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The anatomical realism displayed in Gericault’s “Raft of the Medusa” is directly attributable to his studies from corpses and body parts “borrowed” from a morgue.
It intrigues me that, in an era when not an eyelid is raised when trains are allowed to run over a woman’s body for hours, and it is considered amusing for medical students to take cadavers to parties, a serious artist is castigated for traditional methods.
TOM HARDY 176 Bedford Hill London
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