Anti-Bullying Assembly or Class Play Michael Jackson’s You Are Not Alone is used as its title and final song. Its Children’s Mental Health Week 3 - 9 February. So I am reducing a number of my ‘mental health related’ scripts to mark the occasion Some useful tips on looking out for others - and yourself. This class play identifies different types of bullying and suggests strategies for both prevention and dealing with the problem when it arises. It looks at the problem of bullying from 2 perspectives - that of the ‘bully’ and the ‘bullied’, examining why bullies behave as they do and what it feels like to be on the receiving end. The most important message is that we are all special, that we should like ourselves the way we are, and that if we ever find ourselves being bullied, we should get help/talk to someone - never bottle it up inside and ‘put up’ with it. I wrote this at a time when my own daughter (then 9) was being bullied. I learnt many lessons from the experience which I would like to pass onto others. This script comes in two versions - First one being longer at around 15 minutes (not including music suggestions); second one shorter at just under 10 minutes. I have identified the text that has been left in and taken out from versions I and II respectively. This gives you as a teacher the choice of what length play you wish to use. Another resource for use within the classroom is a script in the Bible Stories section of the website on David and Goliath - cast of 10 and with discussion pointers on bullying at the end. Sample Text: Child 19: You have to believe in yourself. And be your own best friend! (Child 21: Lollipop lady walks to centre of stage - lifts STOP sign each time it’s spoken) Narrator: What are you doing here? I can’t see any traffic? Lollipop Lady: No, but there are lots of things that need to stop, apart from cars. We’re here to tell you about the things we should stop doing! Child 1: STOP feeling everything that goes wrong is your fault! It isn’t! Child 2: STOP thinking you have to be perfect at everything! It’s not possible - you’re not superman! Child 3: STOP letting what you can’t do get in the way of what you can do! Child 4: STOP trying to be everybody’s friend. You can be liked by some of the people some of the time but not all of the people all of the time! Child 5: STOP jumping to conclusions. If someone doesn’t say Hi to you, don’t think ‘Hey! They’re ignoring me. They don’t like me anymore!’ They might not have seen you. Don’t assume the worst! Child 6: Stop labelling yourself. Feeling sad one day doesn’t make you a wimp! Child 7: Getting your sums wrong another day doesn’t make you a loser! Child 8: Having a spot on your nose one day doesn’t make you ugly! Child 9: Having an extra chocolate bar doesn’t make you wicked! Child 10: Stop telling yourself you should be this, and you shouldn’t be that.

The Anglo-Saxon Guided Reading Scripts 5 plays (6 speakers each) and 5 quizzes Also available as an assembly or class play Play 1 Introduction King Arthur: I'll say! All we wanted in 410 A.D. was a ‘quick fix'. Guthrum: Funny how raiding, invading and then conquering often end up with settling. Vikings did that too! Asser: How true! The Anglo-Saxons started their raiding in 350 A.D. Then started invading in 430 A.D. and then settled themselves in Britain just 20 years later! Play 2 Anglo-Saxon Life Freya: Now, now dear! Don't be too harsh. They're a bit simple, this lot. I mean, just look at where they live! Thor: Yes, in a wooden house, with an open fire in the middle Freya: And no chimney! No wonder they stink of smoke! Play 3 Sutton Hoo Discovery Raedwald: And didn't you have a dream - about a funeral procession and treasures? Edith Pretty: Funny you should say that! Yes, I did! How do you know about that? Raedwald: Well, I was in it! I was getting tired of watching you and your son counting the rabbits on those burial mounds, every day! I kept thinking, when are they going to realise what riches they're standing on! Play 4 Beowulf King Hroogar: right party pooper! Just because you're too miserable to enjoy a bit of singing and dancing! Grendel: Woken from my sleep by your partying! No wonder I was driven to murder! Beowulf: But to go and kill those warriors, while they were sleeping! What cowardice! King Hroogar: And then to eat them! Grendel: How yummy! Now, if you'll excuse me! I'm off for a nap - let this lot digest before I come back for more! Play 5 Arthur and the Knights of the Round Table Merlin: And those emblems around your necks? Guinevere: To remind them to lead pure lives, always seeking the very best, on the path of the Holy Grail - that symbol of God's grace. Arthur: Yes, that was the cross. But haven't you forgotten the red dragon and what that stood for? Lancelot? Lancelot: You mean serving my king? Well I did that on the battlefield. It just slipped my mind at other times. Arthur: Yes, like when you were near my wife!

Wind in the Willows Play or Set of Guided Reading Scripts This script is suitable for use as Guided Reading (Readers Theater) or for performance. Instead of being sold as two separate products, it is in effect 2 for the price of 1 – as the customer can use it for either purpose. Guided Reading: The 5 scenes can be used by 5 groups of 6 children i.e. a total of 30 altogether and simply read in the classroom, ‘around the table’. In this format, the music suggestions and ‘extra cast’ would obviously be dropped. Duration Around 25 to 30 minutes (about 5 minutes for each script) Play - for Performance Purposes: Use of the entire cast of 30: 6 speakers plus Woodland Creatures and Law Force, along with music suggestions. The length of performance can be reduced from 45 minutes plus to around 20 minutes by less use of music and the omission of one or more scenes. · Play/Performance: 30 minutes plus time for inclusion of music/routines – of around 15 minutes. Total: around 45 minutes – probably a bit longer. · Assembly or Class Play. The length of the play could be reduced to around 20 minutes by omitting one or more of the scenes. Sample Text: Badger: (Exploding) Toad learn his lesson? I don’t think so! Not with his Mole: (Interrupting hurriedly) More sandwiches, anyone? Badger: (To Mole) You’re way too soft on him, Mole. Toad: (Indignantly) Hello! I am still here you know! (Toad continues to fill his mouth with food) Badger: Taking advantage of your friends, as usual! (Badger helps himself to some sandwiches) Toad: Well, you don’t seem to be doing so badly, yourself! Good sandwiches? Badger: Indeed they are! You certainly know how to put together a fine picnic, Ratty! Ratty: Well, thank you. This ol’ brain of mine does have its uses! Mole: Such a clever animal! Badger: And just as well, some of the scrapes you lot got yourselves into! Gaoler: Oh, we know all about those! Stealing a car and driving it with no thought for the safety of others! Badger: That’s Toad, to a T! Toad: (Indignantly) Whatever do you mean? Badger: Just that, nine times of ten, you think of number one first! Toad: (Scratching head) Woah! Wait a minute! That’s way too many numbers! Badger: OK. Let me put it to you simply. (Pauses) You are one selfish, conceited creature! (Everyone gasps) Mole: Oh Badger! Must you? It’s such a lovely day and we were having such a fine time here by the river

The Tales of Beatrix Potter Guided Reading Part III This is the third of a four part series of plays including: The Tales of : • Mrs. Tittlemouse (cast of 6) • Timmy Tiptoes (cast of 6) • Johnny Town-Mouse (cast of 3) • Mr. Tod (cast of 7) • Pigling Bland (cast of 8) These five scripts are of varying lengths but take approximately five minutes each to read, with the total number of speakers at 30. The exception is The Tale of Mr. Tod which is around 15 minutes reading time – this the longest script in the collection. These plays are simple adaptations/conversation pieces based on Beatrix Potter’s tales, for use within the class room. They can either be used as group readers or combined to create a whole class play/assembly. They can be used as PSHE/Citizenship and/or Literacy resources – there are many tips on behaviour both within the scripts and afterwards, in the Q & A/Discussion sections. In the case of the latter, these offer a very simple line of questioning – they are intended as a starting point for further discussion and can of course be expanded beyond this simple format. Tale 11 The Tale of Mrs. Tittlemouse Cast of 6 Mrs. Tittlemouse (Thomasina) Beetle Ladybird (Mother Ladybird) Spider Bumble Bee (Babbitty Bumble) Toad (Mr. Jackson) How can you feel anything but total sympathy for Mrs Tittlemouse – so house-proud and having her spotless house invaded by so many uninvited (and extremely messy) guests? Especially Mr. Jackson – who definitely needs familiarising with the expression ‘outstaying your welcome’! Sample Text: Mrs. Tittlemouse: (Indignantly) But none of you were invited! You all just let yourselves in! Beetle: Are you calling us trespassers? Ladybird: You who told me my house was on fire? Mrs. Tittlemouse: Well, I had to get rid of you somehow! Spider: And there I was, just looking for Little Miss Muffet! Mrs. Tittlemouse: And leaving trails of cobwebs behind, wherever you went! Bumble Bee: (Tutting) Zizz, Bizz, Bizzz! Mrs. Tittlemouse: (Impatiently) Meaning? Bumble Bee: Zizz, Bizz, Bizzz! Mrs. Tittlemouse: (Sarcastically) Very helpful! Toad: I think what she is trying to say is Bumble Bee: (Interrupting angrily) Hey, I can speak for myself, thank you very much! Mrs. Tittlemouse: So, perhaps you can explain all that moss I found in my store cupboard? Bumble Bee: (Hesitantly) Well, it was, er, Mrs. Tittlemouse: Home to your family of bees! The cheek of it! Beetle: (Gasping) Ooh! You mean, she’d set up house (pausing) inside your house? Mrs. Tittlemouse: Exactly! Without so much as a please or a thank you! Ladybird: You mean, Babbitty Bumble just (pauses) moved in? Mrs. Tittlemouse: Quite so! (Pauses) So now can you see why I was less than accommodating to the rest of you? Beetle: Well, if you’re going to be taken advantage of like that, of course we understand. Oh dear! And there I was worrying about my dirty feet!

A Collection of Seven Fairy Tales, adapted to Reader’s Theater, originally written by Brothers Grimm, and given a wee twist by Sue Russell. *As explained below, these scripts are available separately – but together, this collection offers a 60% discount. Rumpelstiltskin Rapunzel Little Red Riding Hood Hansel and Gretel Cinderella Sleeping Beauty Snow White These plays each have a cast of 6. Reading time varies between 10 – 15/20 minutes. With synopsis, teaching input, discussion and suggestions for further activities. *These scripts are available as separate plays (without Readers Theater adaption i.e. with music suggestions and stage directions). Sample Text from Rumpelstilskin: Narrator: Good morning. And welcome to one of our favourite fairy tales Rumpelstiltskin: Rumpelstiltskin! That’s me! Narrator: A veritable fiend! Villain! Crook! Rumpelstiltskin: (Interrupting) Er, wait a minute! Are we talking about the same fairy tale? Narrator: Well, I think so. Weren’t you the horrible little Rumpelstiltskin: (Interrupting) Could you be just a tiny bit less offensive? I mean, ‘horrible’, ‘little’. Aren’t there any rules on political correctness here? Narrator: (Apologetically) Oh I’m sorry. You’re right. I’ll try not to follow this script I have here, quite so much Rumpelstiltskin: Here! Let me take a look at that! (Snorting) Pah! As I thought! Those Brothers Grimm! The way they described their characters! They’d never get away with it today! ‘Little man’ indeed! How would they like to be vertically challenged? Narrator: You know, I do sympathise with you. I think you have a right to feel the way you do! Rumpelstiltskin: Well, thank you Narrator: But that doesn’t completely excuse your behaviour. Rumpelstiltskin: (Exploding) My behaviour? What about that of the king and the girl’s own father?

Grammar and Punctuation Assembly Two camps: Grammys and Punks! Cast of 30 - easily adaptable up or down Duration: around 10 - 15 minutes This class play attempts to cover at least the basics of our great English Language - a pretty tough challenge! 'Coverage' includes: Punctuation: Capital Letters Full Stops Exclamation Marks Question Marks Commas Colons Semicolons Brackets Hyphens Quotation Marks Apostrophes Grammar: Nouns Proper Common Collective Abstract Pronouns Adjectives; Verbs Present Past Future Active and Passive Regular and Irregular Adverb; Preposition Conjunction Sample Text Narrator: (Growing increasingly impatient) Yes! Yes! Do please say what you’ve got to say! We do have a few more parts of speech apart from yourself to get through, you know! Grammy 2: (Huffily) Oh very well. I’ll keep it brief! (Punks all cheer) Grammy 2: Well, proper nouns are really just names. (Pauses) There! Is that brief enough for you? Narrator: Excellent! Thank you for that! (To audience) Phew! I thought for one awful moment we were going to be stuck with proper nouns until the end of the assembly! Next! Grammy 3: (Bashfully) Me? Oh I’m just a common noun! Narrator: Oh! Nothing remotely common about you I’m sure! Grammy 3: But that’s what I’m called! Grammy 2: That’s right! I’m proper! And he’s common! Word: Well, there are quite a few other types, like Grammy 4: Collective nouns – for example, a swarm of bees, a herd of sheep Grammy 5: And abstract nouns – things you can’t hold in your hand - like anger, time Narrator: (Looking at watch) Speaking of which, yes, I think that’s enough on nouns! Grammy 6: (Squeaking) But hey! I might be small, but don’t forget me! Narrator: And you are? Grammy 6: I’m a pronoun! Very important I am! Narrator: (To audience) Just like the rest of them! State your business, briefly if you can!

A Tribute to Queen Elizabeth II and A Celebration of Her Life It was with a sense of shock I heard the news of Queen Elizabeth’s death, early yesterday evening, September 8th, 2022. Even though she was 96 years old, she was always there as a constant in our lives - somehow invincible, an eternal presence. And I, like many others I suspect, feel a deep sense of loss. I offer the following script as tribute to an amazing lady. Cast of 30 (easily adaptable up or down) Duration: around 15 minutes Sample Text: Speaker 24: Like at the celebration of the Queen Mother’s one hundredth birthday. What a party that was for the nation! Speaker 25: Sadly, her death followed all too soon, in 2002 with that of the queen’s sister, Margaret. Speaker 26: But then along came the 2002 Golden Jubilee – another grand celebration of fifty years’ rule – the queen at seventy-six years of age showing no signs of slowing down. Speaker 27: Then two lovely weddings! The wedding of Charles and Camilla in 2005 Speaker 28: And the wedding of William and Kate in 2011; the queen now at 85 enjoying surely one of the happiest days of her life. Narrator: It is wonderful to look back and see her beautiful smile on such happy family occasions. Speaker 29: But let us not forget what an important role she played elsewhere. For example, making that state visit to Northern Ireland, the first of its kind by a British monarch. Narrator: Indeed. Although her power as a constitutional monarch was limited, she proved a brilliant role model for our country, personifying all the best of the United Kingdom on the world stage. She was a shining example – in the case of Northern Ireland, of such qualities as reconciliation. Speaker 1: And then another celebration in 2012! This time, the Diamond Jubilee – sixty years on the throne!

Roald Dahl School Assembly or Class Play Cast size: The small speaking cast of 6 can be increased to include the whole class by adding a supporting cast of characters taken from the five books. September 13th is Roald Dahl Day – this year it is also his centenary. To celebrate this great writer, I, Sue Russell have written an Assembly which attempts to capture just some of the man's genius. It is just a short assembly, looking at 5 of his works - The Magic Finger, BFG, The Giraffe the Pelly and Me, Revolting Rhymes and Dirty Beasts; but in looking at these books again, I for one was reminded of Dahl's amazing ability to create the most bizarre characters, and situations .. out of nothing. He was, I think, a genius and his memory stays vividly alive through his numerous brilliant books. The play has a small speaking cast - teacher (narrator) plus 5 students, who are asked to pick their favourite author (Roald Dahl - no surprises there!) and favourite books. These are The Magic Finger, The BFG, The Giraffe the Pelly and Me, Revolting Rhymes and Dirty Beasts. The supporting cast i.e. characters taken from these books, is left to the teacher's discretion i.e. depending on how many children there are in the class. Different 'favourites' could obviously be chosen and added to the ones 'my five' chose; and I have similarly left out extracts from the books, plus musical excerpts from the movies which could be added. This assembly can thus be expanded upon in a way to suit the individual class and their Dahl preferences. I hope I have provided a good starting point! If you are interested in looking at more great writers from Britain, I have written a Great British Writers Assembly which, along with Dahl, features the works of C.S. Lewis, A.A. Milne, Lewis Carroll and J.K. Rowling. A good resource to have during National Children's Book Week, 1-7 October. Extract Lucy: The Giraffe, the Pelly and Me. Teacher: And why did you choose that one? Lucy: I loved the animal characters in it, including the monkey who isn't mentioned in the title! The three of them - the giraffe, the pelican and the monkey - make up a window cleaning gang, the giraffe acting as a ladder because of his magically long neck; the pelican acting as the bucket, with his special ‘Patented beak' and the monkey acting as the cleaner.

Great Artists Assembly or Class Play - Key Stage I Bruegel and Lowry Script Cast Size - 30 - easily adaptable up or down Duration - around 10 - 15 minutes depending on time spent on children's own artwork. (There is a section of the script dedicated to children showing and describing their own work - this section can be omitted thus reducing duration to around 5 - 10 minutes) Sample Script Bruegel: Oh well! Let me tell you now! I had to disguise myself as a peasant Child 12: Why? Bruegel: Oh so that I could see what it was like …. being a peasant! Child 13: And what was it like – being a peasant? Bruegel: Well, I try to show that in my paintings. Teacher: You see, children. Up to this time, only kings and queens and people with lots of money were painted. Narrator: Lucky for us Bruegel came along – and showed us how the poor people lived! (Bruegel goes back to work at his easel) (Lowry looks up from his work, and stands up) Lowry: So did I! Narrator: Pardon? Lowry: I also showed what it was like to be a worker! (Narrator walks over and holds up Lowry painting, to show cast and audience) Child 14: (To Teacher) That’s like the pictures you showed us, Miss! Teacher: Quite so! Child 15: They show us how people lived in the industrial cities of England. Child 16: Smoking factories Child 17: Long streets Child 18: Long people! Narrator: Pardon? Child 19: Oh, he means – the people look a bit like matchstick men! Lowry: (Laughing) That was my style! This script is one of the Famous People Series based on the lives of significant individuals in the past who have contributed to national and international achievements, comparing aspects of life in different periods. This list of ‘greats’ includes: · Queens - Elizabeth I and Victoria · Explorers - Christopher Columbus and Neil Armstrong · Inventors - William Caxton and Tim Berners-Lee · Women: (i) In Civil Rights - Rosa Parks and Emily Davison (ii) Nurses - Florence Nightingale, Mary Seacole and Edith Cavell. I am happy to write on alternative individuals as per my 'write on request' service - so please drop me a line on sue@plays-r-ussell.com

India Assembly Cast of 30 - easily adaptable up or down Duration - minimum 10 minutes reading time - this, as explained in Production Notes, could be increased to 30 minutes plus The cast (should that be caste?!) of this Indian Assembly or Class Play is anything but equal with the appearance of three gods - two with 4 arms and the other with 4 heads - which one is the narrator supposed to address? Just one of the many problems facing our narrator - the main one being sheer volume of music, colour, joy and .. well everything that makes India such a vibrant country! Sample Text: Music 2 (Shiva dances across ‘the stage’) (Narrator tries to stop him but is confused by the number of arms – four) Narrator: Er, em, excuse me … but who are you and what are you doing? Shiva: What am I doing? Isn’t it obvious? I’m dancing, of course! Narrator: Well, I think we can all see that. But who are you? Shiva: (Exploding) Who am I? Who am I? Narrator: Well, if you put it like that – yes, who are you? (Whole cast gasps in horror) (Child 7 goes over to Narrator) Child 7: (Aside) Surely you know who this is? Narrator: (Irritably) Well, do you really think I’d be asking if I did? Child 7: It’s Shiva – the Destroyer! (Narrator gasps) Narrator: Oh no! Not that god with the power of life and death? Child 7: That’s the one! Narrator: (To Shiva) Oh I am most dreadfully sorry! I had no idea that it was you, Shiva! Shiva: Oh I’ll forgive you! I guess I do look (waving arms around) pretty ‘armless! Narrator: Well, I wouldn’t say that! I mean, I think I counted … four arms? Shiva: Oh that’s nothing! When you compare it with number of names I have! Narrator: And they are? (Holds up fingers to start counting on) Now, let’s see. Starting with Shiva … Shiva: Er, I don’t think we have time to run through the others – there are over one thousand of them! This is one of several assemblies written by Sue Russell on different countries. Others include England, Scotland, Wales, Great Britain, Holland, Australia, France, Spain, Malta and India plus ‘Around the World in 20 Minutes’. Other Indian scripts: Divali and the Story of Rama & Sita (as a play within a play - a little like Midsummer Night’s Dream!) plus scripts on Gandhi and on the Indus Valley Civilisation.

Second World War School Assembly or Class Play What was the Blitz? What was it like to be an evacuee? What did Morrisons have to do with bomb shelters? Why did Americans call the first 6 months the ‘phoney war’? (Also available, set of 5 guided reading play scripts, with quizzes - Background/Beginnings of War, The Course of the War, Evacuation, the Blitz and War-time Life/Rationing; plus a collection of First World War scripts - Remembrance Day Assembly, First World War Assembly and First World War Poets Assembly) SAMPLE TEXT Second World War or World War II Assembly Evacuee 5: I was lucky. Although I got separated from my brother, I was looked after by a very kind couple .. and didn’t want to go back to the grimy old city I’d left. Evacuee 1:I was so home sick. But my Mum said she could only visit once a month. Evacuee 2: I wanted to go home too. But it was for our own safety. (All walk off. Sound of bombs and air raid siren. Air Raid Warden rushes on). Warden: (grabbing child): Quick! It’s an air raid! If you’re not quick, you’re dead! Get yourself into a shelter now! Narrator: Yes, once those sirens went on, you really didn’t want to be out in the open. Best be (pointing at 2 adults and 2 children under table) snuggled together, indoors, under your Morrisons Shelter. Mum (brandishing Morrisons bag). Two for one, this week only! ________________________________________ TEACHING ‘COVERAGE’ 6. Unit 9 Second World War Assembly (i) Whose was to blame? (ii) Timeline: 1914 – 1945 - Origins in First World War - Chamberlain’s Appeasement Policy - Fates of different countries - Battle of Britain - Blitz - V.E. Day - Hiroshima/Nagasaki - V.J. Day (iii) Who was involved (location on map) (iv) Evacuees (v) Air Raids/Shelters (vi) Recreation (vii) Rationing (viii) Role of Army, RAF and Navy (ix) Women’s role (x) Anne Frank (xi) Remembrance Sunday (In Flanders Fields) (xii) Today’s World Situation (United Nations) (xiii) Lessons learnt. MUSIC 1. Land of Hope and Glory 2. Run rabbit, run rabbit, run run run 3. Dad's Army theme 4. Pack up your troubles 5. Imagine -John Lennon

Midsummer Night’s Dream Assembly or Class Play This version of A Midsummer Night's Dream is directed, as a school assembly, by William Shakespeare's own son, Hamnet. Written for cast of 16-30, running time approx. 40 minutes, this play follows the original plot, but has some interesting twists along the way. And as if four confused lovers isn't enough to contend with on stage plus some very non-cooperative fairies - our poor director, Hamnet also has his playwright father to deal with! Sample Text Helena: You are teasing me! You still love Hermia! Lysander: How can you say such a thing? How I do repent, the tedious minutes I with her have spent! Helena: Lysander! This is not the time for bad poetry! Stop your teasing now! Lysander: But why would I not change a raven for a dove? Please, Helena! Come with me now! Let us leave hideous Hermia! Believe me (looking over at the snorting Hermia), you'd be doing me a big favor! Helena: (Sarcastically) So romantic! Men! Who'd have them? (Helena storms off) Lysander: Hmm. I can see I may need another trip to that Charm School! (Turning to Hermia) I've hung around with this one quite long enough. What did I ever see in her? What a sight! I'm off to honor Helena and to be her knight! (Exit) (Hermia wakes, screaming, from a nightmare) Hermia: Lysander! Help me! My worst nightmare ... (Frantically searching through suitcase) Please don't say I've left my make-up bag behind? Other Shakespeare scripts written by Sue Russell: Assemblies: • Macbeth • Different Midsummer Night’s Dream alternative ‘Nightmare’ versions! • Romeo & Juliet – Valentines Assembly • Romeo & Juliet in Love … Well, weren’t they? Guided Reading scripts: • Shakespeare Plays (8 mini condensed versions) • Set of 4 alternative Shakespeare scripts - Hamlet, Macbeth, Midsummer Night's Dream and Romeo & Juliet (incl. detailed synopses and lesson plans) • Alternative Hamlet script plus lesson plan • Alternative Macbeth script plus lesson plan • Alternative Midsummer Night's Dream script plus lesson plan • Alternative Romeo & Juliet script plus lesson plan Alternative fairy tales – Cinderella and Sleeping Beauty – which are in the PSHE section of the website. Plus • Take a Book – Different Genres of Writing Assembly • Great British Writers Assembly. This short small cast assembly - 6 speakers (with adaptations for whole class) focuses on the writers *Roald Dahl, C.S. Lewis, A.A. Milne, Lewis Carroll and J.K. Rowling and their books. • Roald Dahl Assembly

Leavers' Assembly for Year 6s This end of year assembly, for Year 6s, is a light-hearted romp through what they have learnt - with reference to The Big Three (Core Subjects) and not forgetting the Nine Foundation Subjects! The focus is on history (Romans through to the present day) but there are plenty of cross-curricular links along with 'mandatory' reference to Literacy and Numeracy Strategies (which ones?!) and other equally 'important' matters - such as what the dinner ladies are serving up! Cast: Written for a year group of around 90, 3 classes - speaking parts for all, but easily adaptable to smaller year group or fewer classes. Duration: The reading time is relatively short (around 10/15 minutes) so favourite poems or extracts from favourite stories could be added - for children to read or recite. Likewise with favourite Art and D.T. projects (evidence for which may still be at home!). Sample Text Shakespeare: What ho? Methinks this principal should learn a few principle facts himself! Like (embracing himself) "Some are born great, some achieve greatness" .... (pauses, pointing towards Principal) but alas "Some have greatness thrust upon them"! Principal: (Striding towards Shakespeare) Now look here, Bill! I'm the one running this show, today. You and your plays can go ... Music 5 Food Glorious Food - Oliver (Loud outburst of "Food Glorious Food" sung by Oliver and boys. Shakespeare and Drake exit, holding their ears) Principal: And who might this scruffy looking lot be? They wouldn't get into my school looking like that! Oliver: (With bowl held out to Principal) More! Please sir, can I have some more? Principal: (Yelling) More?! (Principal looks inside bowl, sniffs and pulls back in disgust) Principal: Ugh! I don't remember this being on the cafeteria menu this morning? (Line of dinner ladies file on, each holding a different dish, and offering food to Oliver, who samples each in turn) Production Directions This assembly was written for a year group consisting of 3 classes (around 30 for each). Thus, there are 3 groups: Like, Dislike and Not Sure (reflecting feelings about school); these then change into the 3 core subjects; and finally the 9 foundation subjects are added. This arrangement can be changed - dividing one class into three or two classes into three. Because of the primary focus being on history, this subject has the greatest number of speakers (52) - the other subjects just having a handful. Other Leavers Assemblies by Sue Russell: • Our School's Got Talent Leavers' Assembly • Olympics Leavers Assembly • School's Out Leavers' Assembly • It’s Good to be Me Leavers Assembly

School's Out Leavers' Assembly The cast size (30) can easily be adapted up (for a year group) or down, if necessary, to suit class size of less than 30. Duration: Reading time is only about 5 minutes. However, if all 12 songs are used, and say 2 minutes of each are performed, then this takes performance up to around 30 minutes. This is a rough figure depending heavily on how much of each song is used. What does it take to put a smile on those Year 6 faces? Maybe a large dose of great music and some equally great performances .... by the staff?! The lengths teachers will go to - or are we all really just frustrated rock stars underneath?! Easy to produce, great fun to do! Sample Text: Music 1 Yesterday – Beatles (Children file into places, singing as they come in and become seated; at the end of the song, all sit disconsolately, hanging heads in misery; group of teachers stand to one side, listening to their students) Teacher 1: What a beautiful song! Teacher 2: But why the long faces? Teacher 3: Why so sad? Teacher 4: What have you got to feel sad about? Teacher 5: This is your last day at school! Wouldn’t a better choice of music be …? Music 2 School’s Out – Alice Cooper (Teachers sing and perform really ‘over the top’ version of song; students look on in horror) Child 1: And they called us ‘sad’? Child 2: ‘Sad’ has to be the understatement of the year! Child 3: I’d say more like – ‘tragedy’! Teacher 6: (Beaming from ear to ear) Now you’re talking! Music 3 Tragedy – Steps or Bee Gees (Teachers again sing and perform totally ‘over the top’ version of the song; students increasingly alarmed) Child 4: Stop! Stop! Have you all taken leave of your senses? Teacher 7: Well, this is supposed to be a leavers’ assembly, isn’t it? (All teachers fall about laughing) Child 5: But guess what? It’s supposed to be our leavers’ assembly, not yours! Child 6: Yeah! You’ll all still be here this time next year! Child 7: Not like us! Child 8: We’re the ones leaving! Child 9: Not you! Teacher 8: So, why aren’t you celebrating? Other Leavers Assemblies by Sue Russell: It’s Good to be Me Leavers Assembly Leavers Assembly for Year 6s Our School’s Got Talent Leavers Assembly Olympics Leavers Assembly

It's Good To Be Me Leavers Assembly Class size - any Duration - open ended This leavers’ assembly can be tailored to any class or year group size; and likewise can be any length. I have provided a 'skeleton script' of around 5 minutes actual reading time but with numerous opportunities to add on e.g. in 'Wish' and 'Achievement' sections. There are also numerous songs/music which can be included or omitted accordingly. There is the additional fun 'option' of the schools staff 'joining in' at the end - but this is optional and can be left out. Sample Text: Child 1: What’s there to celebrate? Child 2: (Holding up Numeracy exercise book) Look at my scores in Maths. Five out of ten, six out of ten, three out of ten … Why do I bother? I’ll never get Maths! Child 3: Huh! Think that’s bad? You should see the marks I get in my spelling tests! You think you’ve got number blindness? (Child 2 nodding in agreement). Well, I’ve sure got a bad case of blindness when it comes to stringing more than two letters together! Child 4: But at least you don’t make everybody around you wish they were deaf! (Starts singing totally off key/out of tune ‘Do Ray Me Far So La Tea Doe’ set of scales. Whole cast clasps their hands over their ears). See what I mean? Teacher: (Uncovering ears) Hey? What? Oh, you mean your slight lack of musicality? Well, maybe there is just a little room for improvement. Child 5: (Holding up bits of woodwork, taped together but falling apart) And what about my latest Design Technology ‘project’? I don’t think I’ll be getting the call to build the next Olympic stadium! Teacher: (Stroking chin, reflectively) Hmm. Maybe not. Child 6: (Holding up ‘art work’ – black dot in middle of yellow paint) And I don’t suppose I’ll be in the Tate Gallery any time soon! Teacher: Ooh. I wouldn’t bank on it – have you been recently? ‘Anything goes’ there! I think your work would fit in perfectly! Child 7: (Breathlessly) But what about me? I try every year to run that one minute mile – but have I got beyond one hundred metres yet? (Starts coughing and clutching his side) Not a chance! Teacher: Enough! Enough! What is wrong with you guys? Other Leavers Assemblies by Sue Russell: • Leavers' Assembly for Year 6's • Our School's Got Talent Leavers' Assembly • Olympics Leavers Assembly • School's Out Leavers' Assembly

The Queen’s 90th Birthday Party Assembly Special half price to celebrate Her Majesty's Big Day! Whilst 'gracing this assembly' with her presence, the 'party lady' seems just a little reluctant to join in the festivities. So what can our narrator and supporting cast do to change this situation? Well, did someone say it was Her Majesty's 90th birthday? Then, let's hear it for those 90 reasons to celebrate! Sample Text Music 1 Rule Britannia or Land of Hope and Glory (Cast files in with Music 1 in background; all take their seats) Music 2 National Anthem – God Save Our Queen (All stand up) Queen: (To Audience) Do be seated! Ah, how wonderful to be surrounded by my loyal subjects on my birthday! 90 years! Not bad, eh? Narrator: Well, some of us haven’t been around quite that long, your Majesty! But we are here today to celebrate your birthday with you! Queen: Oh I wouldn’t worry too much about that! Narrator: Oh? And why’s that? Queen: (Wistfully) Oh I don’t know. Once one has had as many birthdays as one has .. Narrator: You mean, you’re bored of birthdays? Queen: Well, I’m not quite the party creature I used to be! Narrator: Nonsense! And you know what? That’s what we’re here to prove to you today! Queen: Oh really! Well .. (Queen looks uncertain, shaking her head) Narrator: (To Cast) OK. Time to make Her Majesty’s day! Queen: (Sighing) You can try .. Narrator: Well, with ninety reasons to celebrate your birthday I don’t see how we can go wrong! Whole cast: (Exclaiming together) Ninety? Narrator: You heard! Ninety! And if we’re going to fit those ninety into the next (looks at watch) fifteen minutes, we’d better get a move on! Off we go! Queen: Well, you don’t mind if I make myself comfortable on this here throne? (Queen ‘settles herself comfortably’ onto throne) Queen: Ah that’s better. Do start! Narrator: Well, there are quite a few perks to being Queen, I think you’ll agree? (Queen nods) Child 1: For starters, you get to have two birthdays a year! Can’t be bad! That’s your real one on 21st April and another official one in June!

Rio 2016 Olympic Ode Suggestions on how to use This poem is made up of three parts, taken from the three words of the Olympic Motto - Citius, Altius, Fortius: I. Faster II. Higher III. Stronger Each part is made up of six verses (with chorus to start and/or finish) 18 speakers - 1 verse each, with whole class reading the chorus. 21 speakers - 1 verse each (for 18), plus chorus at the beginning of each part 24 speakers - 1 verse each (for 18), plus chorus at the beginning and end of each part 30 speakers - As for 24 speakers but including six extra verses provided at the end of III, made up of three winners and three losers. I. Faster Chorus Faster, higher, stronger, Olympic champions, we. Faster, higher, stronger, That's all we want to be! Runner 1: The training's over We're on the track We're primed for action There's no looking back. Runner 2: On your marks Get set, go! It's now or never We can't be slow. Other scripts available from Sue Russell: ASSEMBLIES 1. Brazil Host Country to 2016 Rio Olympics 2. Olympics PRIDE Assembly (PSHE 'team spirit' script) 3. Olympic Games 2016 Leavers Assembly 4. Rio 2016 Olympic Games Assembly - covering all 28 sports 5. History of the Olympics Assembly 6. Rio 2016 Olympic Games Assembly: history and events - combined script including Olympic Ode 7. Olympics Assembly for Key Stage 1 Rio 2016 8. Paralympics 2016 Assembly GUIDED READING SCRIPTS 1. A Complete History of the Olympic Games Guided Reading Scripts plus quizzes - set of 8 scripts, plus quizzes 2. Olympics PRIDE Guided Reading QUIZ Rio 2016 Olympic Games Quiz - 100 questions and answers!

Chocolate Assembly (Also available in Key Stage I version) Cast of 30 though easily adaptable up or down. Duration around 15 - 20 minutes. This script on Chocolate covers all subjects of the curriculum i.e. it's a class theme. And how can it not be a popular one when there are so many of everyone's favourite indulgence in it - CHOCOLATES! While covering a few of these (make that 32 - and that doesn't cover the box contents!) there is ample coverage of chocolate's 2,000 year old history - way back to the ancient Mayan culture, .. and not forgetting the amazing Mr Cadbury of course! As chocolate is 'the class theme' there are cross curricular links - covering all primary school subjects - this great challenge rewarded by a generous dose of .... you've guessed! Chocolate! I'm guessing of all my assemblies this one will go down best with both cast and audience! Don't miss out! Sample Text: Child 2: (To Head) And I believe you have a box or two, hidden away, for your staff? (Head turns to Music Teacher) Head: Oops! It seems our secret is out! Child 2: No secret! We only had to look at all the weight our teachers were putting on! (Head reluctantly hands box of Roses chocolates to Child 2) Child 2: Thank you! Ah! (Rubbing tummy) That’s better! Head: (Grunting) Don’t tell me! This is the P.S.H.E. part! Child 2: Correct! Whole cast: (Rubbing tummies) Chocolate makes you feel so good! Child 3: And then there are all those lovely colours, flavours and pretty wrappers. Take this box of Cadburys Roses for example. (Each child holds up the sweet they are naming) Child 4: Strawberry Dream! Child 5: Golden Barrel! Child 6: Tangy Orange Crème! Child 7: Brazilian Darkness! (Child 8 walks over and takes a box of Milk Tray from protesting Head; the opened box is then offered to Child 9 - 12 in turn, calling out names as they take them)

World Cup Rugby PRIDE Assembly - written by Sue Russell aka plays-r-ussell Cast of 25 Duration: around 15 - 20 minutes reading time not including ‘suggested’ music This Class Play sets out to demonstrate the importance of P.R.I.D.E. - an acronym for Positive attitude; Respect for yourself and others; the ability to make Intelligent decisions; time to Dream; and not forgetting all the Effort that needs to be put in - in all walks of life. It provides the perfect way of demonstrating what it takes to make it in life - the kind of success story all children can aspire to. Also available as set of 5 guided reading play scripts. (This script was originally inspired by The Celtics basketball team, in Boston - featuring 17 basketball players, 1 coach, 3 fans, 3 dancers plus mascot but I have adapted it for use by Rugby World Cup, Football World Cup and the Olympics - all available as separate scripts .. with modifications according to sport)

Midsummer Nights’ Dream Alternative version I Midsummer Nightmare is, as the name suggests, just that - for its producer! You'd think that putting on a summer camp production of A Midsummer Night's Dream would be a doddle, right? WRONG! This particular production is the stuff of nightmares - as our hapless teacher is about to find out! Never in his wildest dreams would he have imagined the consequences of falling asleep whilst reading one of his favourite Shakespeare plays. Same story - but radically different cast - with a little help from Michael Jackson's Thriller! Estimated length of performance: 30 - 40 minutes (depending on dancing/singing time). Written for cast of 10, 14 or 14 plus. Comprehensive production notes ensure an easy transition from small to large cast. This play does not include the play performed by Bottom, etc (for the Duke of Athens). This is because the script was originally written for 10. Another version, including this 'play within a play' is now available, called Midsummer Nightmare II, with cast of 17; and a third script Midsummer Nightmare III: 50 minutes, with cast of 25. Sample text Music 7 Michael Jackson's Thriller (Enter Oberon and Puck, doing own version of above song) Teacher: Oh no! Not that beastly song again! Oberon: Pardon! We happen to think we could out-dance those guys from Hollywood, inour wood, any day! Puck: Yeah! We don't even need to add makeup! Oberon: But shush! Who goes there? Our Athenian couple - restored to love? (Sounds of shouting) It doesn't sound very harmonious! Music 8 Beat It - Michael Jackson (Enter Demetrius and Hermia, singing and dancing to above) Hermia: So, what didn't you understand about (shouting) BEAT IT! Demetrius: But I love you! Hermia: Get out of my sight! If I ever see you again, I will kill you! (Exit Hermia) (Oberon and Puck standing at side, making observations, unheard by Demetrius) Oberon: Something is very wrong here! Puck! (Grabbing him as he tries to make a quick exit) What have you done? Puck: Well, see, I gave those drops to some Athenian, as you said. But it was someother bloke, not this one! Did I mess up? Oberon: I'll say! Now we have two guys in love with just one girl. Go undo your mistakes. Find Helena! (Exit Puck) (Demetrius falls to the ground and starts snoring) Oberon: Now I shall anoint his eyes and make sure everything is all right this time! (Oberon squeezes drops onto eyelids of Demetrius) (Enter Helena) (Demetrius wakes up and beholds Helena) Demetrius: My love!