LO1 to compare and contrast the two main settings of Othello (AO1 and AO2) LO2 to consider the reasons Shakespeare may have chosen to set the play in Venice and Cyprus and how he uses those settings to explore key themes in the novel (AO2 and AO3) LO3 To write a paragraph which considers Shakeseare’s use of setting (AO1, AO2, AO3 and AO5) Extension and stretch and challenge activities are embedded throughout; the lesson has an overarching question which encourages the development of higher order thinking. Opportunities for paragraph writing and peer assessment are also utilised. AS/A Level English Literature (2015+) Paper 1, Section A: Shakespeare

LO1 To explore how the balance of power shifts between Iago and Othello in lines 90 to 259 (AO2) LO2 To closely analyse the linguistic techniques that Iago uses to manipulate Othello (AO2) LO3 To consider the impact that Iago has on Othello’s state of mind in the first section of Act 3 scene 3 (AO2) Extension and stretch and challenge activities are embedded throughout; the lesson has an overarching question which encourages the development of higher order thinking. Opportunities for paragraph writing and peer assessment are also utilised. AS/A Level English Literature (2015+) Paper 1, Section A: Shakespeare

LO1 To develop our ability to respond to alternative readings of the opening to Act 4 (AO5) LO2 To explore how Iago stages ‘ocular proof’ of Desdemona’s unfaithfulness in Act 4 scene 1 (AO2) LO3 To introduce the significance of Shakespeare’s use of verse and prose (AO2) and analyse how Shakespeare uses this to suggest Othello’s collapsing state of mind (AO1 and AO2) Extension and stretch and challenge activities are embedded throughout; the lesson has an overarching question which encourages the development of higher order thinking. Opportunities for paragraph writing and peer assessment are also utilised. AS/A Level English Literature (2015+) Paper 1, Section A: Shakespeare

LO1 To consider the dramatic significance of Act 5 scene 1 and to reflect on Roderigo’s role in the play (AO2) LO2 To reflect on the dramatic role and thematic significance of Bianca in the play (AO1 and AO2) LO3 To explore whether Shakespeare portrays Desdemona and Emilia as passive victims or being active in determining their own fate (AO2 and AO5) Extension and stretch and challenge activities are embedded throughout; the lesson has an overarching question which encourages the development of higher order thinking. Opportunities for paragraph writing and peer assessment are also utilised. AS/A Level English Literature (2015+) Paper 1, Section A: Shakespeare

LO1 to consider the personality traits of each of the characters over the course of the play (AO1/AO2) LO2 to evaluate Shakespeare’s influences and intentions in shaping the characters (AO1/AO2) LO3 To write a paragraph which considers our initial impressions of Brabantio (AO1, AO2, AO3 and AO5) Extension and stretch and challenge activities are embedded throughout; the lesson has an overarching question which encourages the development of higher order thinking. Opportunities for paragraph writing and peer assessment are also utilised. AS/A Level English Literature (2015+) Paper 1, Section A: Shakespeare

LO1 to analyse the significance of Emilia’s role in Act 5 scene 2 (AO2) LO2 to consider the socio-political context for women in the 1600s (AO3) LO3 to create an academic revision poster about women in the play (AO1, AO2, AO3, AO5) Extension and stretch and challenge activities are embedded throughout; the lesson has an overarching question which encourages the development of higher order thinking. Opportunities for paragraph writing and peer assessment are also utilised. AS/A Level English Literature (2015+) Paper 1, Section A: Shakespeare

LO1 Complete notes on how race has been presented  and dramatised (AO1, AO3) LO2 Read, analyse, and evaluate critical perspectives (AO5) LO3 Plan a response to a race question, using context and critics (AO1, AO2, AO3, AO5) Extension and stretch and challenge activities are embedded throughout; the lesson has an overarching question which encourages the development of higher order thinking. Opportunities for paragraph writing and peer assessment are also utilised. AS/A Level English Literature (2015+) Paper 1, Section A: Shakespeare

A full lesson, including a ‘do now’ activity as students settle, an overarching session question, detailed context, scaffolded guided questions for analysis of sound, language, figurative language, structure and form. EdExcel AS/A Level English Literature Paper 3: Poetry, Section B: The Romantics

A full lesson, including a ‘do now’ activity as students settle, an overarching session question, detailed context, scaffolded guided questions for analysis of sound, language, figurative language, structure and form. Includes a Massolit llecture link, but your school will have to have a subscription to access it (but the lesson is still complete without it!) EdExcel AS/A Level English Literature Paper 3: Poetry, Section B: The Romantics

A lecture on Jeanette Winterson’s 1985 novel, Oranges Are Not the Only Fruit, used to support as a coursework text for AS/A EdExcel English Literature NEA Component. The lecture encourages students to consider several contextual points in relation to the novel, overviews key elements of postmodern devices used by Winterson, and includes some criticism to further the learners’ ideas about the text.

A flipped learning introduction to postcolonial studies. LO1 to introduce postcolonialism as a critical lens (AO1, AO3, AO5) LO2 to apply this critical lens to different modes of text (AO2, AO5) LO3 to analyse an extract from each of the six novel extracts using a postcolonial perspective (AO2, AO5)

An Introduction to Mary Shelley’s Frankenstein ( 1831 ed.). Genre, terminology, context and scaffolded research tasks. **EdExcel AS/A Level English Literature 2015+. Paper 2: ‘Science and Society’. **

A complete lesson on Chapters 4 and 5 from Mary Shelley’s Frankenstein ( 1831 ed.). The lesson explores and analyses Victor’s obsession and the dangers of knowledge as well as the birth scene. Allusion to Dante’s inferno explored, as well as critical reception of the birth scene from Anne K. Mellor and Marilyn Butler. **EdExcel AS/A Level English Literature 2015+. Paper 2: ‘Science and Society’. **

A full lesson on the poem ‘History’ by John Burnside. Poems of Decade, Forward Poetry (2011) Edexcel AS/A English Literature, 2015+

A complete lesson on Chapters 22 and 23 from Mary Shelley’s Frankenstein ( 1831 ed.). The lesson explores the events of Chapters 22 and 23, with a paticular focus on the death of Elizabeth and Victor’s reaction to it; close text analysis of key evidence from both chapters. **EdExcel AS/A Level English Literature 2015+. Paper 2: ‘Science and Society’. **

A full lesson on the poem ‘Guiseppe’ by Roderick Ford. Poems of Decade, Forward Poetry (2011) Edexcel AS/A English Literature, 2015+

A full lesson on the poem ‘Out of the Bag’ by Seamus Heaney. Poems of Decade, Forward Poetry (2011) Edexcel AS/A English Literature, 2015+

This fully scaffolded lesson explores the significance of the play’s opening and how Shakespeare creates initial impressions of Iago and Roderigo, considers the malcontent and the Machiavellian villain as character types which inform Shakespeare’s portrayal of Iago and encourages analysis into how Shakespeare portrays issues of race and gender in Act 1 scene 1. Extension and stretch and challenge activities are embedded throughout; the lesson has an overarching question which encourages the development of higher order thinking. Opportunities for paragraph writing and peer assessment are also utilised. AS/A Level English Literature (2015+) Paper 1, Section A: Shakespeare

This fully scaffolded lesson explores the connotations of different settings used within Othello and the presentations of characters through dialogue, considers relevant context and how this enhances our interpretation and culminates in learners writing a paragraph in response to an exam question with a guided peer-assessment component. Extension and stretch and challenge activities are embedded throughout; the lesson has an overarching question which encourages the development of higher order thinking. Opportunities for paragraph writing and peer assessment are also utilised. AS/A Level English Literature (2015+) Paper 1, Section A: Shakespeare

This fully scaffolded lesson encourages learners to reflect on and respond to alternative readings of the play’s opening, consider the significance of the political backdrop to Act 1 scene 3 and to explore how Shakespeare creates initial impressions of Desdemona’s character. Extension and stretch and challenge activities are embedded throughout; the lesson has an overarching question which encourages the development of higher order thinking. Opportunities for paragraph writing and peer assessment are also utilised. ** AS/A Level English Literature (2015+) Paper 1, Section A: Shakespeare**