6 fully differentiated (by colour) lessons to support the teaching of act 3 of An Inspector Calls Differentiation: purple = lower blue = middle yellow = higher Resources provide opportunities to: - explore context 1912 and 1945 - explore Eric's involvement in Eva's death - analyse language and structure - structure exam responses - compare the responsibility of different characters - write a speech -explore the functions of the inspector

2 differentiated (by colour) lessons to support the teaching of 'The destruction of Sannacherib' by Lord Byron. Differentiation: purple = lower blue = middle yellow = higher Resources are planned in line with the new 9-1 specification and provide opportunities to: - explore context, language, structure and form

2 fully differentiated (by colour) lessons to support the teaching of 'The man he killed' by Thomas Hardy. Differentiation: purple = lower blue = middle yellow = higher Resources have been planned in line with new specification and explore: -context - language, form and structure - possible effects on reader

6 fully differentiated (by colour) lessons to support the teaching of language analysis for new specification AQA paper 2 - (non fiction texts) Differentiation: purple = lower blue = middle yellow = higher Resources use a range of modern non fiction and 19th century non fiction texts to guide students through answering Q3 - language analysis. Model answers included and opportunities for students to improve model answers, Text on super markets - girl of the period and a letter from a student. Texts included

Fully differentiated resources to support the teaching of the following poems from the new specification Edexcel conflict poetry collection: 1. What were they like? 2. The destruction of Sannacherib 3. No problem 4. Poison tree 5. The man he killed Outstanding lessons (2-3 power points per poem) that are meticulously planned with differentiated activities. Ready to go lessons. Lessons cover: language, form, structure and context to meet the requirements of the new specification. Differentiation: purple = lower ability blue = middle ability yellow = higher ability

These resources help students to revise the characters, themes and context of the play. The context resources can be used as a carousel activity. The resources on themes and characters guide students through the process of answering an exam question, using success criteria and timings. Model answers are also included aimed at middle ability.

A wide variety of starter activities and warms to get students engaged and awake. Included in this wide variety of starters and warm ups are: - optical illusions - ice breakers - Taboo games - Brain gyms - homophones - metaphors and similes - double negatives - imperatives - punctuation practice - spellings - inference - describing games and many, many more!

Over 14 lessons to support the teaching of Skellig. Opportunities for students to: - analysis writer's methods - analyse the creation of tension - develop speaking and listening skills - explore symbolism - create diary entries - make links to other literature including the schoolboy by William Blake - explore the effect on the reader - explore characters and themes

Over 31 fully differentiated (by colour) and meticulously planned lessons to support the teaching of The Edge by Allan Gibbons. Lessons are numbered for ease of use. Differentiation: purple = lower ability blue = middle ability yellow = higher ability Resources provide opportunities to: - explore an analyse characters and themes -explore racism and make links to other literature including John Agard poetry - explore bullying and create anti bug texts - explore perspectives - write agony aunt letters - explore and analyse the creation of tension - study news reports and create reports - study and create police reports - develop narrative writing - develop persuasive writing - explore dramatic irony

Ideal for year 7 or year 8. Five lessons to develop the AQA new specification paper 2 skills for question 1 and question 2 using the AQA KS3 papers. Also ideal for low ability KS4 - true or false task - summarise the differences Resources provide opportunity to: - explore non fiction texts - select and retrieve explicit information - develop inference skills - write summaries of differences between modern and 19th century non fiction texts Differentiation: purple = lower blue = middle yellow = higher Texts included: - PGL leaflet - Edinburgh zoo web page - Light water valley leaflet - 19th century extract from The watercress girl - Modern non fiction text - Living dolls - Modern and 19th century text about street music

Fully differentiated resources (by colour) to support the teaching of war poetry. Poems covered form 7 of the 15 poems that need to be covered for the AQA 9-1 English literature poetry component but can be taught in KS3 if a different exam board is being taught. The lessons will prepare students for analysing poetry at GCSE if chosen to use at KS3 these would be ideal preparation. Poems covered: - Exposure - Kamikazee - War photographer - Bayonet charge - Poppies - Charge of the light brigade - Remains Differentiation: purple = lower ability blue - middle ability yellow = higher ability

Two fully differentiated (by colour) lessons to support the teaching of Romeo and Juliet Act 2 scene 3. Differentiation: purple = lower ability blue = middle ability yellow = higher ability Resources provide opportunities to: - explore writer's methods - assess against the 9-1 specification success criteria - explore Catholic marriage - work on writing skills for language paper 2

Differentiated resources to support the teaching of the ballad of Charlotte Dymond.

With very few sample assessment materials provided by the exam boards I have created my own. They have been made to look exactly like the assessments that students will sit n the real 9-1 examinations and are phrased in the same ways too. This paper uses Remains as the printed poem. The student responses can then be marked using the relevant mark scheme for Power and conflict poetry.

With very few sample assessment materials provided by the exam boards I have created my own. They have been made to look exactly like the assessments that students will sit in the real 9-1 examinations and are phrased in the same ways too. This paper uses London as the printed poem. The student responses can then be marked using the relevant mark scheme for Power and conflict poetry.