger the word, the more damage done to the monster. I’ve made it more and more difficult as the monsters develop - you have to use certain letter types for example. I plan to give each child one grid per week to complete and have their peers mark it. So you are completely aware, I have left all of the grids blank apart from on a few. You will need to fill these in yourself. Also, I have left the challenge component blank too. This will allow you to create challenges that reflect the specific types of spellings you are looking at - double damage awarded for homophones for example. There’s massive scope for differentiation in here too. I’ve included a whole class version of the spelling levels, as well as a photocopy friendly version too. I have long believed that making school a little more like computer games can be helpful - this is my first attempt at exploring Gamer Theory as I have dubbed it. Watch this space for more. Have to figure out how to do something similar with the other components of SPAG and Reading now… ADDITION: I’ve included some completed versions of the pack to give you an idea of what they could look like. Pay attention to the NOTES section of the power points too. These grids have been designed to be used in tandem with the Escape From Kraznir scheme of work. ADDITION: I’ve also added a new powerpoint that works as a whole class exercise. You don’t need the sheets, just paper and the will to go on…

A series of revision cards designed for students to use independently to aid with the revision process. I will add to these as I go.

A talking mock lesson (two hours long) with strategies on the slides for the students to refer to and time limits identified. The idea is that prior to each question, you are to remind students of how to answer the question. The expectation is that the class will have attempted a Paper 1 Section A beforehand - this is the lesson where they try and beat their previous scores. A quick word of warning: the exam paper is available elsewhere in my shop.

A stand alone lesson that assumes all participants have read and understood the text. I used it as a platform to show students what they needed to be revising. There is some focus on themes and a focus on an extract - both areas of which I use as a stimulus for class lead discussion. I finish with an exam based question - the focus is upon the characters that are manipulated, not the manipulator (just to keep them on their toes). Hope you find this useful.

A couple of lessons that focus on improving creative writing skills. I allude to tasks that have already been completed by the students - you can easily edit these to reflect your own tasks. Particularly pleased with the descriptive writing task as it got a bunch of lads who don’t “do” creative writing to talk about their feelings.

A few things first: the mock exam can be found elsewhere on in my resources and I base the lessons off a similar series of lessons focused on Anil. The difference here is that these lessons are very much targeting higher ability students - all of the success criteria draws from the top end of the mark criteria. I found this series of lessons to be really useful as a way of establishing the skills required to answer each of the Section A questions. The lessons focus less on exam strategy and more on understanding what is required in relation to each question. The kids found it useful.

I've had a lot of fun teaching these lessons. Essentially, the idea is you spend a lesson exploring a poem and then a creative angle has been drawn from the text to inform the creative writing lesson that follows. Each of the creative writing lessons assumes a two hour window. A simple scheme, but I've found it to be rather effective.