I am an A Level tutor who teaches Film Studies A Level & G.C.S.E., Sociology A Level, E.P.Q., English Language G.C.S.E.
*PLEASE REVIEW*
I complete schemes of work for each of my courses and aim to upload as many resources as I can in the near future. If you like my work and would like to request a resource, please let me know and I will produce what you need.
I produce video resources here:
https://www.youtube.com/channel/UC31WbZO2OQW3Ul108I0QUmw
I am an A Level tutor who teaches Film Studies A Level & G.C.S.E., Sociology A Level, E.P.Q., English Language G.C.S.E.
*PLEASE REVIEW*
I complete schemes of work for each of my courses and aim to upload as many resources as I can in the near future. If you like my work and would like to request a resource, please let me know and I will produce what you need.
I produce video resources here:
https://www.youtube.com/channel/UC31WbZO2OQW3Ul108I0QUmw
This pack contains an entire scheme of learning for the **AQA Sociology: Education **topic
There are over 50 resources in this pack:
The pack contains lesson PowerPoints, handouts, work booklets, assessment materials and activities for all of the following areas:
Introduction to Education
Funcationalist Approach to Education
Marxist Approach to Education
Social Class and Achievement
Gender and Education - boys, girls
Ethnicity and Education
Social Policy
**I have included several screenshots of lessons to give an idea of the quality and style of the resources. **
Each lesson and handout has been designed with students in mind - they are colourful, full of images, interesting tasks and are engaging for learners. There are a variety of approaches used across the scheme, as well as a variety of assessment activities.
Every single lesson has an accompanying booklet for students to fill in during lessons.
Sample responses, past paper questions, additional reading, documentary recommendations, and more are contained within the lessons.
This pack contains:
**
EIGHT lessons
TWO large student booklets that cover all eight lessons. **
Lesson 1 - Factors Affecting Choice of Research Method (30 slides)
Lesson 2 - Sampling and Social Surveys (13 slides)
Lesson 3 - Experiments: Lab, Field, Comparative Methods (21 slides)
Lesson 4 - Questionnaires - Mailed, Emailed, In person (13 slides)
Lesson 5 - Interviews (40 slides)
Lesson 6 - Observations - Overt / Covert, participant, Non-Participant (29 slides)
Lesson 7 - Secondary Data - Qualitative and Quantitative (18 slides)
Lesson 8 - Research Methods Consolidation Tasks (13 slides)
Lesson are full of relevant images, are designed to be visually engaging, and contains many tasks to help students develop their critical thinking skills.
Covered in every lesson:
Definition of each Research Methods
Detailed exploration of each Research Method
Examples/Case Study data
Additional Reading
BOOKLETS
Booklet 1 covers: (30 pages)
Lesson 1 - Factors Affecting Choice of Research Method (30 slides)
Lesson 2 - Sampling and Social Surveys (13 slides)
Lesson 3 - Experiments: Lab, Field, Comparative Methods (21 slides)
Lesson 4 - Questionnaires - Mailed, Emailed, In person (13 slides)
Booklet 2 covers: (36 pages)
Lesson 5 - Interviews (40 slides)
Lesson 6 - Observations - Overt / Covert, participant, Non-Participant (29 slides)
Lesson 7 - Secondary Data - Qualitative and Quantitative (18 slides)
Lesson 8 - Research Methods Consolidation Tasks (13 slides)
There are assessment activities included (including sample answers, exam technique guidance).
This pack contains one 31-slide PowerPoint lesson, 1 student booklet, 1 ‘notes and analysis’ handout
The lesson covers:
1 - Aesthetics of Pan’s Labyrinth
Cold/Blue fascist world
Orange/Red/Fantasy world
Aesthetic styles: Magical Realism
Magical Realism as a mode of exploring horrors of 20th Century fascism.
Analysis =- opening scenes: use of aesthetics to communicate social/political issues related to the film
Analysis of: Ofelia's introduction / Magical realism
Analysis of: The Captain; control, order, blue/black aesthetics
detailed feedback and notes provided for each 'textual analysis' task
Asthetic inspiration: Disturbing Art
Goya's Black Painting / Saturn Devouring his Son
Analysis - The Pale Man - links to Fascism, the Catholic Church, destruction of women and children
Fascist and Catholic imagery in the Pale Man scenes - detailed exploration of key elelemts of mise-en-scene:
Stations of the Cross
Stigmata
Forbidden Fruit
The Holocaust
Assessment task included to consolidate student learning.
**This pack contains a 31 slide PowerPoint addressing a contextual reading of the film. A 14 page student booklet is also included. **
This lesson covers:
**Aesthetics - magical realism, Phantasmagoria, The Grotesque in Del Toro’s work
Aesthetics of PL **- Blue/Black for the real world vs. Orange/red for the fantasy world.
Discussion of how aesthetic choices drive meaning in the film.
Consideration of past exam question (students will work towards answering this question as they go through this lesson with you)
Magical Realism - define and explore.
Magical Realism - a vehicle for exploring the horrors of the 20th century.
Dr. Tom Shippey article re: magical realism and fascism in the 20th century.
Film Analysis
Each scene is explored in DETAIL with the students. There are detailed notes provided (these can be given to students, used by teachers to inform their own reading, or ignored in favour of a student lead approach)
1 - intro to the film
2 - Intro to Ofelia
3 - The Captain
**
Using Disturbing Art to reflect a disturbed world **
Discussion of 'disturbing art’
Introduction to Goya and his Black Paintings
Study of Saturn Devouring his Son - primary aesthetic inspiration for the Pale Man
**Analysis:
**
4 - the Dinner scene
5 - the Pale Man - links to fascism, the catholic church, symbolism of the Pale Man as the Captain.
Assessment included.
This pack contains a 39 page PowerPoint presentation and a 16 page student booklet.
The lesson can be taught as one linear session, or split in to smaller, more manageable sessions. This lesson contains everything you need to prepare students for the contextual issues, and stylistic choices, that inform the film.
The lesson covers:
Look at past questions - looking for trends and recurring topics
Intro to film (basic production context info)
Del Toro - mini-auteur study and formation of his style / themes.
(Task - watch clips from some Del Toro films. Students to note down stylistic and thematic consistencies in his work)
Contextual Issues
What is Fascism?
History of Fascism in Europe
Franco’s Spain - rise of fascism in Spain.
Gender - how Franco’s fascist policies impacted women, minorities, non-Fascists in Spain (specific focus on women and how this informs the representation of gender in the film).
Role of the Catholic Church - links to Fascism and Franco
Additional research links
Pre-screening consolidation task - this can be re-visited AFTER the screening. Students can begin building contextual links to the film on their own/in groups before in-depth study begins with the teacher.
This pack contains a 62-slide PowerPoint and accompanying 20 page student booklet. The lesson offers a comprehensive analysis of Vertigo’s post-WWII cultural context with a focus on Post War Gender Relations.
The lesson covers:
Starter - breakdown of exam / types questions students will face
Students to discuss their response to the film and list adjectives for key characters (to be used later in assessments)
Analysis of the opening scenes (credits and roof-top chase)
Introduction of key themes: voyeurism, women under scutiny, castration anxiety/loss of masculine status
Historical Context: the cold war, 1950s as ‘Age of Anxiety’
Gender roles and gender anxiety in post war America
Image analysis: compare images of Rosey the Riveter / WWII propaganda that promotes women with 1950s advertisements that position women as domestic, passive, in the home - reflects change in attitudes toward gender roles post WWII
How were traditional gender roles reinforced?
Psycho-analysis - introduction of key concepts
re-analysis of opening sequence - explore castration anxiety in post WWII USA
Analysis of Midge’s apartment scene: castrated males, powerful women
Repetition compulsion
Ernie’s - the feminine ideal / Madeleine = the ‘ideal’
The Bell Tower - phallic image / Scottie’s trauma prevents masculine duty
Second Bell Tower scene - the return of the traditional, untraumatised male
Assessment included with a plan